...domesticity. The habitual comfort of tea, ac- cording to Sigmond’s tea treatise, does not draw attention; it is quiet and familiar and thus goes unnoticed. Tea is represented as dependable, a frequent part of everyday life that forms a com- fortable, secure basis for the rest of life’s responses, decisions, and actions. As Sigmond declares, the English tea drinker is “in- capable of appreciating [tea’s] value” (1). What the typical tea drinker fails to recognize, Sigmond suggests, is the crucial role that tea plays in forming the foundation of everyday life. Despite Sigmond’s attempts to rectify the humble status of tea in nineteenth-century English culture, tea has remained a 1 2 introduction relatively unrecognized aspect of Victorian life. Just as Sigmond implies that the beverage’s mundane role precludes the tea drinker from appreciating its importance, the continued significance of tea in twentieth-century British society seems to have prevented scholars from adequately analyzing its role in British culture and national identity. As Anthony Burgess has speculated, “Perhaps tea is so woven into the stomach linings of the British that they cannot view it...
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...Lindsay Williams Literary Histories The Victorian novel Comparison of critical sources. Ann Bronte the Tenant of Wildfell Hall APR0055-1516 Tutor: Merrick Burrows 27.11.2015 This essay seeks to discuss, compare and contrast two preferred sources that carried out a critique of Ann Bronte’s, the tenant of wildfell hall. In order to compile a factually based discussion, a key area needed to be focused on, namely, how social changes affected the gender roles in the early 18th century (1832-48). Furthermore detailing how the change challenged traditions and ideologies of the then rather prominent English common law, and the normative principle’s that surrounded motherhood. The Critical sources that bear the utmost relevance to the challenging social content that the tenant demonstrated are Monica Hope Lee’s essay a mother outlaw vindicated: social critique in Ann Bronte’s the tenant of wildfell hall. Nineteenth century gender studies. (4.3), 1-12. And chapter 2 from, Macdonald, T (2015) the new man, masculinity and marriage in the Victorian novel. London: Routledge. Both critics, attempt to dichotomise the tenant of wildfell hall in order to get representative discourse that outlines the social changes in question, moreover they seek to disclose how Bronte summarises her own personal perception of gender ideals in the regency culture, and how she displays openness and vision, as opposed to becoming a shrinking wall flower hidden in the shadows of sporadic sunlight...
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...The Victorian era, the period of the nineteenth century when Queen Victoria ruled England, was a time in which there were many advances and changes that occurred in English society. Robert Browning was one of the leading poets of this time, and many of his poems contain the theme of violence, focusing especially on violence against women. Browning’s use of violence in his poetry is symbolic of the oppression of women during this time period by their husbands and society. This oppression is seen through the examination of two of Browning’s most well-known poems, “My Last Duchess” and “Porphyria’s Lover”. Browning’s “My Last Duchess” is a poem written in dramatic monologue in which a Duke in Renaissance Italy shows the servant of his future wife a painting of his former wife, and recounts the circumstances which lead to her death. Duke...
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...Alice’s Adventures in Wonderland: How does it represent Feminism in the Victorian Culture? "Gender issues play a part in every aspect of human production and experience, including the production and experience of literature, whether we are consciously aware of these issues or not"(Feminist). The book Alice’s Adventures in Wonderland was written by Lewis Carroll in 1865, otherwise known as the Victorian Era. Feminism at the time was not something that was spoken about, nor was that a phrase at that time. Women were expected to serve their roles in the home. Victorian feminism was subtle, but it slowly became the potent political force it is today. In the book Alice’s Adventures in Wonderland, the novel discusses some of the gender issues at...
