Premium Essay

Film Study Essay

In: English and Literature

Submitted By mulondo
Words 698
Pages 3
The movie

Film study essay
Grade 12

The films reasonable man and tsotsi both deal with how one faces and deals with his past, therefore the theme “emotional journey” is revealed clearly in characters. In comparing and contrasting the characters of Sean and David (Tsotsi). Write an essay of about 700-800 words to discuss which movie best portrays that. Refer to the uniquely filmic issues such as composition, lighting, sound camera shots and angles to smoothly weave them into your reasoning.

2014
Mulondo Nethengwe
English assignment
7/21/2014

How strange, a movie where a bad man becomes better, instead of the other way around “Tsotsi” a film of deep emotional power, considers a young killer whose cold eyes show no emotion, who kills unthinkingly, and who is transformed by the helplessness of a baby. He didn't mean to kidnap the baby, but now that he has it, it looks at him with trust and need, and he is powerless before eyes more demanding than his own. On the other hand, the movie Reasonable man tells a story of a city lawyer who comes across the case of the herd boy from remote, rural Zululand, who killed a one year old baby in the mistaken belief that he was killing an evil spirit known as the tokoloshe. Secrets of Sean from the past were revealed as he tried to help the herd boy, siphon. In such parameters of the two movies the one that best portrays “emotional journey” is that that brought the images to life.

The movie that best portrays the theme at hand, which is “emotional journey”, is tsotsi. In comparing the two major characters, Sean in the Reasonable man and David in the movie tsotsi, the one that brings about more of emotion is David, this is seen in the way and the cinematographic effects such as the lighting, composition, camera shots and angles etc were done. Warm, earthy colours used in the township, cool, sterile lighting used to show train…...

Similar Documents

Free Essay

Discuss Unrealiability in Shutter Island Film Studies Essay

...Films more often than enough can demonstrate signs of unreliability and the majority of the time it is the narrator who is the cause of the film's dubiousness. The dictionary definition of an unreliable narrator asserts that they demonstrate qualities and tendencies that denote an absence of reliability or perception of the narrative. "Whether due to age, mental disability or personal involvement, an unreliable narrator provides the reader with either incomplete or inaccurate information as a result of these conditions." [1] As Wayne Booth once stated: "I have called a narrator reliable when he speaks for or acts in accordance with the norms of the work, (which is to say, the implied authors norms) unreliable when he does not" [2] . We are consumers of narratives which has given us the ability to identify unreliable stories. However as "theoreticians, we are less well able to say what constitutes unreliability and how it is detected". [3] Shutter Island is a film adapted, from a novel, by Martin Scorsese; the film is within the film noir genre, with an unreliable narrator that, as result, plays with your mind and makes the film appear to be very ambiguous. Shutter Island is clearly shown through the perspective of a fallacious narrator. A narrator's job is to reveal what is real in the narrative and, comparable to tellers in reality, the narrator may have it incorrect or would rather disclose what they deem to be true. "On this model we perceive narrative......

Words: 1390 - Pages: 6

Free Essay

Philosophy

...collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan’s most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan’s thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies. These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film’s power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light. Because of its dual focus on developments in Lacanian theory and in contemporary film, this......

Words: 532 - Pages: 3

Free Essay

Arne Engelston

...In “Literary Film Adaptations as Educational Text” by Arne Engelstad, the main argument in this article is to discuss the process of turning novels into movies. This article is addressed to people who are interested in why so many different novels are inverted into to movies. The essay’s main focus is to determine how literary film adaptations are useful for educational texts. This essay relies on multiple pieces of evidence. As the essay states there are three major reasons for adaptation which are, the bestseller argument, which means it is a good profit to make a movie off of an already bestselling book. Also, the prestige involved in the film’s close relationship to literature. Last, is that the best story is often found between the covers of a novel. These three major reasons for adaptation are facts. Other pieces of evidence include, the four steps after you have read the novel and then seen the film adaptation of it. The first step is to compare the two discourses on a strictly narrative level. Second, is to study the results from verbal to visual representation. Third, to figure out if the film tried to developed similarities to the novel that we not transferable, and finally to collect all of the film’s main theme or themes compared to the novel. These four steps are an example of experimental data. The reason why you should study film adaptation in class is because it offers an insight into the nature of expression through words and pictures, as well as, to......

