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Edmonia Lewis and Dave Drake, even though both emerging from an African American heritage, do not reflect the same level of distinct racial aesthetic and beliefs. Through his revelations in ceramics, Drake addresses protest against societal tyranny and raises an emotion of hope for people held back. Edmonia Lewis’ handiwork in sculpture illustrates the act of defiance and a showcase of freedom associated with slaves, but her sculpture includes a dynamic degree that speaks to additional societal expectations. Consequentially, Drake’s exhibition has a higher reflection of African American cultural aspects. Drake the Potter’s vehicle of pottery establishes a challenge against slave oppression. Looking at Storage Jar, 13 May 1859, it is reminiscent of the African style vessel. This is not only because of the shape, but it is also because Africans typically created vessels for utilitarian uses, and Drake inscribed that this particular jar is a storage container. Decoration and display were the main purpose of an American …show more content…
She sculpts the bodies in the traditional form of Grecian Gods with anatomical accuracy to be representative of Greek heroism. This, in conjunction with the male holding up his broken chains, depicts the male slave taking full control of his freedom. His grappling of the chains showcases that he is responsible for setting himself free, as if he is his own hero. Lewis illustrates a triumph over slavery and defiance against traditional beliefs about the African American race. Similar to the racial belief Drake epitomizes, the two figures’ faces stretch up, peering in an expression of hope for the future. However, their faces are not the typical depiction of African Americans but more generic in detail. They could be any individuals flaunting their prized possession of freedom. Lewis does speak to freedom for slaves at first glance, but this sculpture communicates far

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