Premium Essay

Huipiles

Submitted By
Words 629
Pages 3
Before the conquest of Mexico by the Spaniards in the 1500s, the life of an indigenous women, from birth to death, was largely occupied with the sole production of weaving garments for herself and her family, as well as ceremonial clothes for use in the temples and for tribute (Cordry 5). The most prevalent and influential aspect of women’s clothing in ancient times is the huipil, which is still prominent in Guatemalan and Mexican culture today. The present essay seeks to interpret and decipher the meaning of a contemporary huipil blouse displayed at the Penn Museum Collections, by exploring popular designs and patterns found in the ancient Maya and contemporary Maya textile representations.
Ancient Maya Huipiles
In Mesoamerica, rarely have any textiles remains been recovered, for this reason, there has been extensive research done on other artifacts that display …show more content…
Those artifacts consists of images found on relief sculptures, altars and stelae, wall paintings, small terracotta figures, and manuscripts (Holsbeke and Montoya 22). Since ancient depictions found on these artifacts portray the upper class more frequently, more is known about what the clothing elites would have worn than textiles the common people would have dressed in. However, there are still numerous depictions of huipiles, where we can learn more about the textiles, designs and the purpose of these garments.
In order to better understand the significance of the contemporary Maya huipiles, we must first acquire knowledge of the ancient textiles that gave way to this form of garment. The ancient Maya huipil is considered to be the female tunic of the Classical period (A.D. 100-900), marked as having a relatively loose fitting and untailored sleeveless garments, sewn together by rectangular units of cloths. In contrary to the contemporary hupil, ancient hupiles are often looser and go beyond the waist line, extending to ankle-length. “Huipil” comes from the Nahualt language

Similar Documents

Premium Essay

Why Hijab

...Muslim women] and thus not be harassed [or molested].” Men, whether they confess it or not, are slaves of lust and desire. • Hijab protects women from such men; it symbolizes that she has been sanctified to one man only and is off-limit to all others. • Hijab contributes to the stability and preservation of marriage and family by eliminating the chances of extramarital affairs. • Finally, it compels men to focus on the real personality of the woman and de-emphasizes her physical beauty. It puts the woman in control of strangers’ reaction to her. Commenting on the attire of women in North Africa and South East Asia, Germaine Greer, one of the pioneers of the women’s liberation movement, wrote: “Women who wear cortes or huipiles or saris or jellabas or salwar kameez or any other ample garments can swell and diminish inside them without embarrassment or discomfort. Women with shawls and veils can breastfeed anywhere without calling attention to themselves, while baby is protected from dust and flies. In most non-Western societies, the dress and ornaments of women celebrate the mothering function. Ours deny it.”1 Note that she also specifically mentions the salwar, kameez and jellabas that are used by Muslim women in the East. Feminists and the Western media often portray the hijab as a symbol of oppression and slavery of women. This sexist angle of viewing the hijab reflects the influence of Western feminists who are subconsciously reacting to the Judea-Christian...

Words: 923 - Pages: 4

Free Essay

Thingy of a Thingy

...9 789707 530119 ISBN 970753011-1 En la indumentaria de los mixtecos las mujeres conservan el rebozo y los hombres el uso del sombrero de manufactura local. Mujer tejiendo sombrero de palma, San Martín de las Peras, Oaxaca. Fotógrafo Erick Reyes, 1997. Fototeca Nacho López, CDI. PUEBLOS INDÍGENAS MÉXICO CONTEMPORÁNEO DEL http://www.cdi.gob.mx COORDINACIÓN ACADÉMICA Enrique Serrano Carreto Lilia Cruz-González Espinosa CONSULTORÍA EN DEMOGRAFÍA Constanza Rodríguez Hernández SISTEMA DE INFORMACIÓN GEOGRÁFICA Verónica Gámez Montes José Alberto Salas Serrato Laura Virginia García Vidales SERVICIOS DE INFORMACIÓN Y CÓMPUTO Eduardo Bello Jiménez Patricia Moreno Hernández María de Lourdes Ayala Blanca Ramírez Martínez NOTA SOBRE EL AUTOR Dubravka Mindek es maestra en Antropología Social. Como investigadora, actualmente trabaja en el Programa Mujer y Salud de la Secretaría de Salud en México. Fotografía 1a de forros y portada: Aprendiendo a leer, San Martín de las Peras, Oaxaca. Fotógrafa Rossana García, 1996. Fototeca Nacho López, CDI. Fotografía página 5: Detalle del panteón en San Martín de las Peras, Oaxaca. Fotógrafo Erick Reyes, 1997. Fototeca Nacho López, CDI. http://www.cdi.gob.mx DUBRAVKA MINDEK http://www.cdi.gob.mx CDI 972.004 C65 MIXT. Mindek, Dubravka Mixtecos / Dubravka Mindek. – México : CDI : PNUD, 2003. 31 p. : maps., retrs., tabs. – (Pueblos indígenas del México contemporáneo) Incluye bibliografía ISBN 970-753-011-1 ...

Words: 9514 - Pages: 39