...Connor Sikes Instructor: Liz Edsen English 1300- 002 25th, September 2013 Discourse Community (Musician) "Its a great thing about being a musician; you don't stop until the day you die, you can improve. So its a wonderful thing to do"(Marcus Miller). When I became a musician, a quote like this ran through my mind like a spinning record. It still amazes me how even after eight years I still have so much to learn down the road. Being a musician has really enlightened me with the motivation to put the effort in making and playing great music with others or by myself. Music is a form of expression in which many emotions can be shown from happiness, depression or rage. Music gives people the chance to express themselves without using words of their own and instead through emotional music or just simply a great song they love. Musicians without question successfully manifest Swale's characteristics of a discourse community. When it comes to musicians, setting goals is the first step to achieving success. If musicians don't know exactly where they want to go, then how can they know which paths will lead them there? Music has been alive since the beginning of time basically. Mankind in general used many forms of sound like rocks in the stone age, medieval times used wind instruments like flutes or a recorders, and the renaissance era used string instruments such as Violins or Piccolos . Music has many types of genres to this day from jazz, rock, country, classical, and many more...
Words: 951 - Pages: 4
...Sun Ra, a beloved jazz musician by many for his genre-bending style and creativity, is left out of a lot of histories of jazz e.g., every book and film I absorbed this semester leaves him out of the jazz narrative, why? Sun Ra is both praised and criticized for his creatively avant-garde representation of jazz. A brief background of the musician shows that he started playing piano at around the age of 11. In 1936, at age 22, he decided to drop out of college to pursue a musical vocation. Additionally, he claimed he was transported to the planet Saturn and told to drop out to teach through music. Nonetheless, ten years later he began playing for such acts as Wynonie Harris, Billie Holiday, Lil Green, Fletcher Henderson and formed a trio with...
Words: 582 - Pages: 3
...Robert Kelly Holly Kopcha ENGL 2089 106 3/6/2016 Marching Band The marching band is a community all their own. They all speak to each other in a language that is all their own. It was always easy to spot someone in school who was a “band kid” because of the way they carried themselves or the way they talked or the people they associated with. Kids in the marching band hang out with each other during and outside of school. They are a community all their own with unique characteristics. The marching band has specific goals that they set for themselves as well as for the group. Individually the members of the marching band have their own goals that they need to accomplish for the ultimate goal of making the group better. Each member will practice their music at home or in the practice rooms during class in order to get better at memorizing and accenting their music. They do this to help the group sound better when they are at competition. Band member also have a goal to memorize their drill sheets. This helps them to where they are supposed to be on the field at a certain time. Doing this helps the group look more unified in their formations. The group’s goals are to perform well at competitions and ultimately win a trophy for their school. To obtain this goal the group will practice for 2-4 days a week. Depending on the day or what needs work they will either work on drill or their music. Drill is the position in which the person should be in a specific time during...
Words: 1127 - Pages: 5
...Cultural Moves AMERICAN CROSSROADS Edited by Earl Lewis, George Lipsitz, Peggy Pascoe, George Sánchez, and Dana Takagi 1. Border Matters: Remapping American Cultural Studies, by José David Saldívar 2. The White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture, by Neil Foley 3. Indians in the Making: Ethnic Relations and Indian Identities around Puget Sound, by Alexandra Harmon 4. Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, edited by George Mariscal 5. Immigration and the Political Economy of Home: West Indian Brooklyn and American Indian Minneapolis, by Rachel Buff 6. Epic Encounters: Culture, Media, and U.S. Interests in the Middle East,1945–2000, by Melani McAlister 7. Contagious Divides: Epidemics and Race in San Francisco’s Chinatown, by Nayan Shah 8. Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934–1990, by Lon Kurashige 9. American Sensations: Class, Empire, and the Production of Popular Culture, by Shelley Streeby 10. Colored White: Transcending the Racial Past, by David R. Roediger 11. Reproducing Empire: Race, Sex, Science, and U.S. Imperialism in Puerto Rico, by Laura Briggs 12. meXicana Encounters: The Making of Social Identities on the Borderlands, by Rosa Linda Fregoso 13. Popular Culture in the Age of White Flight, by Eric Avila 14. Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom, by Tiya Miles 15. Cultural Moves: African Americans and the Politics of...
