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Music from a Romantic Age

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Submitted By brookes27
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The first musical piece for the evening was Classical Symphony, Op. 25. This work featured an instrument not often heard in orchestra performances, the alto saxophone. The beginning started off allegro and with a solo performed by the string family. Throughout the movement, there are terraced dynamics in which shift back and forth from piano to forte. It was executed in a polyphonic texture with syncopation continuously played throughout. L’Arlesienne Suite, No.2 followed the first symphony and created a crescendo to fortissimo. This number began with a concerto grosso as the flute and keyboard instruments were joined in by the rest of the orchestra. Georges Bizet also created a ritornello form in his piece with modifications as the movement progressed. The end was completed in a vivace tempo.
Following intermission was Johann Strauss Jr.’s work of Die Fledermaus. Here pizzicato is performed by the string instruments as the tempo slowly begins to increase. In this overture there is a feeling of competition. The contrast between the parts played by violins and other instruments seems never ending and incessant in trying to out perform one another. This waltz ends in great intensity with the impression of fortissimo and presto left behind. Danse Macabre, Op. 40 is known to many as the “dance of the dead” or sound of the devil. It truly upholds this metaphor with the sound of the xylophone and triangle creating a word painting of the clicking of skeletal bones in a graveyard picture. Cadenza has a consistent role throughout this movement. First the violins and cellos alternate in taking the center of attention, followed by the trumpets, violins and cellos. Solo concerto is emphasized in this movement by giving the violinist (Sharon Cooper) a virtuoso part. Throughout this composition, imitation is consistent as the solo violinist plays her part which is then repeated

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