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...Bibliography……………………………………………..pg 12 ABSTRACT: Virginia Woolf is a feminist pioneer and is also a modern socialist master. In her masterpiece To the Lighthouse she uses large number of images to convey her feminist ideas. This Research paper focuses on To the Lighthouse with feminist perspective. How ‘To the Lighthouse’ projects its challenges or realization of productive and creative possibilities of female characters like Mrs. Ramsay, Lily Briscoe, Nancy Ramsay, and other characters who move around these central characters and how these characters are to be studied with the feministic point of view and built as a portrait of real woman in the Victorian England as well as its relevance in the present scenario. Our efforts are to bring out the voice of female characters’ echo in the novel considering these various roles in the novel. INTRODUCTION In the Post-Modern period, the feministic perspective has been much travelled especially in the writing of female authors or poets. The word ‘servitude’ (Fanon) in the feministic reading has been much taken in to consideration. To the Lighthouse, much discussed, debated and criticized like its length of writing in the panorama of Feminism. The writers’ efforts to portray the real woman as far as milieu and moment are concerned, is to challenge patriarchal family and treatment of woman. Reading To the lighthouse strikes researcher’s mind of various feministic test like ‘Look Back in Anger’ by John Osborn, ‘Death of A Salesman’...
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...Dracula Essay There was no doubt that Dracula was written in the victorian age. 1897 to be exact. Back then and even in this present day women are seen to be weak and “helpless” meanwhile men are brave almost “heroic”, they are also seen to be more emotionally and physically stronger than women. There is a couple ways that this is portrayed in the book. For example the three women that were extremely beautiful but mainly used in the story for the sexual desire that they caused leading them to be seen as “evil”. The women in the story that were pure and chaste were seen as “strong, heroic, and steadfast in relationships”. Another example is how when the group of people go after dracula none of the girls are allowed to do anything strenuous in fear of causing them too much stress. This theme of women being less than men is very common in the gothic literature style, which is why it doesn't surprise many people when reading it. Chapter three is where...
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...Gender And Its Social Unstoppable Construction Abstract This paper provides information about the social construction of gender. Research from seven different journal articles organized into the categories of children, men, women, and the culture of Bugistribe, Indonesia.The understanding of gender roles is evident in children, even at the age of three years old. Studies show that parent’s set unclear norms regarding gender roles, which confuses kids. Moreover, there is historical background on social construction and women. The importance of the role of beauty in the female gender role showing how young women are being more sexualized. Also, the role of eating disorders in men and women’s genders is addressed. Men’s struggle with masculinity in present society as well as fear of feminism is talked about. Finally, the Bugis tribe, located in South Sulawesi, Indonesia is studied. Their five separate genders show a fascinating look at social construction. Gender And Its Social Unstoppable Construction Gender is an extremely captivating concept. The social construction of gender is an extensive and complicated subject. Looking at the views children have of gender roles shows social construction. Studying how women’s gender roles are socially constructed with feminine behavior is very interesting. Also is fascinating how men attempt to balance and uphold masculinity. Finally, gender in other cultures, specifically the Bugis tribe of Indonesia, have extremely different takes...
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... | Discuss any two fictional texts studied in the light of fin de siècle theories of degeneration. The era of the Victorian fin de siècle ‘…from the 1880s to the end of the century…generated an enormous amount of scientific and cultural debate concerning the future civilisation and the human race itself.’[1] It was an era of technical progress, Imperial gain, and a nation at the pinnacle of progress. ‘…bolstered by Darwin’s theory of evolution, Victorians regarded themselves and their society as the acme of human development.’[2] However, it was an era that balanced on the age of a new century that seemed to accentuate and highlight numerous anxieties. Ledger and Luckhurst (2000) further state that this was an ambivalent period; with major progress in science and technology but also a time of real decline, in which Britain’s global economic power was rivalled by Germany and America. This ambivalence at the turn of the century created fears and anxieties concerning the decline of the British race. A crucial influence on British anxieties of decline was underpinned by scientific and medical knowledge known as Theories of Degeneration. Ledger and Luckhurst (2000) state, at this time, that ‘…degeneration was one defining structure which can be traced across many disciplines…’[3] These theories of degeneration impacted over many discourses within Victorian culture including race, class, sexuality and morality, and envisaged ‘…a “primitive” lost world or degenerate “after world”...
