Free Essay

Palestinian-Israeli Conflict from the Perspective of Palestinian Filmmaker

In:

Submitted By kahora1993
Words 2450
Pages 10
Palestinian-Israeli Conflict from the Perspective of Palestinian Filmmaker Name
Institution

Palestinian-Israeli Conflict from the Perspective of Palestinian Filmmaker The Palestinian movie industry has significantly grown in the resent past despite the challenge they face with majority of the movies coming from different sources of film production. There lack adequate equipments that are used to produce the movies, and this poses a great challenge to the industry. Lack of funds to finance the movie production, further, poses a greater challenge in the industry. The various Palestinian movie production sites include the Authority of Palestinian, the different Diasporas in Palestinian and also other producers in Israel. The Palestinian Cinema can, therefore, be viewed as an opposing representation because it originated from the conflict between Palestinian and Israel. The conflict between Palestinian and Israel began man years ago due to the decision of the United States to form Israel. The conflicts between the two nations involve the Arabs who are the Palestinians and Jewish who are the Israelites. The war has resulted in death of many people and has further, led to discrepancies between the Israelites and many Arab nations. The differences between the Zionists and various Arab nations that are not involved in the actual conflict are as a result of their involvement in the war to assist the Palestinians. According to Bulton (2013), most of the Palestinian films are based on the background of the colonialism of Israel. Further, if focuses on the misconception of the visual manifestation of the existence of the Palestinians movies in the media internationally. This essay evaluates and discusses the conflict between Israeli and Palestine from the standpoint of the Arabs and also Palestinian filmmakers. Besides, a comparison and a distinction of how the conflict is addressed by movie makers from the entertainment industry, and specifically by the Arab filmmakers is given. Further, pictures of a variety of movies are also displayed showing some scenes in various movies. The conflict between Israeli and Palestine has, to a great extent, influenced and affected the movie industry in many ways. The majority of the films that are produced in the region have their main focus on the Palestinian-Israeli conflict and war. It is vivid that the state of a nation or region significantly influences the movies that are produced. The films have been showing the causes and the consequences of the conflict that started when Israelites migrated to Palestine land (Hirschfield, 2007). For example, the film ‘Parade Now’ provides an exiting tactic to the state of the conflict. Harmonious living of people is shown prior the migration of Zionist and establishment of a Jewish province in the Palestine, which was against the will of the Palestinians. Further, the film shows a pessimistic attitude by both Palestinians and Israelites which compares with the various characters of the Israeli depicted in the movie. Further, the movie portrays the ideological stalemate and also the present politics. It is also vivid from the movie that the violence between the two states increases with the increasing Israeli settlements in Palestinian. Israeli uses her power to overpower and conquer the Palestine land which fortifies the conflict. To some extent, the conflict it is seen to have no solution. Some Arab countries have come in to help the Palestinians reclaim their land which have seen them get in conflicts with Israeli. Despite of the many trials by these countries, Israel is seen to overpower them. Below are some pictures showing some scenes in the ‘Paradise Now’ movie (Abu-Assad, 2006).

Further, many filmmakers form Palestine and other Arab nations have criticized Israel because of their violence. Traditionally, the Israelites are seen as scoundrels and in many movies across the globe, they have been contrasted with the beast. ‘The Syrian Bride’ is an example of a film that vividly criticizes the Israel based on Zionism and also their establishment following their permit to settle in Palestine. Below are pictures of the movie ‘The Syrian Bride’ (Riklis, 2006).

