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Final Film Critique: Crash (2004)

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Final Film Critique: Crash (2004)
Jay Dennis
ENG 225 Introduction to Film
Instructor: Cicely Young
April 13, 2014

Final Film Critique Draft: Crash (2004)

There are many different critical elements and artistic aspects to examine when analyzing and critiquing any film. In 2004 Paul Haggis wrote and directed the award winning drama Crash about various intertwining experiences involving racial relations and the socioeconomic status levels of the diverse cast of characters. This film addresses how humans being deal with real life circumstances and addresses how racial stereotypes and prejudices impact our society by causing a separation of customs, ignoring human and civil rights, and demonstrating how racism can cause moral, cultural and economical suffering. This detailed essay will address the cinematic elements employed throughout the movie, and provide a critical analysis on the various components and techniques used to create this compelling and powerful film.
Crash is a movie that involves several different stories and plots that all manage to somehow connect the characters to each other in a series of events that take place during two days in California. America’s ever-growing melting pot is distinctly represented in the film as the audience is introduced to a black LAPD detective, two black mischievous car thieves, a white district attorney and his prejudice wife, a white racist beat cop and his neophyte partner, a black Hollywood director and his wife, an irate Persian shop owner and his family, and a blue-collar Hispanic man and his young impressionable daughter. The characters unrelated yet intertwining stories was a very unique and effective technique used to tell this story in a provocative and very engaging manner.
Everyone involved in the creation of this film contributed to the cinematic experience. The screenplay was directed and…...

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