Gertrude and Helen: Wantonness in the Trojan War and Hamlet Hamlet is the melancholy Dane; Claudius, the smiling villain. Polonius is the oily courtier; Horatio, the loyal friend. Most of the characters in Hamlet are well defined and unambiguous; the character of Gertrude, however, presents us with many ambiguities and difficulties. Some critics see her as "well-meaning but shallow and feminine, in the pejorative sense of the word: incapable of any sustained rational process, superficial and flighty" (Heilbrun 10), while others see her as a stronger character, cool and calculating. The play presents many aspects of Gertrude’s character ambiguously. Janet Adelman writes,
Given her centrality in the play, it is striking how little we know about Gertrude; even the extent of her involvement in the murder of her first husband is left unclear....The ghost accuses her at least indirectly of adultery and incest...but he never accuses her of nor exonerates her from the murder. For the ghost, as for Hamlet, her chief crime is her uncontrolled sexuality; that is the object of their moral revulsion, a revulsion as intense as anything directed toward the murderer Claudius. But the Gertrude we see is not quite the Gertrude they see. And when we see her in herself, apart from their characterizations of her, we tend to see a woman more muddled than actively wicked; even her famous sensuality is less apparent than her conflicted solicitude both for her new husband and for her son....Even her death is not quite her own to define. Is it a suicide designed to keep Hamlet from danger by dying in his place?...Muddled, fallible, fully human, she seems ultimately to make the choice that Hamlet would have her make. But even here she does not speak clearly; her character remains relatively closed to us (Adelman 15-16). In spite of the many ambiguities of Gertrude's