Words: 98852 - Pages: 396
...People and their personalities are sums of all of the experiences they have had in their lifetime. I am who I am because of all the people I have met, the situations and circumstances I have been exposed to, and the activities that I have engaged in. In What Is Literacy written by James Gee, he discusses that individuals are simply meeting points of multiple, and sometimes conflicting historical and social discourses. This statement really hits home with me, especially the word conflicting. I am an Egyptian-American who was raised in a very cultural and traditional family, but went to school and made friends in a community that felt almost entirely different. My friends never understand why I go to church with my family three times a week,...
Words: 390 - Pages: 2
...differing in kind and reception from those modernity, Orientalist-inspired dances pioneered by solo belly dancing artists. New media plays an important role in influencing public reception contexts of multicultural transnational pop groups. Since the late 1990s, the Internet has radically altered the creation, promotion, and discourse surrounding popular culture. Websites such as YouTube offers “Prosumers” new audiences to witness their intimate rewriting of popular culture, like the re-mix of “Buttons”. Through these internet community sites, the image of a threating yet enticing feminine Orient is reclaimed and remixed by a broader, mixed-gendered, multicultural group of mass culture participants throughout the digital world. Reaction: I have always wondered why the West views the Orient, especially oriental women, in the fetishized manner that they do. This reading may hold the key to my answer; the oriental image goes back to the late 1800s, and how the media has represented the Orient. I found it especially interesting how belly-dances are essentially “Western” now, even though it has origins in the Other. Taylor - Some Versions of Difference: Discourses of Hybridity in Transnational Musics Summary: In recent years, hybridity has become an important lens through which cross-cultural encounters are understood, sometimes displacing lenses of authenticity. This has led to hybridity becoming a criterion that shapes the ways musics by Others are heard by critics, fans, and listeners...
Words: 1051 - Pages: 5
...Jean-Jacques Rousseau was born in city of Geneva, on 28th of June 1712. Rousseau`s mother died a week after his was born and his father blamed him for her death. He, then, was orphaned at the age of 10 because his father left Geneva to avoid imprisonment. Rousseau brought up by his devout Christian aunt and uncle, which spurred his hatred of authority and the church. Even though Rousseau had never received formal education, his love of literature and creative imagination were developed at a young age. In the Confessions, Rousseau mentioned that he went to Paris to become a composer and musician in his young adulthood, but he was discouraged and laughed by the other famous musicians at the time. At the same time, Rousseau became a close friend of fellow philosophe Diderot. As he mentioned in his autobiography, the reason why he was so...
Words: 952 - Pages: 4
...My discourse community is the music community. I am very dedicated to music and this is something I quite literally want to do with my life. I don’t want to be like Prince, or Akon, or even Beyoncé; I want to be the artist that does her own thing. I’m a rookie. I’m not entirely sure where I am going but the factor that I hold onto is expression. Sometimes, I imagine myself on stage, singing to the crowds, not a care in the world but just losing yourself. That is a day dream. There are quite a few factors on being a successful musician. I took a poll from my classmates and told them to rate my options from 1 to being the most important and 3 being the least important. My options were, ‘real talk’, ‘dedication’, and ‘good audio’. In all of them...
