...Comparative Essay on Trust of Macbeth and The Social Network While many may argue that trusting others is easier to get by and freeing, the movie The Social Network and the Shakespearean play Macbeth seems to disagree. Trust should be earned and should be not given carelessly. Many would take advantage of the trust because of their greed. The relationship between Macbeth and Banquo; Macbeth and Duncan can be compared to Mark and Eduardo; Mark and the Winklevoss twins. These pairings reveal the negative effects of being too trusting leading to their ultimate downfall. However, Sean and Mark’s collaboration compared to Malcolm and Macduff shows a rare case in both stories of trust receiving a positive effect. The Social Network and Macbeth leans towards negative side to trust, however at times to trust others can be advantageous. The friendship between the characters of both “The Social Network” and Macbeth is ruined by the inconvenient trait of being too trusting and the end results in betrayal. There is a similarity between the relationship of Banquo and Macbeth, and the relationship of Mark and Eduardo. Starting with the characters from the Shakespearean literature, Banquo and Macbeth have fought together in the war and won. Banquo, who fought alongside with the outstanding warrior- Macbeth is like Eduardo, who have provided Mark with the algorithm to help him create Facemash. The two characters Macbeth and Mark are both very ambitious people who strives for success...
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...literature often contradicts the gender roles throughout the 1600s. For example, Macbeth includes several characters that fail to possess the qualities typically associated with their gender. The subversion of gender roles in Macbeth becomes particularly evident during the planning of Duncan’s murder and then in the overthrow of Macbeth. These two events highlight the sharp...
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...In Act 1 of Macbeth, Lady Macbeth is shown as the dominant figure in the relationship of Macbeth. She is more masculine when it comes to the planning of the murder of King Duncan by being ruthless. Come, you spirits/That tend on mortal thoughts, unsex me here/And fill me from the crown to the toe top-full/ Of direst cruelty (1.5.47-50). Lady Macbeth defies the differences between a man and a woman because she handles death and murder without compassion as if a woman would. To allow her to follow through with the murder of Duncan, she prays to supernatural forces to get rid of all of her womanly characteristics that show kindness and compassion for others. This is the turning point in the play, where lady Macbeth rids herself of womanly qualities...
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...tragic play Macbeth, written by the infamous William Shakespeare in the 1600s, the sense of fear within Macbeth was one that had been engraved onto his mind; not shying away from demolishing all bits of sanity. The anxiety of losing all power, in which he gains through colourful acts, is what provokes Macbeth to dive into the pit of insanity. The relationships an individual has in their life can often set the path to a battle with their own power, which then shapes the critical events...
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...English Review Summary Plot: Introduction: Thane of Cawdor betrays king, & is beheaded. Trigger: Macbeth hears the witches prophecies & kills King Duncan Rising Action: Macbeth becomes king. Banquo gets killed my murderers. Fleance escapes. Climax: More prophecies are told. Macduff finds his family dead & joins Malcolm. Falling Action: The forest of Birnam woods moved to Dunsinane. Macduff kills Macbeth. Conclusion: Malcolm becomes King. Dramatic Purpose Connections Act 1 Scene 7: This scene reveals the relationship between Macbeth and Lady Macbeth, as well as their character. It shows how Lady Macbeth is the dominant one in the relationship and Macbeth can be easily manipulated. It also foreshadows King Duncan's death. This scene directs sympathy towards Macbeth and withdraws sympathy from Lady Macbeth. Act 3 Scene 4: This scene gives information about events occurring off stage that cannot be shown on stage. During the banquet, Macbeth’s character is revealed to the other characters in the play. This scene also displays that Macbeth's conscience is trying to show him the wrong that he has done. Act 5 Scene 1: During Act 1, Lady Macbeth looked at the murders as a benefit for herself but, in this scene, it shows how Lady Macbeth’s character traits change throughout the play. As Lady Macbeth sleep walks during this scene, it shows that she feels guilty about the murders and that her conscience is at work. Motifs: Sight light, Darkness Blindness...
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...[pic] When Duncan the Meek reigned King of Scotland, there lived a great thane, or lord, called Macbeth. This Macbeth was a near kinsman to the king, and in great esteem at court for his valour and conduct in the wars; an example of which he had lately given, in defeating a rebel army assisted by the troops of Norway in terrible numbers. The two Scottish generals, Macbeth and Banquo, returning victorious from this great battle, their way lay over a blasted heath, where they were stopped by the strange appearance of three figures like women, except that they had beards, and their withered skins and wild attire made them look not like any earthly creatures. Macbeth first addressed them, when they, seemingly offended, laid each one her choppy finger upon her skinny lips, in token of silence; and the first of them saluted Macbeth with the title of thane of Glamis. The general was not a little startled to find himself known by such creatures; but how much more, when the second of them followed up that salute by giving him the title of thane of Cawdor, to which honour he had no pretensions; and again the third bid him "All hail! king that shalt be hereafter!" Such a prophetic greeting might well amaze him, who knew that while the king's sons lived he could not hope to succeed to the throne. Then turning to Banquo, they pronounced him, in a sort of riddling terms, to be lesser than Macbeth and greater! not so happy, but much happier! and prophesied that though he should never reign,...