Words: 496 - Pages: 2

Free Essay

Politics

...RLG101H FILM ESSAY INSTRUCTIONS Submission • • The deadline for this essay is 11:59 pm on November 29. You will be penalized one per cent (out of 100) per day late. If your assignment is late and you believe that you should not be penalized, within a week of submitting the essay please send a written explanation to Prof. Ken Derry, along with appropriate supporting documentation. Your essay must be submitted through both BLACKBOARD and TURNITIN.COM as a Microsoft Word (.doc) file. Paper copies of your essay will not be accepted. If you do not wish to submit your essay to Turnitin.com, you must consult with the course instructor; see details on the course syllabus under “Writing Requirements.” • Assignment Your task is to analyze the “religious content” of a particular film. To accomplish this task, your essay must do the following: 1. Identify a key message promoted by the film. One way to find a key message is to complete this sentence: “According to this film, what is most important in life is . . .” 2. Use theories about belief, text, ritual, and/or visual culture to show how this message is promoted by the film. The theories you use must be drawn ONLY from these readings: • Malory Nye, Religion: The Basics, Chapters 5 (“Belief”), 6 (“Ritual”), or 7 (“Text”) • S. Brent Plate, Introduction to Religion, Art, and Visual Culture (in the course reader) Imagine that you are writing this essay for a film website. Your audience consists of people who have seen the film, but......

Words: 906 - Pages: 4

Free Essay

Beginner Essay

... | | | |The article by Jamie Cleland is titled The media and | | | |football supporters: a changing relationship. | | | | | | |Who is the author and what is the essay title in the book Formations: A 21st Century|The essay on pp. 93-96 is titled The reassessment of | | |Media Textbook pp. 93 -96? |ideology. The author of the essay is Mike Cormack and | | |Who is the editor of this book? |his essay is titled | | | |The editor of the book is Dan Fleming. | | | | | | | | | | | ...

Words: 1493 - Pages: 6

Premium Essay

Annotated Bibilography

...Case study Topic: Disney’s FROZEN as a global pop culture phenomenon FROZEN has been a global sensation with great reception by audiences around the world with its original song “Let It Go”. Let It Go was translated into many languages which captivated people around the globe of all ages . This move by Disney can be seen as a form of “media globalization” via the means of YouTube and theatrical releases on Television in different countries with different cultures and languages. The reception of the film can be seen as a “cultural process” or Cultural globalization which is the intensification and expansion of cultural flows across the globe . Academic Sources 1) Mollet, T. 2013. “With a smile and a song …”: Walt Disney and the birth of the American fairy tale.” Marvels & Tales 27 (1): 109-24. In this journal article, Mollet reviews on how Walt Disney’s production is now being seen as crucial to the construction of the modern American society through his contribution to the formation of a new United States nationalism . The author approaches the topic using cultural studies and textual analysis ofn Disney fairy tales to exemplify how they reflect the dominant (?) culture of America. Her research focuses on analysing Disney films such as “Snow White and The Seven Dwarfs”, “Three Little Pigs”, “Wizard of Oz” and how these films and their characters portray the unstable society and culture of America during the great depression and other different time periodslines.......

Words: 3008 - Pages: 13

Free Essay

Work

...social change and a weapon of political liberation. This use of film as a social and political force emerged first in Latin America and spread to Africa and China, while also emerging in the First World countries including the U.S.S.R. and United States. The counterculture and the New Left were examples of an international politics of youth that focused on opposition to American involvement in Vietnam, critique of post-World War II capitalist society, and social-protest movements focused on equality of diverse groups. Eventually, radical leftism declined in the mid-1970s, but engaged filmmaking remained central to the micropolitics of the era. A June 1979 alternative-cinema conference in New York assembled over 400 political activists working in film and video in the United States. In some countries, government liberalization led to funding for militant film. The new Labour government in Britain assisted Liberation Film and Cinema Action, while the regional Maisons de la Culture allotted money for local media groups in France. Some parallel distribution and exhibition circuits proved successful in promoting films about nuclear power, day care, ethnic rights, and similar issues. In the United States and Great Britain, feminist filmmaking pioneered the turn to issue-centered, grassroots problems. By 1977, 250 women’s films had been produced in the United States alone. As the international women’s movement grew, films on rape, self-defense, and housekeeping were......

Words: 2878 - Pages: 12

Free Essay

Film Music

...Hundreds of CDs, a few dozen LPs and a couple of books on film music. Can this prepare me for a 4000 word essay on the development of film music in American cinema? You bet it can. The topic of the essay for the unit of study American Film and Hollywood in my US Studies course will be about the development of film music over the last century, but in particular how it just isn’t as good as it used to be, and there are people to blame for this, which I’ll get to further below. When you’re passionate about film music and you’ve been listening to the works of composers such as Jerry Goldsmith, John Williams, James Horner, John Barry, and many others from the so-called Silver Age of American cinema, you develop a certain taste and an in-built aural detector forms in your brain, connected to your ears, that makes you automatically know what separates a good film score from a bad one. Hell, even some bad film scores can have a sense of fun about them, even if they draw attention to themselves because film score aficionados are tuned into their siren-like abilities that lure us in to take notice and enjoy it for what it is. It may have a certain charm about it that makes it unique. Then you take a look back at the Golden Age film scores of Max Steiner, Erich Wolfgang Korngold, Bernard Herrmann, Franz Waxman, Roy Webb, Alex North, Dimitri Tiomkin, and you realize that these guys were true musical artists working with an antagonistic studio system, but they delivered so many......

