...Critical Essay What is love? Love knows no reasons. Love knows no lies. Love defies all reasons. Love has no eyes. Love is not blind; it sees but it doesn't mind. Love knows not its own depth until the hour of separation. Love is so easy to feel, so hard to explain; easy to get, so hard to let go; easy to spell, so hard to define. Love is an emotion that consists of three components; intimacy, passion and commitment, it is an emotional and physical feeling which takes over your whole state of mind and how you feel. There are many definitions and views of love, and the Merriam-Webster dictionary has ten definitions for love in it but it seems as though it doesn’t have any good definitions of love. However I carefully searched for an adequate definition and it was found in the most surprising place, a place that should have been the most obvious but not wanting to start controversy, I refused to see what was sitting right in front of me, a poem. One might say that a poem couldn’t possibly demonstrate the meaning of love. Conversely, many disagree; a poem could in fact demonstrate the meaning and feeling of love. A poem are the words that come from a person’s heart, mind, or soul, meaning it is personal and no one can know the true definition and meaning of something unless one has experienced it. With that being said, a poem, specifically, a poem by Elizabeth Barrett Browning, “How Do I Love Thee?” demonstrated the preeminent meaning of love, compared to all other meanings...
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...How, How Do I Love Thee? A Rhetorical, Rhetorical Analysis The search for a soulmate always lurks in the minds of single young adults. People want someone who possesses similar qualities, yet at the same time, they want someone who will fill their flaws and make them a better person. For some, this process of finding the perfect partner can take years upon years, but the 21st century technology of online dating sites now allows prospective users to find potential dates within a few days. While this may sound like a breakthrough in the science of relationships, doubt regarding its viability exists. Lori Gottlieb, a renowned author who often focuses on the topic of online matchmaking, asks the question, “In the subjective realm of love, can cold, hard science help?” (2) To answer this question, Gottlieb endures countless hours of research, interviews, and simulations, writing her article “How Do I Love Thee?” as a final masterpiece to display her findings. Through a sarcastic tone, witty asides, specific details, and emotional, logical, and ethical appeals, Gottlieb effectively illustrates her discoveries on whether or not science can truly determine compatibility and lasting love. Before she places her opinion on display, Gottlieb first builds up the article with interesting statements to keep the reader engaged. She frequently inserts her own sarcastic opinions into her article, sometimes through asides and parenthesis, and other times through appositives or descriptions...
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...by Adobe Systems Incorporated. Adobe Systems Incorporated assumes no responsibilities for any errors or inaccuracies that may appear in this work. The software and typefaces mentioned on this page are furnished under license and may only be used in accordance with the terms of such license. Adobe, the Adobe Press logo, Adobe Acrobat, and Adobe Photoshop are trademarks of Adobe Systems Incorporated which may be registered in certain jurisdictions. This work is electronically mastered in Adobe™ Acrobat™. Text was composed in Minion, 13-point. Illustrations were scanned electronically then manipulated using Adobe Photoshop™. CONTENTS I II III IV Copyright How to Use This Book Introduction Numerical First-line Index Alphabetical First-line Index The Sonnets of William Shakespeare V VI Click any line to jump to that section HOW TO USE THIS BOOK • Click the Bookmarks and Page button in the tool bar to display an electronic Table of Contents. Double-click the small page icon to the left of a bookmark name to jump to that page in the book. • Use the Numerical First-line Index to find a sonnet by its sonnet number. Selecting any first line will take you to that sonnet. Select the sonnet number at the top of the sonnet page to return to the Index of First Lines. • Use...