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...Discuss the 'Fallen Woman' as a Familiar Feature of Victorian Writing Elizabeth Gaskell's Mary Barton may be characterised as a 'social problem' novel. Basch (1974: 263) states, 'Mrs Gaskell's impure women came from ... the work and exploitation which she knew, relatively speaking, better than other novelists.' Gaskell was the wife of a Unitarian clergyman in Manchester. She devoted her time to setting up homes for fallen women, and after Mary Barton women became her central characters, her novels primarily seen through women's eyes. Thomas Hardy, since his career began, has been notably associated with his portrayal of female characters. Erving Howe even writes about 'Hardy's gift for creeping intuitively into the emotional life of women.' (Boumelha 1982: 3) From this point of view, I intend this essay to establish a comparison between Gaskell's 'fallen woman' in Mary Barton and the way in which Thomas Hardy frames his central female character in Tess of the D'Urbervilles.In the context of the nineteenth century, there emerged an increasingly ideological 'rethinking' of sexuality, particularly of the female. Darwin's Origin of Species in 1859 and The Descent of Man later in 1871 argued that men and women were somehow mentally different. Darwinian sociology led to sexual stereotypes such as Clement Scott's 'men are born "animals" and women "angels" so it is in effect only natural for men to indulge their sexual appetites and, hence, perverse, "unnatural" for women to act in the...
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...Portland State University English 547: Arthurian Literature Tobias Wilms 913944913 Alfred Lord Tennyson's Idylls of the King in the Discourse of Postcolonial Criticism Introduction: Ever since his name was first mentioned by the Welsh monk Nennius in the 9th century, writers modified and applied the great King Arthur's popular legend to convey their various political, religious and social beliefs. The Victorian author Alfred Lord Tennyson followed this tradition exemplarily and enwraped his imperialistic views in the famous Arthurian poem Idylls of the King. The aim of this paper is to accentuate his political and social ideologies from the context and introduce to some of the reactions of postcolonial critics. Idylls of the King, a Piece of Victorian Literature: Especially if Tennyson's Idylls are the first and only piece of Arthurian literature one has read, one can irritatedly ignore its dedication and letter to the royals Albert and Victoria, and simply summarize it as the story of a medieval King, the adventures of his accompanying knights, the fortune of the ladies at his court, and the creation and downfall of his kingdom in twelve books. Those readers, however, who are familiar with the previous versions of Arthurian stories written by Chrétien de Troyes and Thomas Malory, for instance, cannot be satisfied with that. They wonder about Tennyson's framing poems “Dedication” and “To the Queen”, stumble over the changes the author made in his adoption of the Arthurian...
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...remove the disguise of the Victorian era. From 1837 to 1901, the people of London, England cloaked themselves with wealth, peace, and confidence through their expansions of land and population. However, Londoners were corrupt with their expectations of gender and society, while their city was grimy and impoverished....
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...Megan Naylor Dr. DiCicco English 3664 March 29, 2011 Gender Roles in The Scarlet Letter and The Awakening During the Victorian era, the life a woman was immensely difficult. They were considered the property of their husband, and treated as such. Women were forbidden from owning their own property, even if they were given the property from their father. In such a case, the land would be transferred in ownership to her husband. A woman’s place was in the home, to dutifully care for her husband and children. Her job was to cook, clean, and bear children. Interestingly, a wife was treated similarly to her children. Obedience toward the man of the home was necessary from both the children and the mother. In contradiction to all of the restriction and repression, the nineteenth century produced two of literatures strongest women. Nathaniel Hawthorne and Kate Chopin gave American society two women who actively defied their husbands and who possessed their own strong moral codes. With The Scarlet Letter published in 1850 and set in the seventeenth century, Nathaniel Hawthorne was taking a large risk in creating a novel detailing a woman’s adultery with the town’s minister and producing an illegitimate child in the process. Despite the treatment she receives, Hester does not waver in her promise to keep her lover secret, proving that she is a strong willful woman. As the century is coming to a close, Kate Chopin produced a work that sent shock waves through American society. The...
