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This performance took place at Wolfson campus as part of Jazz at Wolfson series. Invited guest was Brian Charette, organ, Mike Di Lido, guitar, Mark Small, saxophone and George Mazzio substituted Rodolfo Zuniga on drums. Auditorium was about one-third occupied.
As usual, performance took place at Wolfson campus auditorium with convenience of campus parking and easy public access.
This concert was definitely different from other performances of the season. Biggest surprise was organ itself. I am used to church organ performances, with slow, lengthy music played by organist. Jazz organ performance is something else. It almost sounded like out of space, cosmic music. To be honest, I did not fully enjoy, better to say, understood the organ as a part of the jazz performance, mostly because it sounded too “electronic”. I am used to more natural instruments like piano.
However, organ has a significant role in the jazz history. Instrument has close ties to church gospel music where organ is at the front …show more content…
Every composition was introduced with a story or an interesting fact behind it. Either organist or guitarist, pronouncing the tempo, cued in each composition. Every musician had solo improvisation in different orders. Most of the times, drum solos were trading with other instruments. However, when performing Moose the Mooch by Charley Parkey, drummer astonished the audience with brilliant improvisation. Repertoire was only consists of seven songs, but every song had a different feel. Most memorable for me were Invitation by Koper and Webster, Moose the Mooch by Parker and Waller’s Jitterbug Waltz. I enjoyed Invitation mostly because it had lyrically flowing, bluesy melody. Moose the Mooch was fast bebop composition showing abilities of each player during improvisations. Lastly, Jitterbug Waltz had a sense of being several different compositions melted in one. It went from slower to faster tempo, then from faster to slower

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