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Ophelia's Suicide

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Submitted By salana
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Ophelia's suicide becomes a little microcosm of the male world's banishment of the female, because "woman" represents everything denied by reasonable men. In responding to Ophelia's death, Laertes, patently the norm for filial behavior, is embarrassed by his womanly tears. He forbids himself to cry, "but yet / It is our trick; nature her custom holds, / Let shame say what it will." To be manly is to be ashamed of emotion and nature. Saying farewell to her, he says farewell to that part of himself: "When these [tears] are gone, / The woman will be out" (4.7.185-88). His genuine feeling cannot be told except as a wish to get rid of the feeling. Even Hamlet, so much more sensitive than others to "nature" and "heart," equates woman with "frailty" (1.2.146) or worse. "Whore" is his word for changeable feelings, whether those of Gertrude, of "strumpet" Fortune (2.2.233), or even of himself. Also when Hamlet rails against himself for not being the dutiful son: Why, what an ass am I![...] Must like a whore unpack my heart with words And fall a-cursing like a very drab, A stallion! [2.2.568-73] Words, feelings, beasts, and whoredom are as interchangeable as reason and obedience. That women, grief, words, and the heart should be con-fused with nature, guilt, and the body, while filial obedience is equated with noble reason in opposition, is what is rotten in Denmark. Linguistic disorders express social disorders. Ophelia's drowning signifies the necessity of drowning both words and feelings if Hamlet is to act the role prescribed for him.

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