...In the April 1963 article “Rauschenberg Paints a Picture” in Art News, Robert Rauschenberg said of First Time Painting and Second Time Painting, “listening happens in time – looking also has to happen in time”. In this paper I want to show that time is an essential element not just to the subject of Second Time Painting, but it is also critical in the way one observes the work. Second Time Painting is a work of art that invites a constant change of focus and an examination of detail. Created in 1961, Second Time Painting is a combine painting created with paper, fabric and oil paints on a canvas that is approximately 65.75 x 42 inches large. Rauschenberg uses his bricolage style of working where he takes objects from his daily environment, that have non-art identities and uses a collage technique to bring them together in a work of art, erasing the disparity between art and life. Rauschenberg's collages made plenty of surrealist disassociate juxtapositions. He tops Second Time Painting with a classic surrealist symbol - a disabled clock, which is positioned upside down over a slashed open pair of shorts, a sweatshirt, and a brash array of paint strokes. This painting is part of a series in which the notion of time, found in the title, is the origin of its conception. The first of the three artworks of the series, First Time painting, Second Time painting and Third Time painting, was created during the performance “Homage to David Tudor” that took place at the American Embassy...
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