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Non –Western and Experimental Cinema

In: Film and Music

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DITI BHATTACHARYA
NON –WESTERN AND EXPERIMENTAL CINEMA
SETTING A CONTRAST BETWEEN MARGINAL CINEMA AND MAINSTREAM CRITICAL THEORY
MA –PG 1
TERM PAPER
DEPARTMENT OF FILM STUDIES
JADAVPUR UNIVERSITY

The term third cinema has found its roots in the so called third world, which generally refers to the nations located in Africa, Latin America and Asia where historical encounter with colonial and imperial forces have shaped their political and economic power structure . at the same time it could be said that the third world is a kind of cinematic response to the first cinema (which conjures images of Hollywood movies , consumption and bourgeoisie values ) as well as second cinema (referring to “nouvelle vague” or the European arthouse filmmaking demonstrating aesthetic but not always political innovation).The reference to the concept of third cinema appeared for the first time in the Cuban film journal ,cine Cubano, (1969) in a report of an interview with members of the cine liberacion group .it was said at that point of time that there is a growing need for the development of a cinema of aggression .one that would put an end to the irrationality that has come before it. Thus beginning in the mid 50s and continuing up to the present these films have helped immensely in forging a sense of national identity and cultural autonomy . it would be interesting to know that at this point of time there was a development of film theory and critical methodology in the first world sectors. This development primarily took place within the realm of second cinema. The following essay reflects on the fact that despite the oppositional nature of both spheres of activity towards the first world studio productions, why does these to spheres of film-making have remained starkly separate. It would be interesting to study this cultural- critical divide .
Cinematic practice in...

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