...Macbeth is a classic example of a tragic hero by Aristotle’s standards, in that all five of the established tragic traits are applicable to Macbeth’s character (a noble birth, Hamartia, Peripeteia, Anagnorisis, and Catharsis). The narrative of Macbeth follows the timeless trajectory of a tragedy; Macbeth comes from a place of serendipity, and over the course of events, finds himself plummeting into defeat as a character. Through critical analysis of Macbeth’s core traits compared to the core traits of a tragedy, it becomes apparent Macbeth is ultimately responsible for his tragedy and his downfall as an individual, because it was his own hubris which drove him to bring about the prophecy he heard. To acknowledge this fully, one must first simply observe both the actions of Macbeth and the core elements crucial to a tragic hero, as according to Aristotle for the sake of consistency in a historical theme of narrative. Aristotle’s traits of a tragic hero are as follows: a noble birth, Hamartia, Peripeteia, Anagnorisis, and Catharsis. To begin with, the first element of a tragedy we are faced with in Macbeth is of being of a noble...
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...Macbeth can be considered a tragic hero because he exhibits most of the defining literary characteristics of a traditional tragic hero. Tragic heroes are typically members of the power class, and Macbeth is no different. At the beginning of the play, Macbeth is already the Thane of Glamis (presumably as a reward for earlier performance in combat), and throughout the course of the story he earns the title of Thane of Cawdor and King of Scotland. Not only do tragic hero's have a high social standing, but they also tend to show extraordinary personal abilities. In Macbeth's case, this ability is an exceptional prowess in battle, as we learn from a wounded Scottish Captain in Act 1. He and Banquo alledgedly defeated Macdonwald and his Irish army...
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...Shakespeare – Macbeth William Shakespeare is one of England's greatest writer. He is a worldwide known poet and playwright and his work is translated in every major language. Shakespeare composed plays during the Elizabethan era. The Elizabethan period is best known for theatre. It was an era where English playwright, including Shakespeare, broke free from the past style of theatre. Drama became very preferable in this era and the theatres were always crowded during a play. Shakespeare wrote mainly tragedies by the end of the 16th century, including Hamlet, Othello and Macbeth. Aristotle's definition of a tragedy is that a tragedy is an imitation (mimesis) of an action that is morally admirable. Aristotle is a philosopher who wrote about poetry, poetry being epic, drama, and lyric for Aristotle, in his work “Poetics”. He said in his work that a tragedy should be composed by an introduction, a middle part and an ending. According to Aristotle the fable (mythos) is more important than the characters in the play. It is so because the purpose with the tragedy, according to Aristotle, is to make the audience feel pity (eleos) and fear (fobos) and as a result achieve an emotional cleansing(Catharsis). In order to bring those feelings to the audience the tragedy must be complex. The tragedy must involve a peripeteia, meaning that a great person experiences a turning point, a reversal of fortune. This turning point must be caused by a mistake, the tragic hero's mistake (hamartia)...
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...must be of noble/high stature 2 - Hubris (tragic flaw) - pride blinds them 3 - Downfall 4 - Enlightenment (near the end of the play) 5 - Their death Someone of high position; in this time period, that meant royalty. He is 'universal,' meaning that everyone everywhere can relate to the kinds of problems or sufferings or emotions that the hero experiences. He has a 'tragic flaw' - this could be a personality trait (like greed, lust, ambition, jealousy, etc.), OR an error in judgement (a bad decision). This 'tragic flaw' leads to his downfall - usually ruins his career, reputation, power, etc. He is enlightened at the end of the story, meaning he realizes where he went wrong, he is humble, and he accepts the consequences . A tragic hero is a character in a work of fiction (often the protagonist) who commits an action or makes a mistake which eventually leads to his or her defeat. The idea of the tragic hero was created in ancient Greek tragedy and defined by Aristotle (and others). Usually, this includes the realization of the error (anagnorisis), which results in catharsis or epiphany. Aristotelian tragic hero Characteristics Aristotle once said that "A man doesn't become a hero until he can see the root of his own downfall." An Aristotelian tragic hero must have four characteristics: Nobility (of a noble birth) or wisdom (by virtue of birth). Hamartia (translated as flaw, mistake, or error, not an Elizabethan tragic flaw). A reversal of fortune(peripetia) brought...
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...Lady Macbeth Essay Shakespeare’s play Macbeth was written in the early 17th century and chronicles the lives of Macbeth and Lady Macbeth as Thane of Crawdor and lady of Crawdor, and later on as King and Queen of Scotland respectively. Lady Macbeth is known as one of Shakespeare’s most famous female characters due to her ambition, strength and ruthlessness. Lady Macbeth can be seen as the dominant half in the relationship between Macbeth and his lady, often convincing, persuading and willing Macbeth to do her bidding. Lady Macbeth can even be seen as a tragic heroine, a term made famous by Shakespeare’s numerous tragedies. However, just like all tragic heroes, Lady Macbeth’s hamartia or tragic flaw would lead to her demise. In exploring the character that is Lady Macbeth, we can see many flaws in her character such as greed, ambition, dishonestly and manipulative to name a few. A tragic flaw, as defined by Merriem-Webster dictionary, is a flaw in character that brings about the downfall of a hero in a tragedy. Lady Macbeth’s greed for power coupled with her moral righteousness led to her demise. This is evident after first, persuading Macbeth to kill the king in order for her to become Queen, second, planning Kind Duncan’s death to the minute detail, and third, being flooded with guilt and blame afterwards leading to her suicide. After Macbeth’s confrontation with the three witches who said that Macbeth will be named Thane of Crawdor and eventually become King of Scotland,...