Furthermore, some Palestinian films portray new sociologists and historians modern when contrasted in various Palestinian movies. For example, the film ‘The House” portrays the Arabs as technicians and portray the Israelites as violent and sadists. The movie shows the way Israeli used their superiority to violently conquer Palestine. That was after being allowed a land to settle in Palestine. The Palestinian movie of 1980’s is seen to have instances of violence which are similar with the ones found in the movies of 1970’s. The aspects common in the movies in the two decades include financial and political instability, the need to recognize and equip the filmmakers in the cultural sector. Israeli-Palestinian conflict is viewed in varied perspectives by both the filmmakers from the Arab countries and also the entire entertainment industry. Using movies to represent various challenges and differences provides insight, interpretations and also exposure to reality to the observers. That is a major approach that the Arab movie makers and other filmmakers use in their attempts to solve the conflict between Israeli and Palestine. Many filmmakers have produced films that focuses on the issue between the two countries and that helps in understanding the concepts presented. For example, ‘Parade Now’ is a movie that has created awareness about the problems that the Palestine people are facing and also have faced in the past. Furthermore, the movie can be used by various stakeholders to help to understand the intentions of the suicide bombers. Further, it can be used to educate about the problems brought by the bombers to the nation. Additionally, the approach enables people to understand various concepts regarding terror. The movie depicts revenge as irrational and an aspect that cannot keep or maintain peace in a country. Terrorists are seen to have lucid motives which should be discouraged. Shefrin, however, discredits Suleiman’s documentary asserting that the efforts were not geared to maintaining peace. He faults the film ‘Divine Intervention’ stating that it is symbolic ironical and absurd, because it only displays the problems facing Palestinians and does not present the actual violence. As a result of that, Shefrin hold that peace can not be restored in the nation unless people are shown the real image of the incidences in Israeli and Palestine. Further, he asserted that the negative effects of conflicts should also be displayed. Further, the film represents and questions the norms, ethos and feminism of the Palestinians. Some of Suleiman’s work questions the Palestinians in spite of the problems they encounter as a result dislodgement from their ancestral land. Further, the Palestinian movies have to a great extent tried to depict the sadistic power of the Israel, how they oppress the Palestinian people, and the adverse effects of the conflict which opposes the 1980’ films that were employed to criticize the political structure and the entire society of Palestine. Movies have been used to imitate and refer to the states that present to represent them. For instance, from the viewpoint of the Israeli, they view Palestine as a territory they had lost then they recovered. On the other hand, the Palestine views the conquered land as a lost territory that they hope to recover. To aggravate the problem, the Israelites have continuously used political supremacy and her armed forces to conquer the remaining Palestine land, therefore, weakening her economy. Despite the Palestine’s claims about the Israeli’s violence, filmmakers hold that the resistance was not adequate to impede the Zionists. For example, Roy & ebrary (2007), elucidates that the movie ‘Wedding’ which was produced by Khelfis criticizes the Palestine violence. The submissive nature of Mukhtar and their plan for revenge is criticized. Further, the peaceful resistance by the Palestinian women is viewed as the major cause of the downfall of Palestine. She argues that the women were ought to collaborate with the military so as to successfully resist the Israelis rule. Besides, the filmmakers form Palestine use films to reveal and expose their connection to their land. Most of the films produced portray them as being familiar, blinded and entrenched to the land. Further, the movies portray the Palestinians as characters who know the entitlement to possess land as depicted in the ‘Chronicle’ film which was produced b Elias. That is different with the manner the movie ‘Wedding’ by Abdel-Malek depicts the Israeli. In the movie, the Israelites are depicted as ‘foreigners’ who extensively use technology. Palestinians are viewed as primitive and rural. The picture below shows some scenes in the ‘Chronicle’ and ‘Wedding’ movies.
Chronicle Movie (Marcus, 1991) Wedding movie (Hannigan et al, 2006)