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...A TEACHER’S GUIDE TO THE SIGNET CLASSIC EDITION OF WILLIAM SHAKESPEARE’S MACBETH LINDA NEAL UNDERWOOD S E R I E S E D I T O R S : W. GEIGER ELLIS, ED.D., ARTHEA J. S. REED, PH.D., UNIVERSITY OF GEORGIA, EMERITUS and UNIVERSITY OF NORTH CAROLINA, RETIRED A Teacher’s Guide to the Signet Classic Edition of William Shakespeare’s Macbeth 2 INTRODUCTION William Shakespeare developed many stories into excellent dramatizations for the Elizabethan stage. Shakespeare knew how to entertain and involve an audience with fast-paced plots, creative imagery, and multi-faceted characters. Macbeth is an action-packed, psychological thriller that has not lost its impact in nearly four hundred years. The politically ambitious character of Macbeth is as timely today as he was to Shakespeare's audience. Mary McCarthy says in her essay about Macbeth, "It is a troubling thought that Macbeth, of all Shakespeare's characters, should seem the most 'modern,' the only one you could transpose into contemporary battle dress or a sport shirt and slacks." (Signet Classic Macbeth) Audiences today quickly become interested in the plot of a blindly ambitious general with a strong-willed wife who must try to cope with the guilt engendered by their murder of an innocent king in order to further their power. The elements of superstition, ghosts, and witchcraft, though more readily a part of everyday life for the Renaissance audience, remain intriguing to modern teenagers. The action-packed...
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...Macbeth at the start of the play At the start of the play, Macbeth is a good man who knows his place. He is a loyal servant of the King. God appoints the King to rule. If the King rules well, then his subjects will love him and he will reward their love with gratitude and generosity. This is the ideal state of affairs at the start of Macbeth, though just before it, there has been a rebellion, and the play opens with an account of the defeat of the rebels. Although God appoints the ruler, it is possible for a gross disturbance of the natural order of things to happen. And this may allow a rebel (usurper) to overthrow the rightful monarch. In Macbeth, this is what happens when the witches dabble in the affairs of men. But Hecate, who must obey the higher powers of the universe, shows the witches that order must be restored, and Macbeth removed from power. Macbeth is very loyal to begin with, so his treachery against Duncan is especially shocking. It is only believable (plausible) because of the way the witches arouse powerful ambition in him. But though they suggest things to him, the witches do not force Macbeth to kill Duncan. His evil action is freely chosen and (as we say today) premeditated. In fact Macbeth sees very good arguments against Duncan's murder but is stung into firmness by his wife's scorn. She says that if she had made a promise like her husband's, she could even have dashed out the brains of her own child. (Perhaps, though, this is bravado - later she admits...
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...Shakespeare’s ‘Macbeth’ is a classic example of a Jacobean Tragedy; the appearance of the Witches, Banquo’s ghost, the settings and the Good vs Evil dichotomy all provide evidence for this. Perhaps the most distinctive feature is the inclusion of major characters with a single obsessive motive. When Malcolm refers to Macbeth as a “dead butcher” in Act Five, Scene Four, the point is clear: the events of the play have been created and undertaken by a man with a driving blood-lust and lack of respect for propriety. This would suggest Macbeth’s commitment is to status, position and power however, Shakespeare offers us a different Macbeth in the opening scenes. During the course of the play, the audience witness Macbeth dealing with various commitments – his commitment to being a soldier, his commitment to his wife, and perhaps, a commitment to evil. In addition, Shakespeare presents to the audience other characters who demonstrate adherence to, and dismissal of, their own commitments. Thus, ‘Macbeth’ can be read as a play of commitments, as each of the characters struggle to find balance among their various allegiances. At the start of the play, ‘brave Macbeth’ is clearly committed to King and country in his actions of ‘disdaining fortune’ and ‘[unseaming] him from the nave to th’ chops’. His commitment is rewarded as he is named as Thane of Cawdor. The combination of the Witches’ prophecies and his commitment to his ‘dearest partner of greatness’ offer Macbeth a new focus: his...
