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Out of the Cradle or Out of the Mind?

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Out of the Cradle or Out of the Mind?

By

Luke Niederhelman

Mrs. Main

English Literature and Composition 103

12 May 2015

Walt Whitman: father, husband, poet. According to the Poetry Foundation, “Whitman is regarded as one of America’s most significant nineteenth century poets.” One piece of his was written in the late 1800’s. Out of the Cradle Endlessly Rocking is a poem about the reminiscence of life. This poem features a boy walking along the beach and finds two mockingbirds. These birds interact with one another everyday. However, one day the female bird fails to appear, and the male cries “Out of the mocking-birds throat,” for her (Whitman 2). When the young boy hears the cry he is startled and awakened. The persona then depicts the males actions in search of her. As this happens, the startled boy recognizes the impact nature has on the human mind and his own burgeoning conscious. Whitman’s use of poetic elements allows the reader to connect to a theme of love and death. From structure and repetition, to rhythm and form, these elements serve as a framework for the relationship between the two.

Many elements contribute to the theme. The first element is the structure of the poem. Whitman writes alternating the use of dactylic and trochaic meter. First, the poem begins with a dactylic meter using a long syllable followed by two short syllables: “Out of the” (Whitman 1). Secondly, a trochee is used providing a stressed syllable, followed by an unstressed syllable: “cradle” (Whitman 1). Finally, the poetic line is completed with another dactylic foot, “endlessly rocking,” (Whitman 1). When one reads the full poetic line “Out of the cradle endlessly rocking,” one recognizes the combination of dactylic and trochaic meter providing a rhythmic motion. The variation between the meters mentally creates a continuous rocking of the cradle. The

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