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...Heroes & Villains in Literature The following essay is going to discuss and analyze heroes and villains in Literature. This essay is going to focus especially on three famous books written by William Shakespeare. The referring books are ‘Romeo and Juliet’, ‘Macbeth’ and ‘Othello’. In these three different novels, a great variety of stereotypes of heroes and villains can be appreciated. William Shakespeare was born on April 23rd 1564, in Stratford-upon-Avon, England. When he was four or five he began his education at the local petty school. He left the local grammar school when he was about fourteen and went to help in his father’s glove-making shop. When he was eighteen, he got married and by the time he was twenty-one, he was the father of three children. [1] At some time during the next seven years, he went to London and found employment in the theatre. When he was twenty-eight, he was already well enough known as an actor and playwright. He mostly lived and worked in London until his mid-forties, when he returned to his family and home in Stratford, where he remained in prosperous circumstances until his death on April 23rd 1616, his fifty-second birthday. [2] In the thirty seven plays that are his chief legacy to the world human nature is displayed in all its astonishing variety. [3] While Shakespeare caused much controversy, he also earned lavish praise and has profoundly impacted the world over in areas of literature, culture, art, theatre, and film and is considered...
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...Discuss the extent to which Macbeth and Shylock are victims and villains The protagonists of each play, Macbeth and Shylock, both fall victim and succumb to villainous natures, however a difference is apparent between the two in representing these traits. Macbeth more so displays villainous behaviours, whereas Shylock is subjected to ordeals which victimise him. That is not to say that Macbeth does not become victimised, and that Shylock does not contain the capability to carry out acts of a villainous essence, such as going against his faith for power, and losing sense of morality and rationality. Different factors such as race and prejudice are integral to the contextual themes of The Merchant of Venice as anti-Semitic views towards Jews are upheld by the Christians in Venice, placing Shylock in a position of submission and awakening his inner villain, which is the ultimate point of differentiation between the two in terms of being either a villain or a victim. Early in Macbeth it becomes apparent that the witches have corrupted Macbeth, thus falling victim to the supernatural. This causes him to conjure questions, "Why do I yield to that suggestion?", which catalyses a rising action. The word 'suggestion' connotes the idea is being fed to him via a supernatural force, and that it is uncontrollable as he 'yields' to it. "My thought, whose murder is fantastical, shakes my state", emphasises how much Macbeth is against the idea of murder, shining light on how these thoughts...
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...The same mention cannot be made about the Shakespearean tragic hero, as he was not always proving the possession on noble qualities with characters like Macbeth and Richard III who make use of their position to reach their goal of becoming kings, even if it meant that they brought mishaps to the one’s around, that including family and...
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...Before I began this essay I decided to research the word touchstones. The definition was as follows, "A standard or criterion by which something is judged or recognized". This helped me form an opinion on Henry David Thoreau's quote. I do believe that dreams (ambitions) are the touchstones of our character. I read a quote somewhere that said, "Ambition is to life as the engine is to the car", I believe that without ambitions we would never get anywhere in life. In the case of Macbeth, his tragic flaw was his ambition. His dreams to be king reflected in his character. How far was Macbeth willing to go to achieve his dream? Without ambitions, I know that Macbeth would not have done the many things he did which made him a tragic hero. Without...
