...Webster Dictionary defines an odyssey as a series of experiences that give knowledge or understanding to someone. Both O' Brother Where Art Thou?and Homer's Odyssey have characters who go on epic journeys in a search for their home. With help from their friends, both characters make the perilous journey home, but not without costs. Both heroes must face many villains and challenges along the way. Although Everett and Odysseus have their differences, both are just men who want to return to their families. Everett and Odysseus are trying to get back to their homes before their wives can remarry. Everett convinces Pete and Delmar to escape the chain gang with him in search for treasure, in order to get his wife Penny back. Even though there...
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...Moat men who have been away from family – want to return to them. When a person travels long distances they happen to come upon obstacles. Pride is the most important thing that keeps men going. In the book “The Odyssey” and the film “O Brother Where Art Thou?”, we can compare three basic subjects: characters, events, and the journey. Even though the characters in the book and film have some things in common; they are very different. In “The Odyssey” by Homer, Odysseus lied to his men for the sake of keeping them safe. While in “O Brother Where Art Thou?” Directed by Joel and Ethan Coen, Everett lied to Pete and Delmar so he could stop his wife from remarrying. Hence forth, Odysseus gives more of an honorable standing in the sense of loyalty to friends and family equally. While Everett seems more focused on his family. As the plots of the compared unfold, there are events that are alike. Odysseus dressed as an elderly beggar man to fool the suitors – so he could see his wife. Everett on the other hand, dresses as an elderly hobo – who is a part of a singing group to fool Homer and the suitor; so he could see his wife. Both of the men used elderly disguises to fool people in...
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...In the film "O Brother, Where Art Thou?" there are many elements of The Odyssey used to explore aspects of modern American culture. For instance, in the beginning there was a scene in which people were getting baptized. Two of the three main characters, Delmar and Pete, wanted to join in because it forgave all of their sins. This shows that during the Great Depression, a lot of people looked to religion to help them out of their hard times. This also resembles the scene in The Odyssey with the lotus eaters. Another example is the “cyclops.” The man portrayed as the cyclops in the movie, Big Dan Teague, is a member of the Ku Klux Klan, a symbol of racism. He is later killed by a burning cross, which shows that racism is disheartening. A scene in the film "O Brother, Where Art Thou?" involves baptisms. The filmmakers, the Coen brothers, used the scene in Homer’s The Odyssey with the lotus eaters to develop this scene in the movie. The scenes are very similar in that they lure the men in and provide them with something they like; in the movie they are redeemed of their sins and in The Odyssey they are provided with food. In "O Brother, Where Art Thou?" Delmar is the first to get baptized and he says, “Well I was lyin' - and I'm...
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...The movie O Brother, Where Art Thou clearly is a modern representation of Homer’s The Odyssey. There are multiple people and scenes in the movie that are similar to those in The Odyssey. Not only are there obvious similarities but also minor ones that not everyone may catch. Throughout this paper, you will believe the fact that this movie resembles the myth in plenty of ways. To point out the obvious, Homer’s ‘Odysseus is represented by Ulysseus. They both let their pride get in front of them. Also, the way their relationship with their crew is close to exact. Both crews question their leader for some decisions they make get them into trouble. Odysseus and Ulysseus outsmart people plenty of times. Specific times were when Odysseus tricked the Cyclopes into thinking his name was “No Name”, and Ulysseus tricks his ‘crew’ into believing they are going to search for a treasure when really he just wants to get his wife back. Like I just stated, Ulysseus went on his journey to stop his wife, Penny, from marrying a suitor. In resemblance, Odysseus has to make it home to his wife, Penelope, to save her from marrying one of the many suitors that are living in his home, waiting for her to wed one of them. When Odysseus returns to his homeland, his son doesn’t recognize him right away, same as Ulysseus’ daughters deny it’s him because they believe he was dead. As you can see, there are plenty of obvious similarities, but there are just as many non-obvious similarities. When Odysseus...
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...205 July 22, 2012 The Anatomy of an Epic When it comes to the art of storytelling, one has to think of the great storyteller known as Homer. There are other great story tellers and epics that stand out in history such as Vergil and his epic The Aeneid. Though there is no duplicate to the epic poems of Homer. Homer of Greece was a blind bard known for a sensational memory and his ability to entertain an audience with the portrayal of his words. Two well known epic poems he told were The Odyssey and The Iliad. Both of these poems are very different from any story or poem written in ancient Greece. The structure, development, and the art of how each epic was told is the reason why each work is different and why each is called an epic. Especially the Odyssey it is the pentacle of an epic poem and contains everything needed to be considered so. The Odyssey is the great story of Odysseus and the sequel to Homer’s other epic the Iliad. The main character Odysseus is put through a lengthy journey on his return home to Ithaca from the battlefield of Troy. Over the span of 24 detailed books Homer tells Odysseus’ path and what he must face to get home. From the raging seas created by Poseidon, Odysseus’ lengthy stay with calypso, and his travels through the underworld. These and other conflicts that Odysseus faces are part of the elements to which make the odyssey and epic poem. In the first book of the Odyssey, Homer introduces a very important element of his Epic poems, the Muse...