Words: 579 - Pages: 3
...Organizational Management Introduction The amalgamation of the organization is the characteristic that engages the arrangement of the innovative revival systems of the businesses that are integrating into a component with such recently collective scheme of procedures. This procedure of unification of two or extra companies to figure a solitary component of the companies engages an amount of organizational arrangements, which comprise populace, possessions and responsibilities. (L Heracleous, 2001) The procedure of joining all of these schemes is regarded as incorporation. Incorporation is a feature that suits inside the sequence of a business or precise business amalgamation and acquirement sequence wherein ventures buy assimilate and ultimately wind up of the other businesses. One major point that should never be forgotten is to acquire various business concerning papers of the company with whom it desires to amalgamate. Position of Bill Bailey’s on the Merger The chairperson the Utah Opera Organization may well apply the MEI hypothesis relating to the organizing consolidation: Avoiding Merger-Encouraged-Individualism to hold up the unification. According to this hypothesis, unification and acquirement offer businesses with attractive prospects for the market allocation and enhancements, economies of scope through vertical integration as well as technological advancement. (L Heracleous, 2001) This progress also offers workforce with increase and remuneration, which comprise...
Words: 1553 - Pages: 7
...A Revival: Transformation of Mevlevism in Turkey Hande DEVRİM KÜÇÜKEBE Ege University State Conservatory of Turkish Music Final Essay for IPEDAK- Erasmus Project- Intensive Programme 2010 Revival can be defined as a social movement aiming to restore and protect a tradition which is believed to be disappeared or partly neglegted. This essay will focus on how revival is discussed as a concept in the works written by Egil Bakka, Andriy Nahachewsky, Mohd Anis Md Nor and Ayhan Erol and the case of The whirling Dervishes in Turkey will be elaborated using this concept of revival. In his article ‘Whose dances? Whose authenticity?’ Egil Bakka, mentions folk dance revival in Norway as an ‘organized folk dance movement as opposed to popular tradition’. He presents two dance categories. The first one contains ‘dances staying alive because of their own strength and popularity’ and the second category consists of ‘dances being consciously cultivated, taught and sustained by a desire to preserve, nurture or utilize’ (60) In the first category there are the dances common in Norwegian rural areas and he states that there aren’t any systematic teaching and efforts to keep these dances alive. The dances in the second category are the ones which are subjected to the revival or ‘organised folk dance movement’ Bakka states that the revival process requires to move...
Words: 4860 - Pages: 20
...Cultural Canon: things that individuals should look at or know to participate in a certain culture, denotes a body of books, music and art that have been traditionally noted by Western scholars that shape Western culture. Why have a cultural canon? Define a people, find a common purpose, unity What are the problems with having a canon? Exclusionary, represents the hegemony (dominant power structure) Defining American Cool… “Cool figures are the successful rebels of American culture….to be cool is to have an original aesthetic approach or artistic vision—as an actor, musician, athlete, writer, activist….. that eithers becomes a permanent legacy or stands as a singular achievement Rebel is independent, goes against the grain, cool is the mainstream, yet you need to be “Edgy” un-mainstream to succeed. Live fast, die young Jazz is cool. It started as a marginalized expression that the dominant culture romanticized but once mainstream it lost lots of its coolness. “outsider as an insider” To define what is supremely “American” is to be a living contradiction. Cynicism is American Prude sexuality Ephemeral: catch it and it dies Talking shit is American Cause controversy is cool, but it is also cool to be above the controversy Cool is relative and ever changing. Satire is the new cool. Satire is a type of comedy, the use of irony, exaggeration, or ridicule to expose and critique people’s stupidity or vices. Food of all mixture and availabilities ...
Words: 766 - Pages: 4
...Free Download A History Of Zimbabwe Book A History Of Zimbabwe is writen by Alois S. Mlambo in English language. Release on 2014-04-07, this book has 304 page count that consist of valuable information with lovely reading experience. The book was publish by Cambridge University Press, it is one of best history book genre that gave you everything love about reading. You can find A History Of Zimbabwe book with ISBN 9781107021709. The first single-volume history of Zimbabwe with detailed coverage from pre-colonial times to the present, this book examines Zimbabwe's pre-colonial, colonial and postcolonial social, economic and political history and relates historical factors and trends to recent developments in the country. Zimbabwe is a country with a rich history, dating from the early San hunter-gatherer societies. The arrival of British imperial rule in 1890 impacted the country tremendously, as the European rulers exploited Zimbabwe's resources, giving rise to a movement of African nationalism and demands for independence. This culminated in the armed conflict of the 1960s and 1970s and independence in 1980. The 1990s were marked by economic decline and the rise of opposition politics. In 1999, Mugabe embarked on a violent land reform program that plunged the nation's economy into a downward spiral, with political violence and human rights violations making Zimbabwe an international pariah state. This book will be useful to those studying Zimbabwean history and those unfamiliar...
