...don’t give it. Because of that, they either go to a means of substance abuse to momentarily get away from it all, or they just give up. In Jean-Michel Basquiat’s case, he did both. An artist’s major fault, I believe, is forgetting who they are and where they came from once they reach that fame stage; sometimes they want to win it all, and that is what ultimately ruins their life. Winning is not worth any price at all, because you could end up losing everything you worked so hard for in the beginning. Friendships, relationships, family; all of that can be gone in an instant and you believe that what you gained as an outcome is far better than what you had before. Personally, I would never choose fame over my friends or family because fame is momentarily, but friends are almost forever. If I ever did become famous off of something I’m great at doing, I wouldn’t become someone I wouldn’t like myself. I would stay humble just because of the fact that I came from humble beginnings, just like Basquiat did. But, fame does have a way of changing people into something they were better off not being. As I said before, it’s a daily struggle for artists to fight the urge to let fame and fortune consume them. Some don’t; but others, like Basquiat, do. Once you change, you end up leaving behind those are you care for most. I personally feel that Basquiat wasn’t justified in how he treated his...
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...Strategies in Picasso’s Celestina Prints………… Susan J. Baker and William Novak Narrative, Allegory, and Commentary in Emil Nolde’s Legend: St. Mary of Egypt…… William B. Sieger A Narrative of Belonging: The Art of Beauford Delaney and Glenn Ligon…………… Catherine St. John Art and Narrative Under the Third Reich ……………………………………………… Ashley Labrie 28 15 1 22 25 27 36 43 51 Hopper Stories in an Imaginary Museum……………………………………………. Joseph Stanton SECTION FOUR: Photography and Narrative Black & White: Two Worlds/Two Distinct Stories……………………………………….. Elaine A. King Relinquishing His Own Story: Abandonment and Appropriation in the Edward Weston Narrative………………………………………………………………………….. David Peeler Narrative Stretegies in the Worlds of Jean Le Gac and Sophe Calle…………………….. Stefanie Rentsch SECTION FIVE: Memory Does The History of Western Art Tell a Grand Story?…………………………………… Eugene E. Selk Storylines………………………………………………………………………………… Bozenna Wisniewsak SECTION SIX: Art and Identity Two Late Crisis Paintings by Van Gogh………………………………………………….. Robert Wauhkonen Personal Stories and the Intransigent Critic…………………………………………….. Charles S. Mayer The Role or Story in the Development of a...
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