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...Jade Zayas Intro to World Mythology Final Paper 05/07/2012 O Brother, Where Art Thou? vs. The Odyssey When it comes to entertainment and box office hit movie making, it is not uncommon to come across films adapted from popular literature. Taking a story that is popular and well-known is a formula for a successful film, as long as it is done the right way. The Coen Brothers, famous for successful films such as “Fargo” and “The Big Lebowski,” made a movie together entitled “O Brother, Where Art Thou.” This film, while unique in its setting and a little bit different in the plot, is clearly an adaptation of the ancient classic poem “The Odyssey” by the poet Homer. Even a review by the renowned film critic Roger Ebert states: “O Brother, Where Art Thou? is a Homeric journey through Mississippi during the Depression (Ebert, Roger 2000).” The film itself depicts the obstacles and fate of a man during the Great Depression who escapes from jail and whose only goal is to make it back home. The struggles he and his fellow escapees meet along the way are strikingly similar to the perils that face Odysseus and his men on their mission to get back to Ithaca. Also, the character references in the film that parallel the characters in the epic poem are abundant. The film is almost a modern homage to the ancient poem in all the different ways it emulates “The Odyssey.” To fully understand all of the different ways the film relates to the poem, it is important to establish the character...
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...“O Brother Where Art Thou” review by Nicholas Drake “O Brother Where Art Thou” is a film, that if you have not yet seen it, you should do so. It takes little to know time to recognize the influence of Homer’s The Odyssey in the film, as it is based off of the epic. Set in rural Mississippi in the 1940’s, we join the story where Ulysses McGill (George Clooney), Pete (John Turturro), and Delmar (Tim Blake Nelson) are escaping prison in a search for a “hidden treasure”. Along their journey, the three cross paths with bank robbers, con artists, a mass baptism, and they almost see their demise. The music used in the film, contributes tremendously to its tone. The use of oldies and bluegrass music makes for a better viewing experience because of the visuals used in the film. Farmlands, cotton fields, dirt roads, and Dapper Dan’s hair pomade along with the music used in the film help create the experience of what life was like in rural Mississippi during the 1940’s. Ulysses McGill, played by George Clooney, acts as an Odysseus like character. Though his performance is not knock-your-socks-off good, Clooney does do the role justice and carries the sarcastic comedy that occurs frequently in the film. Turturro and Nelson’s characters, Pete and Delmar serve as sidekicks to Clooney but contribute to the plot seamlessly. Other characters like Big Dan played by John Goodman and Babyface Nelson played by Michael Baddalucco serve as plot twisters in the film. While their roles do not contribute...
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...Final Film Critique: O Brother, Where Art Thou? Robert L. Forbes ENG 225 Film: From Watching to Seeing. Instructor Ebony Gibson April 29, 2013 Final Film Critique: O Brother, Where Art Thou? Everyone likes to laugh, and this film is no stranger to the call. O Brother, Where Art Thou is indeed a comical action/adventure and musical romp Directed by Joel Coen and Produced by Ethan Coen. The Cast consist of many favorites in film such as George Clooney, John Goodman, Holly Hunter, John Turturro, and Tim Blake Nelson. The film O Brother, according to well-known film critic Roger Ebert (2000), “is based on Homer’s The Odyssey” (p.1), this is an epic Greek poem around 700 B.C. Although the setting is much different, the Homeric journey of three would be prisoners of the late 1930s are similar to The Odyssey and its theme of perseverance. The movie O Brother, Where Art Thou however has a comical twist accompanied by great Gospel/Bluegrass music, and scenes that play into an allegorical concept including references to repentance and salvation during the depression of that era. The storyline in this movie the collaborating efforts of the Coen brothers and cinematographer Roger Deakins bring together...
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...The Odyssey, written in the eighth century BCE, is one of the two main epic poems of Homer. Homer’s writing talent inspires others to create adaptations of the Odyssey. Two examples are: Zachary Mason’s novel, The Lost Books of the Odyssey, and the Cohen Brothers’ film “O Brother, Where Art Thou?.” The scene about the Sirens is a very famous section of both the novel and the film. The novel describes the storyline with vivid details, and the film does the same, but with a different storyline. The scene of the Sirens in the film starts off when the three main characters, Everett, Pete, and Delmar drives along a road with their stolen vehicle, which they have stolen from the previous scene. Pete starts to make such a horrendous noise and yells...