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...Hippolyta are the main lovers throughout the story. Each with different roots of love. Shakespeare wants to open our eyes to the ways we become fools for love. These characters are a true definition of lovesick. They appear to be in love with love, more than in love with each other. Demetrius is a fool because he is unaware that his love changes throughout the play. At the start of the play Demetrius does not love Helena. Demetrius says, "I love thee not, therefore pursue me not." (II, ii, 188) "Hence, get thee gone, and follow me no more."(II, ii, 194) In III ii, Demetrius after being juiced begins to love Helena. Demetrius says, "Lysander, keep thy Hermia; I will none. If ever I loved her, all that love is gone. My heart to her but as guest- wise sojourned, And now to Helen is it home returned, There to remain." (III, ii, 169-173) This proves he is a fool, because he is not aware of his changing love for Helena. Helena is a fool because Demetrius does not love her but she still persists in chasing him. Demetrius says, "I'll run from thee, and hide me in the brakes, And leave thee to the mercy of wild beasts." (II i, 199-201) "Do I entice you? Do I speak you fair? Or rather do I not in plainest truth Tell you I do not, nor I cannot love you?" Demetrius clearly illustrates to Helena that he has no interest, but Helena persists. (II i, 202-204) If any of the four characters posses anything of true love, it would be Hermia. She was willing to die...
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...Sircar Poetry In the two poems “How do I love thee? Let me count the ways” and “When you are old” to me are nearly both the same kind of poem. They both talk about how they loved a person. They are both narrative poetry. With both of their beginning phases giving the meaning to their poetry. It starts by talking about the person they love, “How do I love thee? Let me count the ways.” (Browning, 509, 1) “When you are old and grey and full of sleep”. (Yeats, 510, 1) It opens as narration of the author themselves revealing the how they loved their significant other. The themes for both of these poems are very clear. It is showing the affection they have for their loved one, but is different from the subject of the poem. The subject is about how much they loved them and how long their love will last. It is nearly the same concept, however it hold different meanings. “I shall but love thee better after death” (Browning, 509, 14) “ How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face.” (Yeats, 510, 5-9) Indicates throughout life and beyond they shall continue to love. It gives a clear message for the subject of these poems. Both of these poems are easily written with a few allusions. “I love thee freely, as men strive for right. I love thee purely, as they turn from praise.” (Browning, 509, 7-8) Its allusion depicts a love so honorable and pure as would...
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...Elizabeth Browning was an author from England who wrote love poems to her husband, Robert Browning who was also a famous writer. She was one of the most prominent English poets of the Victorian era. Her works of poetry are widely popular in England as well as in the United States, and she is greatly admired for her successful works in literature and poetry. She was born in Coxhoe Hall, Durham, England on March 6, 1806 to Edward Barrett Moulton-Barrett and Mary Graham Clarke. Elizabeth was the eldest of 12 children. There were eight boys and four girls in her family. She was very fortunate to be born into a wealthy family. They owned almost 500 acres of expensive sugar plantations in Jamaica. She was the first in her family to be born in England, as the Barrett family had lived in Jamaica for many years before her father chose to raise the family in England. She was educated at home and engaged...
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...And beauty slandered with a bastard shame, | For since each hand hath put on nature's power, | Fairing the foul with art's false borrowed face, | Sweet beauty hath no name no holy bower, | But is profaned, if not lives in disgrace. | Therefore my mistress' eyes are raven black, | Her eyes so suited, and they mourners seem, | At such who not born fair no beauty lack, | Slandering creation with a false esteem, | Yet so they mourn becoming of their woe, | That every tongue says beauty should look so. | 128 How oft when thou, my music, music play'st, | Upon that blessed wood whose motion sounds | With thy sweet fingers when thou gently sway'st | The wiry concord that mine ear confounds, | Do I envy those jacks that nimble leap, | To kiss the tender inward of thy hand, | Whilst my poor lips which should that harvest reap, | At the wood's boldness by thee blushing stand. | To be so tickled they would change their state | And situation with those dancing chips, | O'er whom thy fingers walk with...
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...rating, 557 reviews Shakespeare's Sonnets Quotes (showing 1-30 of 72) “Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And too often is his gold complexion dimm'd: And every fair from fair sometimes declines, By chance or natures changing course untrimm'd; By thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.” ― William Shakespeare, Shakespeare's Sonnets tags: love, shakespeare, youth 1092 likes Like “Love is not love Which alters when it alteration finds, Or bends with the remover to remove. O no, it is an ever-fixed mark That looks on tempests and is never shaken; It is the star to every wand'ring bark, Whose worth's unknown, although his height be taken." (Sonnet 116)” ― William Shakespeare, Shakespeare's Sonnets tags: constancy, love, poetry, sacrifice 647 likes Like “Sonnet 130 My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have...
