...FETA STUFFED CHICKENPrinted from COOKS.COMchicken breasts feta cheese oregano and basil spices salt and pepper chicken soup base tooth-picks or cooking thread deep baking panCut slit in middle of each chicken breast. Stuff oregano, basil, feta, Salt and pepper the inside of each chicken breast, to taste (make sure you can close the chicken breast). Place at bottom of baking pan and pour over chicken soup base (not more than 1/2 inch of bottom of pan). Bake at 350°F for about 30-45 minutes or until chicken is cooked thoroughly. Serve over a bed of rice or with your favorite side dish. | SPINACH BACON BLEU STUFFED CHICKEN BREASTPrinted from COOKS.COM4-6 boneless skinless chicken breast 2 eggs 1 cup seasoned bread crumbs 1 pkg frozen spinach 6 oz crumbled blue cheese 4-6 slices cooked crumbled bacon pieces 1 small onion, finely choppedPlace chicken inside a 1 gallon freezer bag; pound to 1/4 inch thickness. Prepare the stuffing as follows: Mix spinach, blue cheese, bacon and onion together in a bowl. Prepare an egg wash using 2 eggs and 2 tablespoons of water. Stuff the chicken with the spinach mix. Secure it with toothpicks or twine. Dip it in the egg mixture and then roll in bread crumbs. Place chicken in a skillet with a small amount of oil and brown an all side. Place in a casserole dish and bake at 350°F for 45 minutes. Serve with a Bearnaise sauce or a white wine sauce. Submitted by: jeannie bruce | STUFFED BELL PEPPERS AMERICAN STYLE Printed from COOKS...
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...Analyzing Poem At first the only aspect that really stood out to me in the poem, I Shall Paint My Nails Red, was the acts of a woman talking about feminine things that woman like to do to change up their appearance. After thoroughly analyzing this poem I came to the realization that it was much deeper than that. Every line of this poem is a distinct statement filled with self-expression and confidence. I Shall Paint My Nails Red by Carole Satyamurti, takes the simple act of painting your nails and shows the meaning behind it. This poem hits home to me because painting my nails is something I enjoy doing with my grandmother. My grandmother has never gone a day without having her nails painted, and after reading this poem I understand why. To me, womanism is the main theme that Satyamurti is trying to portray in this poem and it is being shown through beauty, strength, and passion. Beauty can represent a numerous amount of things, and in this poem Satyamurti does a remarkable job at capturing the true meaning of beauty. “Because I am proud of my hands” (Satyamurti 2), after I broke this poem down piece by piece, the imagery in this line caught my eye. I relate the pride she takes in her hands after painting them to my grandmother and how I never see her go a day without having her nails painted. Although painting your nails is a simple thing, it makes you feel good about yourself. My grandmother walks with confidence every day and though it may not be just because of her nails...
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...Hard Work Pays! May 9th, 2011 was not an ordinary day, but a pay day for the sweat of my studies. It was a day crowned with endless emotions, as I admired my durable and beautiful bracelet watch that ultimately spoke attitude. Featuring a round case, a black rotating bezel with hand crafted plastic link band with a silver double push safety Italian clasp, a stylish Ferrari logo inked in the heart of the minute wheel, finely visible from miles away through the watch’s crystal; meet the Ferrari Electro-Luminescent stylish watch, my precious summer gift from dad. Being my first gift for an exemplary performance in an exam, the Ferrari Electro Luminescent stylish watch has always ignited happiness to my life, as I dance to its ticking sounds generated by the contact of both the transmission and ratchet wheels. Furthermore, it has instilled confidence in me due to its lavish look. Since then, waking up has been the easiest chore of my daily activity, its notorious alarm bells set in the watch having immensely perfected the art of clouding my ear drums for the purpose of annoying my sleep, simply because, time to wake up is time to wake up. Like any ordinary human being rewarded with a perfect gift, having been perturbed by the watch’s superior look, I did not hesitate to show it off to my peers. Amazingly, many of my friends admired my look, as I swayed my hands in anticipation of being noticed, with the sun’s rays struggling to get a glimpse of my extraordinary look, which resulted...
