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John Shaft Theme

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It is morning. The film begins with an extreme long shot that showcases not only the chaotic and crowded scenery of New York City, but the man in which this city encapsulates, John Shaft (Richard Roundtree).The non-diegetic soundtrack plays in the background as we are introduced to Shaft. This use of underscoring conveys a deeper understanding of shaft through the music that continues to play. The up-tempo, rhythmic, funky theme conveys to that despite what the camera displays in the opening sequence, Shaft (Parks, 1971) utilizes non-diegetic underscoring to establish the dominance of John Shaft to the city, but more importantly the dominance of power over all other social constructions. Shaft utilizes non-diegetic underscoring to convey the sense of power and dominance to the main character John Shaft, when explicitly he should not be …show more content…
Shaft, takes place in the time frame around 1970. At this time the African American public had a stigma of being beneath the rest of society. They had their own world, businesses and institutions completely separate from society, therefore creating issues when both societies attempted to intertwine. John Shaft is one of the many examples of the difficulty of this culture clash between races and sexes. Being that Shaft is a black male the movie explicitly puts him at the bottom of the totem pole. Yes, he is a detective, but he works alone, away from his other white counterparts who seem to have more important things going on and look down on Shaft and his work. The film tells us this explicitly, but implicitly it conveys something totally different. The scene under analysis is the opening sequence where the main character, John Shaft, is introduced to the viewer. In this shot Shaft is placed in a tracking shot as at camera follows his every move. The shot is over the New York City streets and it begins with the diegetic sound of cars and horns, then suddenly a non-diegetic soundtrack begins

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