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Film Analysis: Crouching Tiger, Hidden Dragon

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Crouching Tiger, Hidden Dragon is not only a result of Hong Kong mainstream culture, but rather an attentive investigation and basic assessment of different parts of Hong Kong traditional culture. They created a marvelous union of different types of Hong Kong mythology and Taoist reasoning that conveys a more extensive viewpoint to its topic. Furthermore, the movie grasps a delicately sentimental humanism that is more invigorating than the obscure method for separation and foreswearing normal for Eastern thought. The disagreement between the film's humanist sensibilities and those of Eastern rationality is most plainly showed in essential trades between two of the fundamental characters, warrior-saints Li Mu Bai and Yu Shu Lien. These trades, …show more content…
This rationality is soon evident in his connection to Shu Lien herself. Mu Bai realizes that sticking to this individual friendship is in opposition to his Wudan method for separation; yet in her organization he discovers something that evades him in his reflections. In the film Mu Bai and Shu Lien have long had affections for each other, yet have denied these sentiments to seek the requests of a Giang Hu way of life. In the main scene, Mu Bai reveals to Shu Lien that he has recently experienced a crises of profound contemplation. At the film's midpoint, Mu Bai goes so far as to take Shu Lien's hand and press it to his cheek; yet even here he is kept down by the ramifications of his theory, the things they touch have no perpetual quality. There is nothing they can clutch in this world. Just by giving up the fight they would be able to truly have what is genuine. He eagerly turns once more from the definitive objective of his life's interests for affection. In the event that this is not yet the most phenomenal path of celestial love portrayed in a standout amongst the most acclaimed sections of the New Testament, it is as yet something more than the negative route of Taoist supernatural

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