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Oliwer Twist

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Submitted By natasha15996
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2.2 Мовна реалізація авторської концепції добра і зла в романі Чарльза Діккенса «Пригоди Олівера Твіста».
Дослідження структури роману «Пригоди Олівера Твіста» (“Adventures of Oliver Twist” 1837-1839) дозволяє зробити висновок про те, що художній світ, створений автором, організований за принципом дихотомії, що відтворює авторське сприйняття навколишньої дійсності як арени боротьби протилежний сил Добра і Зла.
Контраст як форма вираження протиріччя найбільше відповідала ідейним установкам письменника, що намагався в художній формі відобразити протиріччя дійсності. Контраст у романі переростає рамки стилістичного прийому і стає організуючим принципом системи, збудованої на протилежностях. Маркованими членами опозиції цієї системи виступають поняття Добра і Зла. Присутність всезнаючого автора, його безпосередня оцінка зображуваного відіграють першочергову роль в контрастній організації роману. Мовні сигнали авторського ставлення до зображуваного виконує інтегруючу функцію. Розпорошені в тексті роману, вони слугують цілі текстотворення, об’єднуючи частини дихотомічної структури твору в одне ціле. Характерною рисою лексичної системи роману «Пригоди Олівера Твіста» є її контрастний характер. Вона являє собою сукупність слів протилежної семантики – позитивної і негативної, - які виражають відповідно два протилежних ставлення автора до зображуваного. Така системність прослідковується на рівні всього роману, що вказує на цілеспрямоване використання автором лексичних засобів мови.
Оскільки основним об’єктом зображення в художньому творі є людина у всій багатогранності зв’язків із оточуючим світом, зображення зовнішнього світу має безпосереднє відношення до розкриття характерів. В додаток до позитивних героїв роману «Пригоди Олівера Твіста» цей зв'язок відображає гармонійна єдність між представниками світу Добра і оточуючим їх світом, що повністю відповідає принципу діккенсівської естетики, згідно з яким Добро ототожнюється з Прекрасним. У досліджуваному романі реалізація цієї єдності здійснюється шляхом використання семантично однорідної лексики для характеристики позитивних героїв і оточуючого їх світу.
Лексику, що відноситься до сфери Добра, можна згрупувати за семантичною ознакою в кілька лексико-семантичних груп: 1) «Краса»; 2) «Доброта»; 3) «Сприятливі умови». Зовнішній світ, природні фактори, що співвідносяться з позитивними персонажами, характеризуються в романі тією ж таки лексикою позитивної орієнтації, що й самі герої. Це співвідношення можна представити наступним чином: Позитивні герої | Зовнішність | Характер | Оточуючий світ (природа, погода, житло) | Сім’я Мейлі | gentlebeautifulsoftsweetangle | gentlemildsoftsweetkind | handsomewarmbrightblitheserene | М-р Бранлоу | respectablesmartsolemn | kindlygoodhumouredcheerful | neatquietbright |

Порівняння цих лексичних рядів підтверджує думку про одно направленість всіх мовних засобів вираження на відображення гармонії зовнішнього та внутрішнього, характерної для світу Добра. Цей принцип зображення оточуючого світу позитивних персонажів яскраво виражений в епізоді, що описує перебування Олівера в світі Добра, в який раптово вривається уявлення про світ Зла:
Oliver knew perfectly well that he was in his own little room, that his books were lying on the table before him, that the sweet air was stirring among creeping plants outside. And yet he was asleep. Suddenly the scene changed, the air became close and confined, and the thought with a flow of terror, that he was in the Jew’s house again.
Похмурі картини, пов’язані з перебуванням героя у ворожому йому світі, постійно протиставляються світлій атмосфері, що панує в світі Добрих людей:

Ворожий світ Зла He felt cold and stiff when he got up next morning and so hungry… that he was obliged to exchange the penny for a small loaf of bread. A dirtier and more wretched place he had never seen… The street was very narrow and dirty and the air was impregnated with filthy odours. Світ Добрих людей He gradually fell into that tranquil sleep which ease from recent suffering alone imparts: that calm and peaceful rest which it is pain to wake from…
Who can describe the pleasure and delight, the peace of mind and soft tranquility, the sickly boy felt in the balmy air…

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