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Music Essay

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The Music Conservatory 2015-2016 Season
On September 10th 2015 at 7:30 I attended the performance of Susan Nigros and Mark Lindeblad at Roosevelt University inside the Ganz Memorial Hall Auditorium. When I proceeded into the auditorium, I was given a program itinerary, which gave me an insight of both Mark Lindeblad and Susan Nigro’s musical background. Susan Nigro plays the contrabassoon, while Mark Lindeblad is an amazing pianist. Both Susan Nigro and Mark Lindeblad are from Chicago, they worked and played in various symphonies, both have earned degrees in music and have collaborated on music since 1990.
While sitting in the auditorium minutes before the performance began; I noticed the architecture of the auditorium. The auditorium was not large, but not too small either. The auditorium can possibly accommodate 100 people comfortably. I would estimate that there were 30 people in the audience. In the auditorium there were wooden seats, wooden floors, and painted morals on the walls with wooden panel surrounding the walls. The ceilings were white and high with golden light fixtures. The stage was wooden, and on the wooden stage I saw there were black chairs, one piano bench, two big black grand pianos and four microphone of different sizes. At 7:30 exactly a woman dressed in all black came onto the stage, she welcomed the audience and informed the audience to silence phones, after her pleasant announcement the light went dim and the performance began.
Three people walked onto the stage and those three individuals were Susan Nigros, Mark Lindeblad and a second female, the second female on stage did not state her name, but she was the assistant of pianist Mark Lindblad. Susan wore a black attire. She had on a sequins suit jacket and black suit pants, and Mark Lindeblad wore a charcoal gray suit with a light blue tie and shirt. Mark Lindeblad sat at the piano while Susan positioned her maroon colored contrabassoon while before sitting in her seat. I would describe the Contrabassoon as looking similar to a large trombone. Before they played I noticed that they looked at one another to ensure comfortability and to make sure they were on the same key with the tune.

The first song they played together it was titled Morceau Pour le Basson, which was created by Luigi Cherubini, this song was up-tempo. The song was homophonic, but it started with forte and the pitch was piano. The first song was awesome which really catch the attention of the audience and they too were motivated with the applause given to them in return. The song ended with a low tone which was piano and we were not lost in it but it lasted for five minutes.
The second song was called Adagio in Sol (G) Minore, this song started with the piano set and it is a tonic triad, between 7.37pm and 7.38pm it was fortissimo and the loudness brought attention to everybody because we were not expecting it, though it was amazing because the both know what they are doing and they were praised by all the audience including myself. It ended 7.43pm and they both gave a bow.
The third song names Hearts Desire revised by Samuel Scheidt but it was actually created by Donald Draganski, and the song was amazing, because it started with mezzo forte and it later was a duple meter sound which was well played and followed by rounded binary form |:a:|:ba’:| The song was short because it was two minutes, but with the rhythm it feels it was ten minutes.
At 8:00 p.m. there was a 10 minute intermission. After the 10 minute intermission Susan Negro returned to the stage and did a solo called Giant Stirred created by Jay Vosk. After Susan Nigros solo, both Mark Lindblad and his assistant returned back to the stage and performed the songs from the Jazz Set which included the infamous songs Take 5, Harlem Nocturne and The Pink Panther. The song started with a piano and has a duple meter |1-2| sound, it homophonic and it has a fast, which was rounded |a:ba:| , the dynamic was a forte and fortissimo. The tone color was overtone and has a full cadence. It ended clearly and they both have a good applause after the song because it was very entertaining.

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