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Ming Feng

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Zhang Feng
Zhang Feng was the son of a senior military officer who committed suicide in 1631 after losing a battle. His brother Zhang Yi was a Battalion Commander in the Embroidered Uniform Guard at a court during the Chong Zhen reign, whom despite being torture refused to surrender but escaped execution. Having obtained the lowest-level degree before 1644, Zhang himself would normally have sat for the higher examinations leading to an official career, but the fall of the Ming led him to abandon that ambition and he subsequently supported himself through painting.
In the summer of 1644, the city of Nanjing and its inhabitants were living in fear and anxiety. The capital of the Ming dynasty which was once vibrant was now home to the remnants …show more content…
He was following in the literati tradition and sought an artistic reconstruction of the past through the critical study of the ancient stylesDong advocated a non-secular correspondence with art of the recent masters instead of literal imitation of them and underscored the importance of style that was in commit to restore simplicity and vitality to painting. Shaded Dwellings among Streams and Mountains, supported a piece by Dong Qichang may be a complicated calligraphy study of rocks and tree forms planned as an integration of abstract, blockish and dynamic communicative plenty that embody and area unit unified by the paintings of the artist’s physical movements. He alternated positive and negative patterns in his landscape that resulted in a very radical new kinaesthetic vogue. He approached painting as though it were calligraphy.
Dong created a complex intellectual construct through the mixing of words and image. His calligraphy follows the style of the great early masters Wang Xizhi. He adopted the use of Chan terminology. The process required long periods of sutra chanting, canon observance and strict abstinence. The perception generally in Chan studies was that the Southern school was more effective and

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