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Max Reinhardt

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Max Reinhardt, a very influential Austrian director, could arguably be called the father of modern theatre. His innovations facilitate the direction and management of both plays and movies. Starting with a brief look at his early life and touching on the big moments in Reinhardt’s life, we will see that many of his beliefs and practices are still widely used today. Max Reinhardt, was born an Austrian Jew in 1873. Reinhardt was born under with the name Max Goldmann. Goldmann did not change his name until 1890, when he became an actor. After about 30 years of being involved with the theatrical world, Reinhardt and his colleagues created the Salzburg festival. By 1924 Reinhardt had made his way to America and he directed his first American production, The Miracle. In 1933, he is, “Forced by the Nazi government to give his theatres in Germany to ‘the German People”. In 1935 he opens his film adaptation of A Midsummer Night’s Dream for Warner Brothers. 3 years later, Reinhardt’s property in Austria was confiscated but he did open his own studio called, the Max Reinhardt Workshop for Stage, Screen and Radio in Hollywood. Finally, 1943 Reinhardt suffered a stroke and passed away. Otto Brahm, the most notable German producer at the time, introduced a more impressionistic realism to Reinhardt. The impressionistic realism consisted, not only of acting with the voice and with gestures, but with the entire body. Similar to naturalism, everything should be as it was in normal, everyday life. When it came to the audience, Brahm believed that the actor should act as if they were, “unconscious to the presence of the audience.” Opposite the views of Reinhardt, Brahm lacked imagination. Brahm’s sets, costumes, and other elements of

his theatre were drab and tiring for Reinhardt. This unfortunate downfall added to one of the several collapses of their partnership. Because of

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