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...The Lover-Duras The Lover (French title: L'Amant) is an autobiographical novel by Marguerite Duras, published in 1984 by Les Éditions de Minuit. It has been translated to 43 languages. It was awarded the 1984 Prix Goncourt. The Lover is also a 1992 movie based on this novel, directed by Jean-Jacques Annaud and starring Jane March and Tony Leung Ka Fai. The cast also included Lisa Faulkner. The film was nominated for the Academy Award for Best Cinematography. Summary of the movie Set against the backdrop of French colonial Vietnam, The Lover reveals the intimacies and intricacies of a clandestine romance between a pubescent girl (Jane March), from a financially strapped French family and an older, wealthy Chinese man (Tony Leung Ka-Fai). The story is narrated by Jeanne Moreau, portraying a writer looking back on her youth. In 1929, a 15 year old nameless girl is traveling by ferry across the Mekong Delta, returning from a holiday at her family home in the village of Sadec, to her boarding school in Saigon. She attracts the attention of a 32 year old son of a Chinese business magnate, a young man of wealth and heir to a tidy fortune. He strikes up a conversation with the girl; she accepts a ride back to town in his chauffeured limousine. Compelled by the circumstances of her upbringing, this girl, the daughter of a bankrupt, manic-depressive widow, is newly awakened to the impending and all-too-real task of making her way alone in the world. Thus, she becomes his lover, until...
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...past ruin the present? The main character Andrea is a divided individual, who is torn between a love from the past and her husband. First of all, Andrea is a divided self in the way that she is indecisive towards her husband and lover. Her lover made an ultimatum, which is seen in page 47 lines 38-43: “Her lover had said that she was always too slow to know what she really loved… When she would not decide in his favour, would not change her life and come to him, he asked what made her think she could have it both ways.” This clearly shows how Andrea cannot decide whether to leave her husband or not. Moreover, the quote shows how well the lover knows her compared to how little her husband knows her, take the following example: “When her husband first noticed the bowl, he had peered into it and smiled briefly… Her husband had pronounced the bowl “pretty,” and he had turned away without picking it up to examine it. He had no more interest in the bowl than she had in his new Leica” (P. 25 ll. 16-23). Comparing the two examples the reader gets the feeling that their marriage is loveless and uncaring, wherein Andrea’s relationship with the lover is the complete opposite. Andrea’s relationship is therefore more passionate and affectionate with her lover than her relationship with her husband. Second of all,...
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...J. Prevert. „Sables mouvants“ The image of the quicksand is very symbolic. One has to analyse it first, in order to understand J. Prevert‘s poem. Quicksand consists of granular matter (silt, sand), clay and water. It may appear quite solid if it is undisturbed. However, when there is a change in pressure, the surface loses its strength, sand and water separate, causing buildings to fall over. Someone stepping on quicksand would start to sink. I am inclined to believe that the usage of this image was chosen not at random. The title gives us a clue that the poem is going to be about the duality of love. Like everything else in the world, love has both positive and negative faces. What appears to be solid and stable might collapse, when one comes closer. The poem „ Sables mouvants“ also examines the themes of the transience of time and sexuality. The repetition of “Demons et merveilles / vents et marees ” expresses the duality of love. One imagines demons as something magical, evil, dark, dangerous, and insidious. Because of our knowledge of mythology and religion, demons remind us of seduction (for example, Eve and the Serpent, The Bible) and sin. On the other hand, merveilles create the impression of something enchanting and delightful. The contrast between demons and merveilles shows us that what appears pure and fascinating, might allure into danger and darkness. What is more, vents et marees can be regarded as a hint of sensuality and sexuality. It impersonates force...
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...Academic Centre, Australia A Stylistic Analysis of D.H. Lawrence’s ‘Sons and Lovers’ Nozar Niazi English Department, Lorestan University, Khorramabad-Iran E-mail: nozar_2002@yahoo.co.in Received: 04-04-2013 doi:10.7575/aiac.ijalel.v.2n.4p.118 Abstract Accepted: 14-05-2013 Published: 01-07-2013 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.2n.4p.118 This paper aims at analyzing D.H. Lawrence’s ‘Sons and Lover’ using a stylistic approach. Stylistics is a study of the amalgamation of form with content. The stylistic analysis of a novel goes beyond the traditional, intuitive interpretation, because it combines intuition and detailed linguistic analysis of the text. The defining elements of modern language are within the text itself, not prescribed from outside. With modernist texts, usually understanding comes from close study of the language system defined within the text itself. Form, technique and style are considered not as a mere vehicle of the content of the story, but an integral part of the work’s meaning and value. In our analysis of ‘Sons and Lovers’ the resources of language: lexis, syntax, phonology, figurative language, cohesion and coherence, are discussed in relation to the style of discourse in order to explore hidden meanings in the text. The resources of language are shown to be an essential part of the meaning of the novel. Key words: stylistics, D.H. Lawrence, Sons and Lovers 1. Preliminaries Literary stylistics refers to the study of style used in...
