...comedy is all about pleasure and merrymaking. How do you react to this idea in your study of Much Ado About Nothing? Much Ado About Nothing is heavily influenced by the inclusion of C.L. Barber’s viewpoint on comedy, that pleasure and merrymaking should be a focal point in festive comedy. Shakespeare utilizes witty mockery, satirical conversations and the Saturnalian reversal of roles to emphasize festivity and merrymaking as a main theme in his comedy as this ensures the audience can make fun and laugh at the situations displayed. But, as the audience we cannot forget that Shakespeare used this idea of pleasurable entertainment to disguise the underlying Machevellian plots of Don John and Borachio to disrupt the fairy tale type of tenor the characters could have led. Therefore, further into Much Ado About Nothing, discussions about whether Shakespeares play conforms to C.L. Barber’s argument or to what extent is C.L. Barber’s perspective disputed are risen. Initially, from reading the script of Much Ado About Nothing, the reader can respond to C.L. Barber’s argument with firm disagreement as many other genres are used to heighten the effect of comedy in the play, although C.L. Barber’s argument was specifically aimed at comedies, whilst Shakespeare’s Much Ado About Nothing is classed as a dramatic comedy, where tragedy is also hung in the balance in the climactic parts of the play. The purpose of Shakespeare’s plays in general and especially Much Ado About Nothing, is to expose...
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...Have you ever dreamed of reading a thrilling book about awesome characters and a devious plan involving death? Then “Much Ado About Nothing” by Shakespeare is the perfect book for you. In the enthralling play, there contain multiple couples. One is based solely on looks, one denies their love for each other, and one simply got together for the sake of a devious scheme. It also involves a plot that a kind character look scandalous, when really, they’re not. It’s a great story about love, evil, and forgiveness. In the play “Much Ado About Nothing” by William Shakespeare, Beatrice and Hero are foils of each other because of their interactions with others, how others feel about them, and their personality traits. Beatrice and Hero are major character foils in the play “Much Ado About Nothing” because of their...
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...Shakespeare My first impression of Much Ado About Nothing is that it would be a love story. Although it is categorised as a Shakespearean comedy, I found the many "funny" parts of the play were foggy and required you to read the scene over a few times before you understood them. But then again, I had to read the whole scene over again a few times to understand anything. All of the characters in Much Ado About Nothing seemed to develop a personality of their own from the very first scene. It also helped that I saw the movie version of Much Ado About Nothing before we read the play so I could almost get a picture in my head as to what each character looked like. As the character's had their own personality, so did the two love relationships in the play. Benedick and Beatrice seemed to hate each other so much from the very start of the play that as the play carried on it almost seemed like the two went full circle in their relationship. But their relationship might not have changed for the better without help from Claudio, Don Pedro, Leonato, Ursula or Hero. In Claudio's and Hero's relationship seemed to be much more conventional in the way they came together. Claudio first saw Hero and instantly fell in love with her, while Hero stood by and took orders from her father, Leonato. Only when Don John devised his deception to break Claudio and Hero apart that I felt the relationship was in trouble, but even then I felt there was hope. In Act...
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...William Shakespeare’s play Much Ado About Nothing emphasizes the subject of deception through the use of language, but the 2013 film adaptation of the play directed by Joss Whedon emphasizes the actions that go along with the words, making the film a superior representation of deception. The concept of deceit starts getting momentum in the scene of the masquerade, where all the characters are masked, so nobody knows who is who. Benedick and Beatrice are dancing together and making small talk, but before Beatrice will confess anything to Benedick, she wants to know who he is. She politely asks “Nor will you not tell me who you are?” to which he replies “Not now”, implying that he will eventually tell her who he is (Much Ado.II.I.125-126). He is deceiving her through his words first by not telling her who he is, and because he is masked, she can not identify him, so...
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...“Much Ado About Nothing” are the victims of deception, and because they’ve been deceived is the reason they act in the ways that they do. Even though the central deception is directed against Claudio in an attempt to destroy his relationship with Hero, it is the deception pertaining to Beatrice and Benedick which is the play's main focus. Almost every character in the play at some point has to make interpretations from what he or she sees, has been told or overheard. At the same time, nearly every character in the play at some point plays a part of consciously pretending to be what they are not. (Act I, Scene I) ”Thou wilt be like a lover presently and tire the hearer with a book of words. If thou dost love fair Hero, cherish it, and I will break with her and with her father, and thou shalt have her. Was't not to this end That thou began'st to twist so fine a story?” Here is when Don Pedro tries to put a spin on words making it sound like if Claudio really wants to be with Hero, they should first trick her into believing that Don Pedro is actually Claudio. They go on forward with the idea and as Don Pedro is swooning Hero with his words and charm at the masked ball and Claudio is actually eavesdropping near-by trying to make sure everything is going according to plan. Deception is one of the focal themes throughout the play which grows out of the love game. Deceit is not evil in nature; it can be used for the purpose good or bad outcomes. “In Much Ado About Nothing” the deception...