Words: 777 - Pages: 4

Free Essay

Film

...Essay films are arguably the most innovative and popular forms of filmmaking since the 1990s”, Timothy Corrigan claims in his diligent new study, The Essay Film. Corrigan may have an agenda to press, and a thesis to justify, but the recent critical and commercial success of the genre is hard to ignore. A cinematic wave that arguably has its contemporary roots in the late 1980s, when American filmmakers such as Michael Moore and Errol Morris rose to public prominence, reached an apotheosis with Moore’s hugely popular, though hugely flawed, Fahrenheit 9/11 (2004) and Davis Guggenheim’s information-heavy An Inconvenient Truth (2006), which conjured a compelling piece of screen drama from Al Gore’s Powerpoint presentation. Nowadays, the Award for Best Documentary Feature at the Oscars is one of the most highly coveted. For Corrigan, the essayistic film “describes the many-layered activities of a personal point of view as a public experience”. While this is a perfectly good starting point, the author is so convinced of the elasticity of his subject that he has trouble constraining it under the broader umbrellas of documentary, non-fiction or even fiction. At times it appears that, for Corrigan, all filmmaking is essayistic. Nevertheless, he traces a convincing history of the genre(s) from D. W. Griffith’s prototypical A Corner of Wheat (1909), which contrasts the lives of the agricultural poor with those of their capitalist exploiters, via Dmitri Vertov and Sergei Eisenstein to...

Words: 368 - Pages: 2

Premium Essay

Writing Rules

...edu/owl/section/2/10/ 3. Essays should be written in blue or black ink if in class, or typed on a Word file if written out of class. Papers are submitted by attaching the Word file to Blackboard Assignments. 4. Use 8 ½ by 11 white paper and a 10 or 12 point font. Avoid fancy typefaces such as script. 5. Double space throughout the paper. 6. Except for page numbers, use one-inch margins at the top, bottom and sides of the paper. 7. Type your name, the course number and date on the first page, top left, first page only. 8. Do NOT use a separate title page for essays shorter than 2500 words, or 20 pages. 9. Use a header (top right) for page numbers; your last name may be used with the page number. 10. Insert a page break before the first letter of the Works Cited or References, to keep that page last. 11. Center the specific title of your essay below the heading. If you are writing about a literary work, drama, or film, do not call your essay the title of the work, but you may use the work in your own title, for example, Humor in the Film Dumb and Dumber, Irony in the Drama Tartuffe, Imagery in the Poem “Harlem.” Your own title carries no marks or underlines. Do not bold or write in all capital letters. 12. Italicize the titles of films, plays, novels, magazines, newspapers, books, art works. Films usually have their date following in parenthesis, Rashomon (1950. 13. Use quotation marks for the titles of short works, such as......

Words: 734 - Pages: 3

Free Essay

Therminator

...Essay on Essay Analysis on The Movie "The Terminator" For the purposes of this essay I have chosen The Terminator, a science fiction B-movie feature from 1984. Although I intend mainly to study this purely as a single film, I do intend to study Terminator 2 in addition, thus making the essay a study of the series. In addition, I will be contrasting the theory written surrounding these films in relation to other contemporary postmodern theory, and as a result will be mentioning several other films by way of a comparison or contrast. The Terminator seems quite remarkable to me, for a number of reasons. Firstly, it is one of many action films I watched in my early teens; a considerable number of which, like this film, starred the Austrian body-builder turned actor, Arnold Schwarzenegger. What is so different about The Terminator though, is that unlike most of these films, this movie has enough depth and substance that, not only does it still bear watching now that I am older, but it also has an archive of academic theory written about it. The Terminator tells of a cyborg, a human shaped machine coated in flesh, that is sent back in time, from an apocalyptic future in which machines have 'got smart' and acted on their own to destroy the human race. The cyborg's mission is to assassinate the mother of the human's great leader, the man who taught the survivors to fight back against the machines. The woman, a young waitress named Sarah Connor, is protected only by a lone......