Words: 1086 - Pages: 5
...Harlem Renaissance The Harlem Renaissance period was when the world found out that there was indeed a distinctive and varied "negro/black American" culture and it was centered here in Harlem of New York City. It was a culture movement that began around 1920s. Before it was called the Harlem renaissance it was known as the "New Negro Movement", that was named after the anthology edited by Alain Locke in 1925. The Harlem Renaissance grew out of the changes that had taken place in the black community since the abolition of slavery, and which had been accelerated as a consequence of the First World War. It can also be seen as specifically African-American response to an expression of the great social and cultural change taking place in America in the early 20th century under the influence of industrialization and the emergence of a new mass culture. This movement impacted urban centers throughout the United States. Across the cultural spectrum (literature, drama, music, art, dance) and also in social thought (sociology, philosophy), artists and intellectuals found new ways to explore the historical experiences of black America and the contemporary experiences of black life in the urban North. Challenging white superiority and racism, African-American artists and intellectuals rejected merely imitating the styles of Europeans and white Americans and instead celebrated black dignity and creativity. Asserting their freedom to express themselves on their own terms as artists, they explored...
Words: 1744 - Pages: 7
...What is Music? Sound vibration with specific meaning Conceptual phenomenon based on society Ethnomusicologists try to understand societies through music. By understanding music, there is an understanding of people, the community or the society. Vocal, instrumental, dance. In some cultures, all these characteristics are combined where generally, vocal, dance and theater are separate. i.e: Flamingo Culturally specific activity Labels emblematic of the activities (contextualized in time and space) Folk, traditional, popular, art World Music? Peter Gabriel/ Paul Simon. Collaborating with artists outside of popular music. In the 80s, World Music was known as the collaboration with others. Zulu girls perform wedding song/dance. (Central Africa) (1) Paul Nabor from Belize. Transformation of this music which began to be a project of international world music. Village House Production, Punta Gorda Town, Belize Central America. Guitar, percussion and voice. (2) Andy Palacio – Watina. Producer transformed Paul Nabor’s base into Watina. The first album that put (Garifuna community in Belize) Garifuna music/this kind of music on an international scene. Was a popular album of world music. Andy Palacio – Dunya 2007 Festival Rotterdam (Joined by Paul Nabor) Paul Nabor sings in the Modal system whereas the instruments are in the tonal system. Completely different systems combined together. (3) Aurelio Martinez – The Laru Beya Sessions. In Senegal to commence a new collaboration...
Words: 1044 - Pages: 5
...values endorsed by the JPA. Record companies, book publishers, archivists, academia, and private foundations have also contributed to the effort to preserve jazz music and history. Such preservation has not always been a simple process, especially in identifying jazz with black culture and with America as a whole. This has required a careful balancing of social and musical aspects of jazz. For instance, many consider two of the most important aspects of jazz to be the blues aesthetic, which inevitably expresses racist oppression in America, and the democratic ethic, wherein each musician’s individual expression equally contributes to the whole. Balanced explanations of race and nationality are useful not only for musicologists, but also for musicians and teachers wishing to use jazz as an example of both national achievement and confrontation with racism. Another important aspect of the JPA is the definition of jazz as a ‘‘ high ’’ art. While there remains a vocal contingent of critics arguing against the JPA’s definitions of jazz, such results will not likely see many calling for an end to its programs, but rather a more open interpretation of what it means to be America’s music. On...
Words: 8297 - Pages: 34