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...Essays Essays Part II. 2, 2.] Part II. 2, 2.] Essays The Project Gutenberg EBook of Essays, by Ralph Waldo Emerson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Essays Author: Ralph Waldo Emerson Editor: Edna H. L. Turpin Release Date: September 4, 2005 [EBook #16643] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ESSAYS *** 1 Essays Produced by Curtis A. Weyant , Sankar Viswanathan and the Online Distributed Proofreading Team at http://www.pgdp.net ESSAYS BY RALPH WALDO EMERSON Merrill's English Texts SELECTED AND EDITED, WITH INTRODUCTION AND NOTES, BY EDNA H.L. TURPIN, AUTHOR OF "STORIES FROM AMERICAN HISTORY," "CLASSIC FABLES," "FAMOUS PAINTERS," ETC. NEW YORK CHARLES E. MERRILL CO. 1907 CONTENTS INTRODUCTION LIFE OF EMERSON CRITICAL OPINIONS CHRONOLOGICAL LIST OF PRINCIPAL WORKS THE AMERICAN SCHOLAR COMPENSATION SELF RELIANCE FRIENDSHIP HEROISM MANNERS GIFTS NATURE SHAKESPEARE; OR, THE POET PRUDENCE CIRCLES NOTES PUBLISHERS' NOTE Merrill's English Texts 2 Essays 3 This series of books will include in complete editions those masterpieces of English Literature that are best adapted for the use of schools and colleges. The editors of the several volumes will...
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...\nvt'$ mvmj of thf "i'emW^ le$t ^mH, THE DISCOURSES OF EPICTETUS. WITH THE ENCHEIRIDION AND FRAGMENTS. TRANSLATED, AND A WITH VIEW NOTES, OF HIS A LIFE OF EPICTETUS, PUILO80PUY. By GEOKGE long, M.A. NEW YORK: A. L. BURT, PUBLISHER, EPICTETUS. Very that he little was a is known* native of and of the life of in Epictetus. Phrygia, the in Maeander the a it is saia Hierapolis, a town tween be- the the to Mgeander branch of named of Paul it in the of Lyons. the Hierapolis of Colossi that time is mentioned epistle from people (Coloss. there of the was iv. a 13); which church date of fact his master has been concluded at Christian The Hierapolis birth of the apostie. The Epictetus life is that is unknown. he a was a only Rome, recorded and of broke the his was early slave in Epaphroditus, There is a profligate that the freedman master to on emperor his slave's dence evi- Nero, story leg by torturing of or him; but the that it is better trust to the Simplicins, who an commentator the weak how Encheiridion in he Manual, from but says Epictetus It is not in was body became that found and a lame early age. said modern slave; parents it has the this ...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...&KDXFHU 7URLOXVDQG&UHVVLGD (Troilus and Criseyde) 7UDQVODWHGE\$6.OLQH ã Copyright 2001 A. S. Kline, All Rights Reserved This work may be freely reproduced, stored and transmitted, electronically or otherwise, for any NON-COMMERCIAL purpose. Contents Book I Book II Book III Book IV Book V Troilus’s Love Love Returned The Consummation The Separation The Betrayal Book I 1. Troilus’s double sorrow for to tell, he that was son of Priam King of Troy, and how, in loving, his adventures fell from grief to good, and after out of joy, my purpose is, before I make envoy. Tisiphone, do you help me, so I might pen these sad lines, that weep now as I write. 2. I call on you, goddess who does torment, you cruel Fury, sorrowing ever in pain: help me, who am the sorrowful instrument who (as I can) help lovers to complain. Since it is fitting, and truth I maintain, for a dreary mate a woeful soul to grace, and for a sorrowful tale a sorry face. 3. For I, who the God of Love’s servants serve, not daring to Love, in my inadequateness, pray for success, though death I might deserve, so far am I from his help in darkness. But nevertheless, if this should bring gladness to any lover, and his cause avail, Love take my thanks, and mine be the travail. 4. But you, lovers that bathe in gladness, if any drop of pity is in you, remember all your past heaviness that you have felt, and how others knew the same adversity: and think how...
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...Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Bloom's Classic Critical Views alfred, lord Tennyson Benjamin Franklin The Brontës Charles Dickens edgar allan poe Geoffrey Chaucer George eliot George Gordon, lord Byron henry David Thoreau herman melville Jane austen John Donne and the metaphysical poets John milton Jonathan Swift mark Twain mary Shelley Nathaniel hawthorne Oscar Wilde percy Shelley ralph Waldo emerson robert Browning Samuel Taylor Coleridge Stephen Crane Walt Whitman William Blake William Shakespeare William Wordsworth Bloom’s Classic Critical Views W i l l ia m Sha k e Sp e a r e Edited and with an Introduction by Sterling professor of the humanities Yale University harold Bloom Bloom’s Classic Critical Views: William Shakespeare Copyright © 2010 Infobase Publishing Introduction © 2010 by Harold Bloom All rights reserved. No part of this publication may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For more information contact: Bloom’s Literary Criticism An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data William Shakespeare / edited and with an introduction by Harold Bloom : Neil Heims, volume editor. p. cm. — (Bloom’s classic critical views) Includes bibliographical references...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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