However, not only the internal colonialism but also the primitivism of the Palestinians has been greatly criticized by film makers, such as Elia Suleiman (Strawson & ebrary, 2010). Moreover, some key components, for instance, irony, the role played by women as well as how the Palestine group is being criticized are altogether misrepresented in the works of Elia Suleiman when contrasted with how they are depicted in Khleifi’s works. Agricultural exploitation and land ownership are emphasized in various movies which include the ‘Wedding’ and ‘Malul’. In addition, the challenges that come with abuse of power as well as dispossession have likewise been tended to in the motion pictures in order to demonstrate the torment experienced by the Palestinian especially when moving within their land. Additionally, as depicted in ‘The Syrian Bride’ movie, Michael Khelif’s narrative gives outlaw stories of the displaced groups as an endeavor to deal with the transportation of individuals and property into Palestine land. The way the Palestinians are treated by the Israeli dehumanizes them as they are denied freedom to move within their own land through the presentation of checkpoints as demonstrated in the “Malul” film. Generally, these checkpoints and barriers to movement make their lives difficult at the cultural, political, economic as well as individual level.
From a cinematic point of view, nonetheless, the barriers to movement only allow the subject security when they localize in the cultural, political and geographical level. In such manner, the checkpoints are utilized as way of showing the experience of the individuals who manage to travel. Consequently, it enables the movie producers to confine in the cinematographic activity ranges (Cook, 2003). That is contradicted to the Palestinians views who believe that presentation of frontiers and points of exit demonstrates that a place lacks any remarkable significance or character. Moreover, the film portrays the checkpoints as places where social gatherings contact or weddings that unite individuals or where individuals get the opportunity to marry as in ‘Rana's Wedding’ and ‘The Syrian Bride’. In such situations, the checkpoints obtain different meanings as opposed to being seen as spots or hindrances that only make the Palestinians’ lives difficult due to the fact that they control their movements. Furthermore, the Palestine film producers utilize these movies as well as other media to help resolve the Palestine-Israel conflict. This is achieved by their use of movies to change people both within and outside Palestine and Israeli (Gazit & Abington, 2001). After all, the movies help both parties to realize themselves and also learn what other people experience like the victims of their conflict. For instance, the films such as ‘Paradise Now’ help people to not only understand themselves better but also obtain some relevant information regarding their enemies. This is because Abbu-Assad does not condone suicide bombing but instead clearly illustrates why people can take part in acts of terror. The films also enhance dialogue which is a peace-initiative approach. As in the ‘Encounter Point’ and the ‘West Bank Story’, dialogue is shown to be a viable option that can improve communication between two conflicting parties in an attempt to find a resolution. A lot of movies that promote knowing about one’s enemies have been produced by the Palestinian film producers. This is because understanding the enemies is a critical concept when it comes to resolving conflicts. Furthermore, there are instances where actors from both countries take part to produce a movie which demonstrated that solutions for their conflicts are possible. In addition to solving some of their differences, it unites their audiences as they get to link together while watching the film since both parties have actors in the movie.
From the above discussion, it is clear that the conflict between Palestinian and Israeli can be ended. In as much as it may not be as simple as it may be desired, it is definitely possible. It is also clear that the conflict has also motivated the production of movies that show the issues that arise from the conflict as well as other effects such as the massive deaths and weakened Palestinian economy. On the other hand, the conflict brought about improvement of the films of the Palestinians as they have interesting topics to produce on such as the suffering of the war victims. As a result, a large number of people watch these movies as a way of sympathizing with the victims as well as understanding the cause of their suffering in order to realize a proper way to end the war. Furthermore, the market for these movies has increased as a lot of festivals are organized in support of the film industry. Additionally, not only the Arab film producers have used movies in an endeavor for peace but other producers in the entertainment industry as well. Films provide a conducive forum for dialogue which enables people to find an agreement process that is the best approach of attaining a favorable connection between the conflicting parties.

References
-------------------------------------------------
Top of Form
Abu-Assad, H. (2006). Paradise now. United States: Warner Independent Pictures.
Bottom of Form

Bunton, M. P. (2013). The palestinian-israeli conflict: A very short introduction. Oxford, UK: Oxford University Press.
Cook, B. J. (2003). The palestinian-israeli conflict Reconsidered1. Dialogue : A Journal of Mormon Thought, 36(1), 1.
Gazit, S., & Abington, E. (2001). The Palestinian‐Israeli conflict. Middle East Policy, 8(1), 58-72.
Hannigan, A., Campbell, A., Coolidge, J., Cox, T., Willard, F., Griffin, E., Schiff, P., ... New Regency (Firm). (2006). Date movie. Beverly Hills, CA: 20th Century Fox Home Entertainment.
Hirschfield, R. (2007). Nida sinnokrot: A palestinian filmmaker's story of the wall. Washington Report on Middle East Affairs, 26(1), 51.
Marcus, G. (1991). Dead Elvis: A chronicle of a cultural obsession. New York: Doubleday.
Riklis, E. (2006). The Syrian bride. Port Washington, NY: KOCH Lorber Films.
Roy, S. M., & ebrary, I. (2007). Failing peace: Gaza and the palestinian-israeli conflict. Ann Arbor, Mich; London: Pluto.
Samak, Q. (1979). THE ARAB CINEMA AND THE NATIONAL QUESTION: From the trivial to the sacrosanct. New York: Gary Crowdus.
Strawson, J., & ebrary, I. (2010). Partitioning palestine: Legal fundamentalism in the palestinian-israeli conflict. New York; London: Pluto.