Words: 1075 - Pages: 5

Premium Essay

The Color Purple

...students will cover: * Director’s intentions and purposes * Stylistic conventions and their impact on meaning * Contextualization of literature * Key literary aspects such as characterization, setting, structure, film techniques and cinematography * Analytical and creative writing | By the end of this unit, students will be able to: * Develop ideas in a coherent and sophisticated manner * Critically analyse a visual text * Appreciate the different understandings that viewers can bring to a text * Understand and appreciate the director’s craft and its impact upon readers. * Collect and use evidence to support ideas * Write creatively in response to a text * Write log entries about a text with regard to an overarching theme | Key Competencies | Thinking | * Think deeply about concepts such as morality, ethics, societal expectations, social hierarchy, human behaviour and the human condition in relation to texts studied. * Think how the viewer is positioned and manipulated to consider new ideas. * Think critically about new knowledge, challenging the basis of assumptions. * Draw on prior learning to understand new concepts and knowledge of genres. | Using language, symbols and texts | * Make meaning from images used within film texts and examine directorial choice of the combination of visual and verbal features to create meaning. * Explore themes and ideas through discussion based teaching. * Examine the use of symbolism and motifs......

Words: 1722 - Pages: 7

Free Essay

Menace Ii Society

...Menace II Society Specific assignment:  The assignment is to apply the course material on deviance and social control (online lecture and text) to the film, Menace II Society (film will need to be rented or viewed online or at movie rental location (check: Netflix, xfinity, hulu, www.onlinewatchmovies.net , or youtube; if you are unable to locate the film please contact me via email).  The assignment is to choose and apply THREE of the following theories of deviance presented in the online lecture and the textbook to the film and the specific examples from the film: differential association theory, control-bond theory, labeling theory, or strain theory. o Important: Students are not permitted to apply rational-choice/exchange theory for this assignment (presented in the online lecture) as I find that many students have difficulty applying this theory therefore we will cover this in the discussion board. However, you should think critically think about how you can apply this theory to the film (i.e. how the individuals presented in the film made decisions and behaved in ways that were rational/logical to them given their environment and socialization).  Apply the key terms/concepts and research/study data that were presented in online lecture and in the textbook to the specific examples from the film. It is required that you apply the key terms and research data associated with each theory you include in your paper. Paper Organization:  Your......

Words: 1445 - Pages: 6

Premium Essay

Sin City: a Film Noir

...THE PLAGUE Essay Proposal Film noir is a cinematic term used to describe heavily stylized Hollywood crime dramas emphasizing on cynical attitudes, sexual motivations and recurring dark themes. However, film noir is not considered a genre and it is not defined by conventions of setting and conflict but rather by the subtle aspects and details of tone and mood. The two films being compared are Out of the Past and Sin City. Out of the Past was filmed in 1947 and directed by Jacques Tourneur. It is a superb example of film noir due to its convoluted dreamlike storyline and the impressive chiaroscuro cinematography. It has since, been added to the United States National Film Registry as being deemed “culturally, historically or aesthetically significant” in 1991. Sin City on the other hand is a 2005 neo-noir film produced and directed by Frank Miller and Robert Rodriguez. The former being an actual film from Hollywood’s most celebrated but relatively unknown era in filmography, differs vastly from that of Sin City but at the same time drawing similarities in comparison generated from the various aspects of film noir. This will be further analyzed by comparing the two films to what film noir is comprised of. Looking back into the history of film noir and why it was deemed so important, there were four catalytic elements that could define the technique and the distinct trait of noir drew from them. War and post war disillusionments, post war realism, the German......

Words: 606 - Pages: 3

Premium Essay

Non –Western and Experimental Cinema

...–PG 1 TERM PAPER DEPARTMENT OF FILM STUDIES JADAVPUR UNIVERSITY The term third cinema has found its roots in the so called third world, which generally refers to the nations located in Africa, Latin America and Asia where historical encounter with colonial and imperial forces have shaped their political and economic power structure . at the same time it could be said that the third world is a kind of cinematic response to the first cinema (which conjures images of Hollywood movies , consumption and bourgeoisie values ) as well as second cinema (referring to “nouvelle vague” or the European arthouse filmmaking demonstrating aesthetic but not always political innovation).The reference to the concept of third cinema appeared for the first time in the Cuban film journal ,cine Cubano, (1969) in a report of an interview with members of the cine liberacion group .it was said at that point of time that there is a growing need for the development of a cinema of aggression .one that would put an end to the irrationality that has come before it. Thus beginning in the mid 50s and continuing up to the present these films have helped immensely in forging a sense of national identity and cultural autonomy . it would be interesting to know that at this point of time there was a development of film theory and critical methodology in the first world sectors. This development primarily took place within the realm of second cinema. The following essay reflects on the fact that......

Words: 1523 - Pages: 7