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How Does Dickens Create Suspense In A Tale Of Two Cities

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Charles Dickens is considered one of the greatest authors of his time. In his well-know classic, A Tale of Two Cities, Charles Dickens uses vivid imagery and strong diction to create suspense. Dickens uses vivid imagery to paint a picture of suspense in the passage. He immediately describes a “steaming mist” followed by a “clammy and intensely cold mist” moving slowly through the air. These phrases set the scene and overall tone of the passage. The mist allows the reader to create a dark and fearful image, drawing out fear and creating suspense in the passage. He also describes the characters as “wrapped to the cheekbones end over the ears.” The cold and dreary weather does call for warmer clothing, but the passengers of the mail coach literally …show more content…
His comparison of the mist to an “evil spirit, seeking rest and finding none” is poetic and creates a sense of loneliness. The diction used with this phrase creates a sensation of emptiness and dread. The reader is left waiting in suspense for the effects of the evil spirit washing over the hill. He also uses strong diction when describing the passengers as “hidden under almost as many wrappers from the eyes of the mind, as from the eyes of the body, of his two companions.” Dickens creates suspense by letting the reader draw the conclusion these passengers have something to hide by concealing themselves from the eyes of the mind. It is clear the trio does not trust one another. Dickens also uses strong diction to convey the passengers’ fear by stating “the hearts of the passengers beat loud enough perhaps to be heard, but at any rate, the quiet pause was audibly expressive of people out of breath, and holding the breath, and having pulse quickened by expectation.” The diction used here appeals to the reader’s senses, creating an air of suspense as each word drags on. The contradiction between the loudly beating hearts and quiet pause of breath is genius. Dickens use of the language is captivating and pulls on the senses his imagery

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