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Miller

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Explore the ways in which miller creates suspicion from the moment Hale enters to the end of act one.

Miller uses a number of devices such as stage directions, repetition and word choice that indicate suspicion of others and witchcraft among the Salem people. Arthur Miller uses stage directions in to create a sense of suspicion and mystery [Be Precise – state page number/Act]. With Reverend Paris, Miller did this to emphasise the character’s main dilemma in the play which is the threat to Paris' power in the community as his niece as people would be suspicious of her. Therefore because she is living under his roof, it would put a bad name on Paris as he couldn't keep his house Holy [Mention – by Miller setting the scene in a reverend’s house (a place of God), the audience may be more suspicious of the witchcraft.]. The stage directions used at the start if act one when Paris is praying frequently over Better [?] his daughter indicates that the room is quite dark with only a candle burning and sunlight through the window lighting the room. The significance of this is to show how the audience that the stage direction, builds tension to the atmosphere and sets the mood for the play [Good Holly]. Paris is frightened and confused by Betty's illness, wondering what he has done wrong to deserve this. He is angered quickly without provocation, for example when Tituba inquires about natty he turns on her in fury and shouts to get 'out of here.' Therefore not understanding the illness, Paris is suspicious of what is causing the illness. Furthermore, Hale narrowing his eyes [mention ‘stage direction’ and use quotation marks and mention Miller’s name here] creates suspicion as only people do this naturally when people are questioning someone's answers. We can see this when we read, "Hale, Narrowing his eyes." Miller creates a sense of suspicion from hale towards the other characters by this simple stage direction. This indicates to the audience that Hale is just as suspicious and worried as her other characters, even though, he can exercise the witches and evil out of people's souls. Therefore the audience will begin to question the reliability and truthfulness of Hale, therefore creating a suspicion from the audience as well towards Hale. [Perhaps but it is hard to conclude that we suspect Hale because simply because he is suspicious – we can suspect him for his arrogant manner and suggestion that he wants to hurt a young child to exorcise them]

Miller creates suspicion towards Tituba by questioning her actions with the girls, when dancing and singing her Barbados song. It becomes a very obvious low status because "as always, trouble in the house always lands on her." This shows us that Reverend Paris had little regard of human rights for her. She was accused and suspected of witchcraft by Hale and Paris, "I don't compact with no devil." And " you will confess yourself..." The statement from Hale shows their suspicions towards her, and because she is a slave, meaning she has no humans rights, they could hang her if she didn't confess. Also Abigail turns on Tituba, accusing her of witchcraft win the woods when they where dancing. Even if she wasn't doing Barbados rituals it would have been highly unlikely anyone would believe her because of her status in the society she was in. In attempt to sway the suspicion from Hale and Paris away from her she uses, what little power she has and states she's a "good Christian women." Which symbolises God and religion, away from the Devil. She does this firstly to avoid being hanged and secondly because more people would believe her if her culture and religion is not different to theirs. [This is a wonderful example Holly – BRAVO – but can you mention some of the LINGUISTIC devices Miller uses here? You tell me where the suspicion is but not how the writing highlights it. Make sense? :-) ] Miller uses the Interrogative tone to create suspicion from different people in act one. With the interrogative lexis such as 'who' and "who is he with." This creates a tension within the play, leaking to the audience. Consistently asking questions and mirroring the questions of other characters to other characters, proclaims to the audience that there is not structure of any realistic argument or answers to the Witchcraft. This shows that Miller is portraying to the audience that the ideas and worries in Salem are ridiculous.

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