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Hegemonic Depictions of Aboriginal People

In: Social Issues

Submitted By penneyha
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This paper will talk about the makings of cross-cultural shared film in describing and or challenging hegemonic depictions of Aboriginal people; the main emphasis being above all regarding Australian Aboriginal individuals. Exercising the current film ‘Ten Canoes’ directed by Rolf De Heer (2006), produced in working together amongst the Australian- Yolngu individuals and the non-Indigenous Rolf De Heer, this paper will argue whether cross-collaborative film developments can effectively and practically give power to the Aboriginal individuals as a mode of confrontation to cultural domination and management and as well as a contemporary structure of cultural reminiscence and regeneration, as Eric Michaels (1987) calls it a ‘cultural future’ (no.page), and also how essential dialogue is in development of an ‘ethical, postcolonial’ film in Australian film and television.
In Australian film, the depictions of Aboriginal individuals have traditionally been together notified by racist ideologies and helpful to the growth of these philosophies in the normal Australian culture (Turner, 1988; 135). In Australia, films ‘about’ Aboriginal individuals persist to strengthen the hegemonic formations of cultural authority and prevention of having power of Aboriginal individuals from the Australian norm (Langton, 1983; 33).
Marcia Langton (1983; 33) a top Aboriginal scholar claims that, in Australia, variety of media communication have taken place and remain to be one of the most influential ways of describing ‘Aboriginality’. This idea of Aboriginality that she describes is not the concepts an individual holds about in their head, which may perhaps be labelled Aboriginal or exclusively a classification to do with the colour of an individuals skin (Langton, 1983; 33). It is rather recognised as a common thing, which is made by the non-Aboriginal and Aboriginal individuals.

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