Similar Documents

Free Essay

Palestinian-Israeli Conflict from the Perspective of Palestinian Filmmakers

...Palestinian-Israeli Conflict from the Perspective of Palestinian Filmmaker Name Institution Palestinian-Israeli Conflict from the Perspective of Palestinian Filmmaker The Palestinian movie industry has significantly grown in the resent past despite the challenge they face with majority of the movies coming from different sources of film production. There lack adequate equipments that are used to produce the movies, and this poses a great challenge to the industry. Lack of funds to finance the movie production, further, poses a greater challenge in the industry. The various Palestinian movie production sites include the Authority of Palestinian, the different Diasporas in Palestinian and also other producers in Israel. The Palestinian Cinema can, therefore, be viewed as an opposing representation because it originated from the conflict between Palestinian and Israel. The conflict between Palestinian and Israel began man years ago due to the decision of the United States to form Israel. The conflicts between the two nations involve the Arabs who are the Palestinians and Jewish who are the Israelites. The war has resulted in death of many people and has further, led to discrepancies between the Israelites and many Arab nations. The differences between the Zionists and various Arab nations that are not involved in the actual conflict are as a result of their involvement in the war to assist the Palestinians. According to Bulton (2013), most of the Palestinian films are based on...

Words: 2457 - Pages: 10

Free Essay

Suicide Bomber Profile

...| Suicide Bomber Profile | Suicidal Tendencies of Suicide Bombers | | | | | Tendencies of Suicide Bombers Suicide terrorism is the targeted use of self-obliteration of human beings against non-combatant individuals (usually civilian populations) with the objective of causing political change within a country. Even though a suicide attack is aimed to destroy an initial target, its primary use is a weapon of psychological warfare intended to affect a larger public audience. The main target is not those who are killed, instead it is aimed at those made to witness it. In the last 3 decades, it is estimated that there has been around 1200 suicide attacks taking place in different parts of the world, making up about 4% of all terrorist attacks but 32% (14,599 individuals) of all terrorism-related deaths. Approximately 90% of these attacks have occurred in Iraq, Afghanistan, Pakistan and Israel alone. Although there is an association between suicide and suicidal behavior and homicide and violence to others, few studies on suicide comment on the phenomenon of the ‘suicide’ bomber. In the absence of any universally agreed definition of the term ‘terrorism’, the term tends to be very subjective: One person's terrorist may be another's freedom fighter. According to some authors on the history of terrorism, suicide or self-sacrifice associated with terrorist violence is not a new phenomenon. [1] In fact, suicide attacks are very old modus operandi. In...

Words: 3169 - Pages: 13

Free Essay

Religion

...The Art of Happiness in a Troubled World t His Holiness the Dalai Lama and Howard C. Cutler, MD Doubleday New York London Toronto Sydney Auckland Copyright © 2009 by His Holiness the Dalai Lama and Howard Cutler, M.D. All rights reserved. Published in the United States by Doubleday Religion, an imprint of the Crown Publishing Group, a division of Random House, Inc., New York. www.crownpublishing.com doubleday and the dd colophon are registered trademarks of Random House, Inc. Library of Congress Cataloging-in-Publication Data Bstan-’dzin-rgya-mtsho, Dalai Lama XIV, 1935– The art of happiness in a troubled world / the Dalai Lama and Howard Cutler. p. cm. 1. Happiness—Religious aspects—Buddhism. 2. Conduct of life. 3. Religious life—Buddhism. I. Cutler, Howard C. II. Title. BQ7935.B774A82 2009 294.3'444—dc22 2009024717 ISBN 978-0-767-92064-3 Printed in the United States of America Design by Elizabeth Rendfleisch 1 3 5 7 9 10 8 6 4 2 First Edition www.DoubledayReligion.com To purchase a copy of  The Art of Happiness in a  Troubled World    visit one of these online retailers:    Amazon    Barnes & Noble    Borders    IndieBound    Powell’s Books    Random House  www.DoubledayReligion.com t CON TE N TS AUTHOR’S NOTE INTRODUCTION vii ix PART O NE I, Us, and Them Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 1 Me Versus We 3 Me and We 25 45 Prejudice (Us Versus Them) Overcoming Prejudice 67 Extreme Nationalism 97 ...

