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Jazz

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COUNT BASIE / ONE O’CLOCK JUMP
Count Basie wrote One o’clock jump in 1937, with arrangements Eddie Durham and Buster Smith. At the same time, the song became the theme song of the Count Basie Orchestra. Eight instruments are used in this song; these are piano (C. Basie), trumpet (E. Lewis), trombone (B. Scott), saxophone (J. Washington), guitar (F. Green), Drums (J. Jones) and bass (W. Page), which brings in the whole reed section backed by the trombones and their loping punctuation, to a finish that was supposed to have everyone off their feet.
One o’clock jump plays simpler standard a 12-bar blues instrumental, then uses more melodic motion and passing tones in the second 12 bars. In the song, there is a typical of Basie’s early riff style. There were at least five different riffs. You know, there was one riff of saxophones used behind the trombone solo. Another riff the trumpets used behind the saxophone solo. And another ensemble chorus, which consisted of about three different riffs: the saxophone section doing one, the trombones doing another, and the trumpets doing another one. The instrumentation is based on “head arrangements” where each section makes up their part based on what the other sections are playing. The Basie’s music is always intended for dancing and thus it makes sense that he has the best rhythm section, which bases on bass, drums and guitar in the song.
The high- fidelity (hi-fi) song affects a lot of big bands. Finally until duration of the song (3.19 minute), people want to dance.

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[ 1 ]. The 12-bar blues or blues changes are one of the most popular chord progressions in popular music.

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