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Moral Decay In The Great Gatsby

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The settings in The Scarlet Letter are more localized, in contrast to the widespread geography of The Great Gatsby. The areas are more familiar; they are places in Boston or other areas that Hester has a connection with. The relationship the characters have with the settings help to signify the proximity in which the characters are to their sins and their punishments. The scaffold in the marketplace serves the same purpose as New York City in The Great Gatsby. The locations are both areas where moral decay is on display, but unlike New York, where immorality is seemingly accepted, the scaffold is a setting where sins are exhibited to condemn the sinner and prevent others from emulating their actions. The scaffold is designed “to be as effectual …show more content…
Pearl, too, knows this when she asks Dimmesdale if he will “stand [at the scaffold] with [her] mother and [her], to-morrow noon-tide?” (n.b. 158). By refusing Pearl’s request, Dimmesdale declines to be associated with the symbol of immorality and with his own sins. Eventually, Dimmesdale does illustrate his moral decay, confessing in the only place he can, on the scaffold. Similar to the Valley of Ashes, the house that Dimmesdale and Roger Chillingworth move into is proven to be the site of punishment by the solemn descriptions of the setting and horrific events that occur there. Dimmesdale’s home is depicted in a sorrowful way. It is close to a graveyard, a constant reminder of death and physical decay. Dimmesdale’s room also helps to emphasize the desolate setting as it is full of darkness and tapestries portraying grim religious scenes. The house is a source of physical and emotional pain for Dimmesdale, and although his suffering is caused by Chillingworth his torture would not occur without the home. As Pearl passes the house, she notes that Chillingworth, who she likens to the devil, “hath got hold of the minister” …show more content…
231). The house serves as Dimmesdale’s punishment for his sin, not because the setting itself causes him to suffer, but because Chillingworth uses the close confinement the house provides to his advantage. The escape from sin for Hester and Dimmesdale is far away from the sites of moral decay and punishment as is the case in The Great Gatsby. For Hester, Europe offers protection from her crime as it allows her to evade the judgements of the Puritan townspeople. She is originally from England, and remembers her time overseas as happy, recalling the beauty and love that existed for her, unlike the judgement and scorn she faces in Boston. Like Nick, Hester views her native land as a positive place that contrasts greatly with her new home. Hester is “free to return to her birthplace, or to any other European land, and…hide her character under a new exterior” (n.b. 82) . From the beginning of the novel, she has the ability to create a new version of herself, one without a scarlet letter, and leave the judgements of her sin behind, but initially Hester refuses to

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