Words: 8515 - Pages: 35

Premium Essay

Burger King

...Quick Scan Burger King Roos van Os & Tim Steinweg April 2008 SOMO Quick Scan Burger King SOMO Quick Scan Burger King Roos van Os & Tim Steinweg April 2008 2 SOMO Quick Scan Burger King Contents 1 2 2.1 2.2 2.3 2.4 2.5 2.6 3 3.1 3.2 3.3 3.4 3.5 3.6 3.7 4 4.1 4.2 4.3 4.4 4.5 4.6 4.7 5 5.1 5.2 5.3 5.4 5.5 5.6 5.7 5.8 6 6.1 6.2 6.3 6.4 6.5 7 7.1 7.2 7.3 8 9 Introduction ...................................................................................................................... 4 Company Profile: Burger King Holdings....................................................................... 6 Corporate Profile................................................................................................................ 6 Burger King Holdings’ corporate history............................................................................. 7 Burger King Holdings ownership and corporation structure............................................... 8 Market presence................................................................................................................. 10 Purchasing activities........................................................................................................... 11 Burger King Suppliers in the Netherlands .......................................................................... 11 CSR Sector Analysis ....................................................................................................... 13 Consumer...

Words: 16278 - Pages: 66

Free Essay

2004 Un Article Multiculturalism

...HUMAN DEVELOPMENT REPORT 2004 Cultural Liberty in Today’s Diverse World Accommodating people’s growing demands for their inclusion in society, for respect of their ethnicity, religion, and language, takes more than democracy and equitable growth. Also needed are multicultural policies that recognize differences, champion diversity and promote cultural freedoms, so that all people can choose to speak their language, practice their religion, and participate in shaping their culture— so that all people can choose to be who they are. 65 108 166 55 34 82 3 14 91 51 40 138 29 62 6 99 161 134 114 66 128 72 33 56 175 173 130 141 4 105 169 167 43 94 73 136 144 168 45 163 48 52 30 32 Albania Algeria Angola Antigua and Barbuda Argentina Armenia Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bhutan Bolivia Bosnia and Herzegovina Botswana Brazil Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Central African Republic Chad Chile China Colombia Comoros Congo Congo, Dem. Rep. of the Costa Rica Côte d'Ivoire Croatia Cuba Cyprus Czech Republic 17 154 95 98 100 120 103 109 156 36 170 81 13 16 122 155 97 19 131 24 93 121 160 172 104 153 115 23 38 7 127 111 101 10 22 21 79 9 90 78 148 28 44 110 135 50 80 Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Fiji Finland France Gabon Gambia Georgia Germany Ghana Greece Grenada Guatemala Guinea...

Words: 113315 - Pages: 454

Free Essay

Globalisation

...Critical Theories of Globalization Chamsy el-Ojeili and Patrick Hayden Critical Theories of Globalization Also by Chamsy el-Ojeili CONFRONTING GLOBALIZATION: Humanity, Justice and the Renewal of Politics FROM LEFT COMMUNISM TO POSTMODERNISM: Reconsidering Emancipatory Discourse Also by Patrick Hayden AMERICA’S WAR ON TERROR CONFRONTING GLOBALIZATION: Humanity, Justice and the Renewal of Politics COSMOPOLITAN GLOBAL POLITICS JOHN RAWLS: Towards a Just World Order THE PHILOSOPHY OF HUMAN RIGHTS Critical Theories of Globalization Chamsy el-Ojeili Department of Sociology, Victoria University of Wellington, New Zealand Patrick Hayden School of International Relations, University of St Andrews, UK © Patrick Hayden and Chamsy el-Ojeili 2006 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1T 4LP. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents...