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...Shakespeare homepage | Romeo and Juliet | Entire play | ACT I PROLOGUE Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross'd lovers take their life; Whose misadventured piteous overthrows Do with their death bury their parents' strife. The fearful passage of their death-mark'd love, And the continuance of their parents' rage, Which, but their children's end, nought could remove, Is now the two hours' traffic of our stage; The which if you with patient ears attend, What here shall miss, our toil shall strive to mend. SCENE I. Verona. A public place. Enter SAMPSON and GREGORY, of the house of Capulet, armed with swords and bucklers SAMPSON Gregory, o' my word, we'll not carry coals. GREGORY No, for then we should be colliers. SAMPSON I mean, an we be in choler, we'll draw. GREGORY Ay, while you live, draw your neck out o' the collar. SAMPSON I strike quickly, being moved. GREGORY But thou art not quickly moved to strike. SAMPSON A dog of the house of Montague moves me. GREGORY To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn'st away. SAMPSON A dog of that house shall move me to stand: I will take the wall of any man or maid of Montague's. GREGORY That shows thee a weak slave; for the weakest goes to the wall. SAMPSON True;...
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...The text under analysis belongs to the tragedy genre of drama. I have chosen an abstract from the Shakespearean play “Romeo and Juliet”, especially the conversation between the protagonists. Key words of especially this abstract are “name” and “love”. They are repeated many times. And no wonder, we know, that one of the main themes of this play is unhappy love of the main characters. Concept of love is percepted by the reader in two meanings: something high and beautiful and dark, unlucky at the same time. The second word is name. Because the name is the only reason they can’t be together, they hate their names and would be happy to change them, if only they could: “ 'Tis but thy name that is my enemy” “By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, Because it is an enemy to thee; Had I it written, I would tear the word”. As to the compositional structure, this abstract consists of dialogues, monologues and author’s remarks. It should be mentioned, that the role of author’s remarks is used to the description of the place, changing of the characters on stage. In this text remarks are almost absent: “Enter ROMEO”, “Nurse calls within”. The structure of dialogues isn’t homogeneous. Replicas of the characters are different in terms of length. It depends on the topic of conversation: when they discuss their feelings, replicas are rather long: “'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's...
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...ever with fresh life. This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new. At the immortal touch of thy hands my little heart loses its limits in joy and gives birth to utterance ineffable. Thy infinite gifts come to me only on these very small hands of mine. Ages pass, and still thou pourest, and still there is room to fill. 2 When thou commandest me to sing it seems that my heart would break with pride; and I look to thy face, and tears come to my eyes. All that is harsh and dissonant in my life melts into one sweet harmony---and my adoration spreads wings like a glad bird on its flight across the sea. I know thou takest pleasure in my singing. I know that only as a singer I come before thy presence. I touch by the edge of the far-spreading wing of my song thy feet which I could never aspire to reach. Drunk with the joy of singing I forget myself and call thee friend who art my lord. Page 1 3 I know not how thou singest, my master! I ever listen in silent amazement. The light of thy music illumines the world. The life breath of thy music runs...
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...a woman conceived me, I thank her; that she brought me up, I likewise give her most humble thanks: but that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pardon me. Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor. DON PEDRO I shall see thee, ere I die, look pale with love. BENEDICK With anger, with sickness, or with hunger, my lord, not with love: prove that ever I lose more blood with love than I will get again with drinking, pick out mine eyes with a ballad-maker's pen and hang me up at the door of a brothel-house for the sign of blind Cupid. DON PEDRO Well, if ever thou dost fall from this faith, thou wilt prove a notable argument. BENEDICK If I do, hang me in a bottle like a cat and shoot at me; and he that hits me, let him be clapped on the shoulder, and called Adam. DON PEDRO Well, as time shall try: 'In time the savage bull doth bear the yoke.' BENEDICK The savage bull may; but if ever the sensible Benedick bear it, pluck off the bull's horns and set them in my forehead: and let me be vilely painted, and in such great letters as they write 'Here is good horse to hire,' let them signify under my sign 'Here you may see Benedick the married man.' Act 2 Scene 1 ANTONIO In faith, she's too curst. BEATRICE Too curst is more than curst: I shall lessen God's sending...