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...reality is the fact that it is the main cause of corruption in the world and is often taken advantage of. In William Shakespeare’s work entitled Macbeth, the lust for and corruption by power is clearly portrayed specifically through Macbeth and his wife, Lady Macbeth. Firstly, the play commences with King Duncan and Macduff socializing about ‘the good and hardy soldier’ Macbeth, who at that point in time is brave and gallant warrior who exhibits loyalty and devotion towards his King. Macbeth and Banquo cross paths with the witches who proceed to prophesize Macbeth’s future, labelling him as the future King of Scotland. This immediately grabs Macbeth’s attention and is the driving force behind the alteration of his mind and wellbeing and he ponders what needs to be done to fulfill such a prophecy to become of a high power. Secondly, it is clear that Macbeth deals with the concept of power within his personal relationship with his wife. Lady Macbeth can be viewed as a sinister figure in the sense that she subdues her feminine qualities to express her dark emotions. The more infatuated Macbeth is with his wife, the stronger her power is “Come, you spirits; That tend on mortal thoughts! Unsex me here, And fill me from the crown to the toe top-full Of direst cruelty. . .” (1.5, 40-43) Her power is exercised through the manipulation of Macbeth – she formulates the plan for her husband to murder Duncan as a result of her greedy desire to become...
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...Macbeth Character Analysis Macbeth: At the start of Shakespeare’s ‘Macbeth’, Macbeth the main character is the "bravest" soldier and the honorable Thane of Glamis. His rank and nobility are of great value, and he seems to be fit for his status. But his encounter with the witches awakens in him a deep impatient ambition. Immediately after the first prophecy of being Thane of Cawdor becomes true the "horrid image" of the murder of King Duncan in order to become king himself crosses his mind. He is not totally cold and solely ambitious as shown by his terror of the murder image, which thoroughly defies his loyalty. There is love in Macbeth as shown by his letter to Lady Macbeth in which he calls her his "dearest partner of greatness." Macbeth is already thinking about being king but he is undecided about whether it is better to succumb to the temptation presented by the witches or to wait for Fate to crown him. Banquo warns him that at times evil forces "tell us truths . . . to betray's in deepest consequence." Even though he does not state it out loud, Macbeth does care about morality and religion, as demonstrated in his soliloquy (act 1 scene 4 line 12-28) where he lists the three reasons why he should not kill Duncan: he is "his kinsman," "his subject" and "his host." Macbeth adds that "Duncan hath born his faculties so meek, hath been so clear in his great office, that his virtues will plead like angels." Lady Macbeth knows her husband and feels that he is "too full o'...
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...of Macbeth by William Shakespeare centers on the main character Macbeth and a prophecy that changes his life. Macbeth finds out he is to be the king of Scotland. The prophecy shocks and overwhelms him. The story follows his journey to becoming King and the consequences that follow due to the method he used to gain the crown. In his way to becoming king Macbeth changes the order of the kingdom which affects the Macbeth and people around. It even goes to the point of affecting the animals. Social order is an important part of the story because its interruption is the origin from which the conflicts in the story occur. These conflicts help analyze what, by Macbeths doing did he change that caused an interruption. It also highlights what...
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...peace between Th’ effect and it. Come to my woman’s breasts, And take my milk for gall, you murd’ring ministers, Wherever in your sightless substances You wait on nature’s mischief. Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry ‘Hold, hold!’ Lady Macbeth speaks these words in Act 1, scene 5, lines 36–52, as she awaits the arrival of King Duncan at her castle. We have previously seen Macbeth’s uncertainty about whether he should take the crown by killing Duncan. In this speech, there is no such confusion, as Lady Macbeth is clearly willing to do whatever is necessary to seize the throne. Her strength of purpose is contrasted with her husband’s tendency to waver. This speech shows the audience that Lady Macbeth is the real steel behind Macbeth and that her ambition will be strong enough to drive her husband forward. At the same time, the language of this speech touches on the theme of masculinity— “unsex me here / . . . / . . . Come to my woman’s breasts, / And take my milk for gall,” Lady Macbeth says as she prepares herself to commit murder. The language suggests that her womanhood, represented by breasts and milk, usually symbols of nurture, impedes her from performing acts of violence and cruelty, which she associates with manliness. Later, this sense of the relationship between masculinity and violence will be deepened when Macbeth is unwilling...
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...Who was William Shakespeare? Shakespeare is William Shakespeare, one of the English-speaking world's greatest playwrights and poets, who possessed a great knowledge of human nature and transformed the English theatre. Yet many facts of his life remain a mystery. Some have been acquired from painstaking looks at the records of the time, so that this summary is based on generally agreed facts. It has been said that we only know three things about Shakespeare: that he was born, married and died. He was baptised on April 26, 1564; we do not know his birth date, but many scholars believe it was April 23, 1564. His father was John Shakespeare (who was a glover and leather merchant) and his mother Mary Arden (who was a landed local heiress). John had a remarkable run of success as a merchant, alderman, and high bailiff of Stratford, during William's early childhood. His fortunes declined, however, in the late 1570s. William lived for most of his early life in Stratford-upon-Avon. We do not know exactly when he went to London but he is said to have arrived in 1592. There is great conjecture about Shakespeare's childhood years, especially regarding his education. It is surmised by scholars that Shakespeare attended the free grammar school in Stratford, which at the time had a reputation to rival that of Eton. While there are no records extant to prove this claim, Shakespeare's knowledge of Latin and Classical Greek would tend to support this theory. In addition, Shakespeare's...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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