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...Major Themes in 'Much Ado About Nothing' Shakespeare’s treatment of love in Much Ado About Nothing differs from his other romantic comedies. Sure, it shares the same stagy plot, which finishes with the lovers finally getting back together, but Shakespeare also mocks the conventions of courtly love which was popular at the time. Although Claudio and Hero’s courtly marriage is central to the plot, their relationship is the least interesting thing in the play. Instead, our attention is drawn to Benedick and Beatrice’s unromantic backbiting – it is this relationship that seems more believable and enduring. By contrasting these two different types of love, Shakespeare manages to poke fun at the conventions of courtly, romantic love. Claudio uses highly contrived language when speaking of love, which is undermined by Benedick and Beatrice’s banter: “Can the world buy such a Jewel?” says Claudio of Hero. “My dear Lady disdain! Are you yet living?” says Benedick of Beatrice. As an audience, we are supposed to share Benedick’s frustration with Claudio’s transparent, pompous rhetoric of love: “He was wont to speak plain and to the purpose, like an honest man and a soldier … His words are a very fantastical banquet, just so many strange dishes.” Deception As the title suggests, there is a lot of fuss over very little in the play – after all, if Claudio wasn’t so impetuous, Don John’s rather weak plan wouldn’t have worked at all! What makes the plot so intricate is the use of deception...
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...MAAN: Love, what is it good for? Merriam-Webster dictionary defines love as “strong affection for another arising out of kinship or personal ties;” Throughout the play, Much Ado About Nothing by William Shakespeare, there is never really a love connection between the characters Benedick and Beatrice. In the beginning of the play, they despise one another and made witty comments about one another; not only that, but they also question why the other one loved them after overhearing the conversation between their friends. By this definition Beatrice and Benedick can't truly be in love, because of words spoken by their friends. At the start of the play, when Benedick first arrived in Messina, the first thing they did was make witty comments about...
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...Beatrice is a strong-willed, independent woman. How far do you agree with this statement? I would agree for the most part with this statement. Beatrice is indeed strong-willed, but her independence has its limitations. As with many Shakespearean characters, appearance can be deceptive, and what we see is only a facade, a mask to hide their true character or feelings. I believe that Beatrice uses her cleverness and quick wit to hide her real feelings, and that although she is independent to a certain extent, she is aware that she has limitations because of her gender. Although Beatrice states ‘I would rather hear my dog bark at a crow than hear a man swear he loves me’ she is ultimately fooled into believing that Benedick loves her. The fact that she is tricked so easily, and subsequently admits her reciprocal love, tells us that she views marriage in a more favourable light than she had previously led us to believe. Whether she gave in to the ‘social construct’ demanded by the patriarchal society in which she lived is questionable. What we do know is that Shakespeare has presented her as a wilful, self-confident, autonomous woman who appears to revel in her single status. In contrast we have Hero, the antithesis of Beatrice. She is meek, obedient and completely dominated by the men in her life. She is the perfect foil for Beatrice, her willingness to please further enhancing Beatrice’s character. It is clear from the start of the play that Beatrice is not an...
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...In William Shakespeare’s comedy, Much Ado About Nothing, he uses the dialogue to show the transition of Benedick and his feelings toward Beatrice and marriage in general. Shakespeare uses the dialogue to show the reader the progression of Benedick’s outlooks on life go from hating Beatrice and the whole idea of marriage to then loving Beatrice and asking her to marry him. This kind of transition is very large and it can only be down by a great writer, such as William Shakespeare. Throughout the whole story Benedick shows very strong feelings toward both marriage and Beatrice, both good and bad, but in the end his true feelings are shown. In the very beginning of the book, after the war ended, Benedick and his fellow soldiers stay at a friend of Don Pedro’s house named Leonato. Leonato’s niece is named Beatrice, whom has a strong dislike of Benedick and vice versa. Benedick dislikes her so much that he states, “I will fetch you a toothpick from the furthest inch of Asia . . . do you any embassage to the pigmies, rather than hold three words’ conference...
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...Much Ado About Nothing Love Story Shakespeare My first impression of Much Ado About Nothing is that it would be a love story. Although it is categorised as a Shakespearean comedy, I found the many "funny" parts of the play were foggy and required you to read the scene over a few times before you understood them. But then again, I had to read the whole scene over again a few times to understand anything. All of the characters in Much Ado About Nothing seemed to develop a personality of their own from the very first scene. It also helped that I saw the movie version of Much Ado About Nothing before we read the play so I could almost get a picture in my head as to what each character looked like. As the character's had their own personality, so did the two love relationships in the play. Benedick and Beatrice seemed to hate each other so much from the very start of the play that as the play carried on it almost seemed like the two went full circle in their relationship. But their relationship might not have changed for the better without help from Claudio, Don Pedro, Leonato, Ursula or Hero. In Claudio's and Hero's relationship seemed to be much more conventional in the way they came together. Claudio first saw Hero and instantly fell in love with her, while Hero stood by and took orders from her father, Leonato. Only when Don John devised his deception to break Claudio and Hero apart that I felt the relationship was in trouble, but even...