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...Monty Miller Literature Comparison Robert Browning's poems “Porphyria's Lover” and William Faulkner’s story “A Rose for Emily” are stories of where the characters Emily Grierson (“A Rose for Emily”) and Porphyria’s lover ('Porphyria's Lover') are so insanely in love to the point they cannot live without the one they feel so strongly for, which drives them to insanity and murder. Emily Grierson and Porphyria’s lovers insanity are brought on from different emotional states. Insanity or mental illness is defined as “any disease or condition affecting the brain that influences the way a person thinks, feels, behaves, and/or relates to others and to his or her surroundings” (Amal Chakraburtty). According to the website WebMD Amal Chakraburtty, MD, Mental illness may be caused from many factors such as: Heredity (genetics), Biology, Psychological trauma, and Environmental stressors. The character Emily’s illness may be caused from either heredity, Psychological trauma, and or Environmental stressors. Porphyria's Lovers mental illness appears to be brought on by Psychological trauma. An analysis of Emily Grierson and Porphyria’s lovers emotional state will provide in contrast the reason that drove them both to murder. Robert Browning's “Porphyria's Lover” is a dramatic monologue poem about an insecure, possessive and egotistical lover who, upon finding a moment in which he is reassured of his partner’s love for him; attempts to preserve the moment by killing her. The poem has a very...
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...Comparative essay on ‘My last Duchess’ and ‘Porphyria’s lover’ Robert Browning was born in May 1812 and died at the age of seventy. Browning was an English poet who has become known as the person to invent and popularise the dramatic monologue. This made him the foremost Victorian poet; two of his most successful dramatic monologues are those of ‘My last Duchess’ and ‘Porphyria’s Lover’. The reoccurring theme within the two monologues is murder as they show the idea of men killing a lover Dramatic monologues are significant in that there is only one point of view expressed throughout. In Victorian times dramatic monologues were very popular; Browning was seen as the innovator of this style of writing along with other eminent Victorian poets such as Rossetti and Tennyson. The dramatic monologue takes its style from Shakespeare’s soliloquies were a character speaks their thoughts and feelings aloud. This idea and style has been extended to the preset day, with Alan Bennett’s ‘Talking Heads.’ The speaker in ‘Porphyria’s Lover’ is the lover himself, residing in a cottage in the countryside at the beginning of the poem. The mood of the narrator is established right at the start as he talks about “the sullen wind’ ‘tore,’ ‘vex’ and ‘spite.’ He is clearly angry and unhappy. However as soon as Porphyria ‘glided’ in, the mood changes and she ‘ shut the cold out and the storm.’ The narrator feels warmed by her presence. At once the reader sees that Porphyria has taken control...
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...“Porphyria’s Lover” by Robert Browning contains perturbing imagery throughout the poem that leads to the main focus of control. Primarily, the controlling aspects that will be focused on are the murder of Porphyria, the lies that the narrator/ speaker tells, and possession. Describing these aspects will furthermore aid in distinguishing the control in the poem. The speaker in “Porphyria’s Lover” had thoroughly controlled Porphyria in many ways. First, the speaker takes control of Porphyria through murder. He wanted her for himself. In lines 21 to 25, “Murmuring how she loved me-she/ Too weak, for all her heart’s endeavor, / To set its struggling passion free/ From pride, and vainer ties dissever, / And give herself to me for ever”, the speaker...
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...The similarities between Robert Browning's two poems, “My Last Duchess” and Porphyria's Lover, are ordinary, as they can be compared in theme, plot, style, language, perspective and various other ways. The two poems make the same statement concerning men and love and men and their relationship with women. In both poems, the male narrator looks like a jealous, overbearing tyrant and the woman a passive victim of circumstance. Neither poem makes men look very good. This is a single stanza poem. The structure used of “My Last Duchess” by Robert Browning. This poem provides a good use of Euphemism and Persona. The structural elements include iambic pentameter, the line, heroic couplet, strophe and stanza. Poets combine the use of language and a specific structure to create imaginative and expressive work such as My Last Duchess by Robert Browning. The structure used in some Poetry types is also used when considering the visual effect of a finished poem. The structure of many types of poetry results in groups of lines on the page which enhance the poem's composition. This poem provides a good example of Euphemism and Persona. “Porphyria’s Lover,” while natural in its language, does not display the colloquialisms or dialectical markers of some of Browning’s later poems. Moreover, while the cadence of the poem mimics natural speech, it actually takes the form of highly patterned verse, rhyming ABABB. The intensity and asymmetry of the pattern suggests the madness concealed within...