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...Macbeth Essay Every person has flaws, and every person has the potential for evil in their hearts. It’s human nature! Most of us are tamed by society and our own morals, but for some, it spirals out of control and William Shakespeare’s play, Macbeth, is no exception. We’ve all heard the name, we all know what happened our tragic hero, but what caused his downfall from the King’s greatest warrior and favourite, to a cold-hearted murderer? He had a great personality, but a major flaw in his character. Many have debated what exactly his flaw was but one thing’s for sure; his vaulting ambition obstructed him from what was reality. Furthermore, when the witches revealed the prophecies to him, his power-crazed mind took over; this ultimately led to his blind charge at death. Most people do not believe in witches, fairies or any of the sorts, but almost everyone acknowledges the presence of evil in our world. From the beginning of the play, there have been a lot of a lot of thunder, lightning, and drama surrounding these figures of evil that represent all the dark and chaotic forces in the universe. I think that Shakespeare began the play with the witches because they are the ones who catalyze all that happens in the play (and we all know that a good story always begins with something evil and exciting!). Their words plant the idea to kill Duncan in his mind. When he heard that he was going to become King, he mentally begins to plan his actions in order to fulfill what he thinks is...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...English Macbeth Essay Macbeth by William Shakespeare is a very dark and powerful tragic play. There are many characters in this play that are two faced, loyal one minute, and deceiving the next. One of the individuals who immensely represents these attributes is Macbeth himself. Macbeth is a warrior who is manipulated by his own wife and the three witches which leads him to become a greedy, ambitious and brave king. Ultimately because of his overconfidence, he dies devastatingly. . Macbeth bumped into three witches after his battle. The three witches tell Macbeth he will become thain of cawdor and glamis, and then king. He then becomes the thain which opened up an opportunity for him to become king. He then writes a letter to his wife in which he wrote to her about everything that was going on and she decides they need to kill the king in order for him to seize the throne. Macbeth kills the king but his wife has to return the daggers to the guards, to frame them for the crime, because Macbeth did not. After all that the King Duncans' sons run away becuase they fear that they were gonna be put to blame. Macbeth then becomes king. Once he became king, he did not want anyone else to have the same power as him or to do the same thing to him, as he did to King Duncan. Also he remembers one of the prophecies of the witch where they told Banquo the his children will be king. So he then orders the murderers to kill his best friend, Banquo and his son, Fleance . Macbeth is then...
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...History of English Literature Overview Anglo-Saxon Literature (500-1100) The Angles and Saxon conquered what is now called England in the 5th and 6th centuries. Christian missionaries taught the English to write. Northumbria soon produced Caedmon and Bede. Heroic poetry of a Christian kind is the chief legacy of Old English literature, notably Beowulf and the Elegies. A considerable prose literature grew up after King Alfred. Middle English Literature (1100-1500) Literature in England in this period was not just in English and Latin but in French as well and developed in directions set largely in France. Epic and Elegy gave way to romance and Lyric. English writing revived fully in English after 1360 and flowered in the reign of Richard II (1372-99). It gained a literary standard in London English after 1425 and developed modern forms of verse, prose and of Drama. The conquest of England in 1066 by William of Normandy displaced English as medium of literature. The language of new rulers was French. Saxons dealing with the King had to learn French and French was the language of court and the law for three centuries. Four genres of Middle English are: i. 1. Fabliau 2. Lyric 3. Dream Allegory 4. Ballad Geoffrey Chaucer Chaucer is the best story teller and the narrative poet. Chaucer tells his stories in a most effective way. He has the knack of transforming an old tale into a new one in such a manner that its appeal increases manifold and its human...
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...Surname 3 Student's Name Professor's Name Course Date Antigone vs. Macbeth In attempting to discern the legitimate and analytical issues in the two plays, Antigone and Macbeth, it is important to take into account the two key characters that all actions revolve around (Antigone and Lady Macbeth). In both plays, the characters appear to have comparative destiny and fate intertwined deeply within their societies. (Powell et al. 12). Antigone stands harshly rebuked by the state whose rule she contradicts. Antigone's fierce deviance is fully displayed when she declares that she'll bury Polyneices in total disregard of Creon's law. It is this rebellious act and Antigone's innate loyalty to the memory of her brother that forms the spine of the play. On the other hand, Lady Macbeth stands denounced by the laws of God and man having so eagerly disregarded them for the purpose of affection and enthusiasm towards her husband. The inclination that destiny appears to have in setting up these sorts of plays is portrayed undeniably by Sophocles in his piece of work, as well as Shakespeare in his Macbeth. The authorial intent ( a tragedy in contemporary society) as developed by both plays is similar in context. This is mainly detectable while considering the way both playwrights depict the condition that has befallen a nation. Aristotle, an outstanding scholar, and craftsman described tragedy as a mimic of a movement that is morally right. He further came up with guidelines towards...
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...Quick List of Common Literary Terms Abstract Language—Language describing ideas and qualities rather than observable or specific things, people, or places. The observable or "physical" is usually described in concrete language. Allegory—A narrative or description having a second meaning beneath the surface one. A story, fictional or nonfictional, in which characters, things, and events represent qualities or concepts. The interaction of these characters, things, events is meant to reveal an abstraction or a truth. These characters, etc. may be symbolic of the ideas referred to. Alliteration—The repetition at close intervals of initial identical consonant sounds. Allusion—An indirect reference to something (usually a literary text) with which the reader is expected to be familiar. Allusions are usually literary, historical, Biblical, or mythological. Ambiguity—An event or situation that may be interpreted in more than one way. Also, the manner of expression of such an event or situation may be ambiguous. Artful language may be ambiguous. Unintentional ambiguity is usually vagueness. Anachronism—Assignment of something to a time when it was not in existence, e.g., the watch Merlyn wore in The Once and Future King. Analogy—An analogy is a comparison to a directly parallel case. When a writer uses an analogy, he or she argues that a claim reasonable for one case is reasonable for the analogous case. Anecdote—A brief recounting of a relevant episode. Anecdotes are...
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