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...“You’ve stained your virtue with your own actions. What man were you talking to at your window last night, between the hours of midnight and one?” (Shakespeare 157) In Much Ado About Nothing by William Shakespeare, a man named Claudio falls in love with the governor's daughter named Hero. Don John Convinces Claudio that she was unfaithful, so Claudio accused her at the wedding. Afterwards, Claudio falls in love with her again while Benedick and Beatrice fell in love with each other. In Much ado About Nothing by William Shakespeare, Claudio serves as the foil character of Benedick by which Claudio’s gullible ways are illuminated through Benedick’s intelligence; thus partially influences the climax. Claudio and Benedick contradict each other because Claudio is Charming, as Benedick is disagreeable. In act I, scene I of Much Ado About Nothing, Claudio pulls Benedick aside to find out whether he found Hero pleasant. Benedick says that she is pretty enough for him. Claudio believes that Hero is the prettiest girl in Messina, but Benedick doesn’t agree with Claudio....
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...Essay: What atmosphere does Kenneth Branagh create at the start of his film version of much ado about nothing and where in the play is the source of his ideas? In the act 1 of the scene 1 of much ado about nothing by William Shakespeare, a messenger arrives in the Italian town of Messina, with a letter that informs the kindly Leonato that he will welcome to Messina some soldier friends who are coming from a victorious battle. These friends are Don Pedro of Aragon, a nobleman, and Claudio, a warrior. Hero, Leonato’s daughter and Beatrice, her cousin, accompany him. Beatrice and another soldier of Don Pedro’s army, Signor Benedick, are in a “merry war” but they never saw each other. Beatrice cleverly mocks and insults Benedick. There are no stage directions so this leaves the stage director lot of freedom to achieve the adaptation. The opening of the film version isn’t the same as the book version; the film starts with a poem recited by Beatrice, but Shakespeare original version starts directly with the messenger that arrives. Firstly, in the film adaptation of much ado about nothing by William Shakespeare, at the beginning, Kenneth Branagh creates conviviality and a merry atmosphere that isn’t really described in the play thanks to: - The landscape and the climate, the bright light of the sun. They live in Messina, in Sicily, and Sicily is known for the hot climate. After the poem of Beatrice, at the beginning, we see a painting of Messina; it shows that Messina is picturesque...
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...How far does the humour in Much Ado About Nothing derive from Shakespeare’s presentation of gender? Much ado about nothing is one of the most famous comedies written by Shakespeare. It is written in the modern style, and is mainly in prose form. It was written for the audience in the Elizabethan era of England, which was the age when females were considered significantly inferior to their male counterparts. Shakespeare has used this concept of gender for creating humour in his play. The characters Benedict and Beatrice are involved in a complex relationship which contrasts between love and hate. Both Beatrice and Benedict are strong willed, intelligent characters, who fear that falling in love will lead to a loss of freedom and eventually heartbreak. Various theories have been proposed which govern humour and comedy. The superiority theory proposed by Plato describes the darker side of comedy that Is often laughed at over unfortunate situations and social standings. Infirmity in others as compared to our own is often laughed at. These same principles has been applied to the story of the play, and the inferiority of females has been used as the basis for creating humour. [quick quote & example to back this up?] The characters Shakespeare's “Much Ado about Nothing” contribute to build the humorous essence of play through their roles. Several characters of the play presented comical language and gestures such as Benedick and Beatrice’s unromantic backbiting...
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...Christine Joy A. Tag at BSEDE-II Reflection Paper on Shakespeare’s Much Ado About Nothing Without any idea of what Much Ado About Nothing is all about, I just let myself absorb whatever thoughts and ideas I could get as the movie started to play. The movie which is originally a play written by Shakespeare is a comedy drama but not pure humor as what most audience would expect in a comedy. I really find the work a genius one, with how the story evolves. And unlike any love stories, its plot is a very unique one. The theme is obviously full of deceptions. This act of deceiving is not at all what I know as a bad act. As from the drama, deception could sometimes lead the characters to goodness like how Don Pedro and Claudio intentionally let Benedict eavesdrop to their conversation about Beatrice’s love for him. Hero and her company also did the same to Beatrice. It ended up that Beatrice and Benedict really loved each other after all their ‘wars’. On the other hand, deception could be a bad act. When Don John planned to ruin the wedding by making Claudio and Don Pedro believe that ‘Hero’ is an unfaithful maiden and not anymore a virgin, the plan went out as it is which made Hero be publicly humiliated by Claudio. This only showed that purity of woman is very precious and the only honor that she could have. But whether deception is bad or good, I would first prefer not to believe easily what I hear or see or what others will tell to me. I must not depend on the superficial...
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...The No Fear Shakespeare line by line translation offers a plaintive point of view of Shakespeare’s Othello. It has improved my understanding of the play as a whole and provided me with a new perspective. The most outstanding difference between the original play and the No Fear Shakespeare (NFS) text is the removal and simplification of the dialogue. Shakespeare uses a syntax that is sometimes difficult to understand, often putting the subject of a sentence after the verb. He also employs various types of figurative language such as metaphors, puns, and allusions. One benefit of reading the NFS is that it rearranges the original sentence structure to be more coherent. However, some of Shakespeare’s best work is lost in translation. While the...
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