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...attraction to this novel of a by gone era? Callum White explores this question in his thought provoking article, as he delves into Bronte’s novel unravelling the weave of symbols of cultural conflict within her tale. Journeying back to the height of the Victorian bourgeois capitalistic imperialistic society a time when great change was afoot and the emergence of socialism was alluring to many. Victorian literature for the most part has been the product of the middle class or as commonly put by Karl Marx the petit bourgeois. The bourgeois was comprised of small-scale capitalists such as shop-keepers and government employees and in the case of Wuthering Heights it is no different. Written in 1846, Emily Bronte’s novel contains a turbulent ideological storm, demonstrating an apparent crisis of the Victorian era petit bourgeois class to which Bronte was born. Throughout the novel the various crises surrounding the estate and the family are all explored, but more importantly, Wuthering Heights examines the crisis of individuality versus custom, since the contradiction between the social expectations of class privilege and the selfhood advocated by the materialistic pursuit of the capitalist system is the very essence of Victorian consciousness. Bronte appears from the onset of her story more interested in showing the reader a realistic world that is not shackled by fantastical dreams and desires. Rather she shows a world beset by the same conflicts as her own. Her highly integrated...
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...Elizabeth Gaskell's Mary Barton may be characterised as a 'social problem' novel. Basch (1974: 263) states, 'Mrs Gaskell's impure women came from ... the work and exploitation which she knew, relatively speaking, better than other novelists.' Gaskell was the wife of a Unitarian clergyman in Manchester. She devoted her time to setting up homes for fallen women, and after Mary Barton women became her central characters, her novels primarily seen through women's eyes. Thomas Hardy, since his career began, has been notably associated with his portrayal of female characters. Erving Howe even writes about 'Hardy's gift for creeping intuitively into the emotional life of women.' (Boumelha 1982: 3) From this point of view, I intend this essay to establish a comparison between Gaskell's 'fallen woman' in Mary Barton and the way in which Thomas Hardy frames his central female character in Tess of the D'Urbervilles. !Note the same structure for the next paragraph: a broad display of reference and knowledge, with a strong final sentence. In the context of the nineteenth century, there emerged an increasingly ideological 'rethinking' of sexuality, particularly of the female. Darwin's Origin of Species in 1859 and The Descent of Man later in 1871 argued that men and women were somehow mentally different. Darwinian sociology led to sexual stereotypes such as Clement Scott's 'men are born "animals" and women "angels" so it is in effect only natural for men to indulge their sexual appetites...
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...about a woman’s descent into madness, and knew enough to know that in the Victorian period women were often denied their freedom and independence. As a result I was able to sympathise with the woman in the story. However, after detailed research into the context of the novella, my appreciation of many aspects of the story was enhanced in several ways. My sympathy for the unnamed narrator was greatly intensified because I became aware of the ways in which she was victimised and controlled in the name of ‘love’ by her husband and medical supervisor, John. Knowledge of context enabled me to appreciate different complexities of meaning in particular details of the story including the symbolism of the yellow wallpaper, the bedroom, and references to writing. Finally, my knowledge of context enhanced my appreciation of how the story is written. As a first person narrative the novella encouraged me to have some sympathy for the unnamed woman. However, my knowledge of context allowed me to appreciate the importance of point of view at another level, namely its significance in giving the female victim a voice. I have thus gained an appreciation of the political dimension of the story – the way it raises issues of power, which I might otherwise have not understood. One of the things that has helped me appreciate The Yellow Wallpaper more is my extended knowledge of the treatment of hysteria patients in the Victorian period. ‘Hans Pols’ newspaper from the University of Pennsylvania generated...
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