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...Gendered Violence in Browning’s Poems “My Last Duchess” and “Porphyria’s Lover”, both written by Robert Browning in 1842, contain strong elements of gendered sexual violence that is likely a product of the repression and censorship that typified the Victorian Age. While “Porphyria’s Lover” is much more graphic and obvious in its depiction of sexual violence, “My Last Duchess” contains a number of elements that are dark and disturbing in their own right. Most important of these is the objectification of the duchess, which reduces her identity to that of another display in a collection. Both similarities and differences between the poems will be analyzed, including theme, symbolism, rhyme scheme, tone, and the nature of the sexual violence itself. This will show that the gendered sexual violence present in Browning’s poems is indicative of their historical context, primarily the social norms of the time. There are strong similarities between the two poems, particularly in theme, where both poems display a preservation of the mens’ idea of the feminine in a form that fit their ideal. In “My Last Duchess” this is seen in the opening lines, “That's my last Duchess painted on the wall / Looking as if she were alive . . .” and a little later in lines nine and ten, when it is revealed that the Duke keeps the painting curtained so that only he can enjoy the sight and smile of his late wife (1-2,9-10). In “Porphyria’s Lover” the theme is present in the narrator’s desire to fix Porphyria in...
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...“The Demon Lover” by Elizabeth Bowen begins in the early 40’s Kensington area in London, where the main character Mrs. Drover is introduced while returning to retrieve the articles for herself. She returned to her house she saw the WWII cracks and trouble times, the piano, the struck clock and the letter K. (on the letter by her demon lover which becomes dear to the reader and represent how the life can bring the past to revenge and haunt the mind). Bowen ultimately uses different literary elements within her story to develop the theme of revenge , war and peace, identity , doubt and ambiguity and victim and victimization to her main character “Mrs. Drover” past events. In the short story “The Demon Lover,” by Elizabeth Bowen symbolism,...
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...could not forget his lost love. He summoned various women who might console him, but apparently it was too much to ask... for one who even resembled her" (p. 21). This could explain the ardor and passion that Genji consists towards Fujitsubo-no-Chugu due to her surprisingly resemblance with Kiritsubo-no-Koui. Another point that could prove Genji is looking for the ideal women he demonstrated is Murasaki-no-ue. As Genji's most loved one, he discovered Murasaki at the age around 10. He then had the idea to adopt her and educate her, thus she could eventually grow and develop into his ideal woman. For most of the love relationship in our lives, we are continuously meeting new people and might discover someone that is pretty close to the ideal lover we set in our mind. However Genji started to adopt Murasaki and try to shape her. This behavior to me is pretty similar like keeping a pet. It also conveys that Genji had a determined characteristic about the women he desired. Genji embellished his actions as he claimed that his feelings towards all these relationships are genuine and profound. For Rokujo and...
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...Eastwood, England. The house, in which he was born, in Eastwood, 8a Victoria Street, is now the D.H. Lawrence Birthplace Museum. His father, Arthur John Lawrence, was a coal miner, and his mother, Lydia Lawrence, worked in the lace-making industry to supplement the family income. Lawrence's hardscrabble, working-class upbringing made a strong impression on him and he later wrote extensively about the experience of growing up in a poor mining town. "Whatever I forget," he later said, "I shall not forget the Haggs, a tiny red brick farm on the edge of the wood where I got my first incentive to write." Lawrence's mother was from a middle-class family that had fallen into financial ruin, but not before she had become well educated and a great lover of literature. She instilled in young Lawrence a love of books and a strong desire to rise above his blue-collar beginnings. His working-class background and the tensions between his parents provided the raw material for a number of his early works. As a child, D.H. Lawrence found it arduous to fraternize with other young men; He was physically frail and frequently susceptible to illness, a condition exacerbated by the dirty air of a town surrounded by coal pits. Contradictory to the other boys in his town, he was not athletically admirable and had no predilection to supersede his father’s footsteps as a miner. Instead, he matured...
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