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...Reflections Of Love Table of Contents Prologue Storge (Affection in families)-Definition The Little Black Boy- William Blake Winter Trees- Sylvia Plath Mother to Son- Langston Hughes Philia (Friendship)- Definition Love and Friendship- Emily Bronte Time to Talk- Robert Frost Eros (Romance)- Definition Somewhere Never Traveled- E.E. Cummings Wind and Window- Robert Frost She Walks in Beauty- Lord George Byron Agape (Unconditional Love)- Definition How Do I Love Thee- Elizabeth Barrett Browning Love is More Thicker than Forget- E.E. Cummings Biographies Epilogue Storge Affection Affection- is the love through familiarity, especially between family members or people who have otherwise found themselves together by chance. It is described as the most natural, emotional feeling because it is outcome of love due to family ties. Fatefully, it is the strong point what makes it the most defenseless. The affection is “built-in” and as a consequence people expect it. Prologue This poetry anthology is a collection of poems, which shows the people's view of love. As I am a hopeless romantic, I chose this topic. I think the journey that life takes us all on is one filled with many adventures. I believe to truly live life to the fullest would be to love. If a person can say that he or she has never truly been loved or loved someone then he or she has never really lived. The feeling of love is so euphoric. The...
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...How is it that ye sought me? wist ye not that I must be about my Father's business? Suffer it to be so now: for thus it becometh us to fulfill all righteousness. It is written, Man shall not live by bread alone, but by every word that proceedeth out of the mouth of God. It is written again, Thou shalt not tempt the Lord thy God. Get thee behind me, Satan; get thee hence: for it is written, Thou shalt worship the Lord thy God, and him only shalt thou serve. What seek ye? Come and see. Thou art Simon the son of Jona: thou shalt be called Cephas. Follow me. Behold an Israelite indeed, in whom is no guile! Before that Philip called thee, when thou wart under the fig tree, I saw thee. Because I said unto thee, I saw thee under the fig tree, believest thou? thou shalt see greater things than these. Verily, verily, I say unto you, Hereafter ye shall see heaven open, and the angels of God ascending and descending upon the Son of man. Woman, what have I to do with thee? mine hour is not yet come. Fill the waterpots with water. Draw out now, and bear unto the governor of the feast. Take these things hence, make not my Father's house a house of merchandise. Destroy this temple, and in three days I will raise it up. † Verily, verily, I say unto thee, Except a man be born again, he cannot see the kingdom of God. Verily, verily, I say unto thee, Except a man be born of water and of the Spirit, he cannot enter into the kingdom of God. That which is born of the flesh is flesh:...
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...Lear. Regan, daughter to Lear. Cordelia, daughter to Lear. Knights attending on Lear, Officers, Messengers, Soldiers, Attendants. Scene: - Britain. KING LEAR ACT I. KING LEAR SCENE I. [King Lear's Palace.] Enter Kent, Gloucester, and Edmund. [Kent and Glouceste converse. Edmund stands back.] Kent. I thought the King had more affected the Duke of Albany than Cornwall. Glou. It did always seem so to us; but now, in the division of the kingdom, it appears not which of the Dukes he values most, for equalities are so weigh'd that curiosity in neither can make choice of either's moiety. Kent. Is not this your son, my lord? Glou. His breeding, sir, hath been at my charge. I have so often blush'd to acknowledge him that now I am braz'd to't. Kent. I cannot conceive you. Glou. Sir, this young fellow's mother could; whereupon she grew round-womb'd, and had indeed, sir, a son for her cradle ere she had a husband for her bed. Do you smell a fault? Kent. I cannot wish the fault undone, the issue of it being so proper. Glou. But I have, sir, a son by order of law, some year elder than this, who yet is no dearer in my account. Though this knave came something saucily into the world before he was sent for, yet was his mother fair, there was good sport at his making, and the whoreson must be acknowledged.- Do you know this noble gentleman, Edmund? Edm. [comes forward] No, my lord. Glou. My Lord of Kent....
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