Words: 100030 - Pages: 401

Free Essay

One Significant Change That Has Occurred in the World Between 1900 and 2005. Explain the Impact This Change Has Made on Our Lives and Why It Is an Important Change.

...E SSAYS ON TWENTIETH-C ENTURY H ISTORY In the series Critical Perspectives on the Past, edited by Susan Porter Benson, Stephen Brier, and Roy Rosenzweig Also in this series: Paula Hamilton and Linda Shopes, eds., Oral History and Public Memories Tiffany Ruby Patterson, Zora Neale Hurston and a History of Southern Life Lisa M. Fine, The Story of Reo Joe: Work, Kin, and Community in Autotown, U.S.A. Van Gosse and Richard Moser, eds., The World the Sixties Made: Politics and Culture in Recent America Joanne Meyerowitz, ed., History and September 11th John McMillian and Paul Buhle, eds., The New Left Revisited David M. Scobey, Empire City: The Making and Meaning of the New York City Landscape Gerda Lerner, Fireweed: A Political Autobiography Allida M. Black, ed., Modern American Queer History Eric Sandweiss, St. Louis: The Evolution of an American Urban Landscape Sam Wineburg, Historical Thinking and Other Unnatural Acts: Charting the Future of Teaching the Past Sharon Hartman Strom, Political Woman: Florence Luscomb and the Legacy of Radical Reform Michael Adas, ed., Agricultural and Pastoral Societies in Ancient and Classical History Jack Metzgar, Striking Steel: Solidarity Remembered Janis Appier, Policing Women: The Sexual Politics of Law Enforcement and the LAPD Allen Hunter, ed., Rethinking the Cold War Eric Foner, ed., The New American History. Revised and Expanded Edition E SSAYS ON _ T WENTIETH- C ENTURY H ISTORY Edited by ...

Words: 163893 - Pages: 656

Free Essay

Wipro

...October 2011: 1 | | Cabinet approves Bill to share mining profits | * Mines and Mineral Development and Regulation (MMDR) Bill, 2011 * Provides for mining companies to keep aside 26% of their net profits for a Mineral Development Fund to be used for development and rehabilitation of project-affected people in the tribal areas of the country * For the non-coal companies, amount will be equivalent to the royalty they pay * Appointed a regulatory body for overseeing the functioning of the mining sector and measures to tackle illegal mining | Maoist problem in West Bengal | * In Jangalmahal region of West Bengal * Maoists: Operations by security forces and peace talks cannot go together. | Yasin Malik's arrest sparks protests | * After police detained JKLF chairman Mohammad Yasin Malik for taking out a rally against the death sentence awarded to Afzal Guru | Court allows export of unused endosulfan | * SC has allowed the export of unused stock of endosulfan. * But the ban on use and production of the pesticide will continue | FDI in beekeeping | * GOI allowed 100 per cent FDI in beekeeping, also known as ‘apiculture' under automatic route * Other areas in which the permission has already been given: * Plantation * Horticulture * Seeds * Cultivation of vegetables and mushrooms * Animal husbandry * Pisciculture * Aquaculture | 2 | | Neelima's application for visa rejected | * American Consulate in Mumbai rejected Magsaysay...

Words: 37383 - Pages: 150

Free Essay

Kiki

...1 1 . For Nassim Nicholas Taleb, black swans underlie almost everything about our world, from the rise of religions to events in our own personal lives. A BLACK SWAN Why do we not acknowledge the phenomenon of black swans until after they occur? Part of the answer, according to Taleb, is that humans are hardwired to learn specifics when they should be focused on generalities. We concentrate on things we already know and time and time again fail to take into consideration what we don't know. We are, therefore, unable to truly estimate oppor­ tunities, too vulnerable to the impulse to simplify, narrate, and categorize, and not open enough to rewarding those who can imagine the "impossible." For years, Taleb has studied how we fool our­ selves into thinking we know more than we actually do. We restrict our thinking to the irrelevant and inconsequential, while large events continue to surprise us and shape our world. Now, in this reve­ latory book, Taleb explains everything we know about what we don't know. He offers surprisingly simple tricks for dealing with black swans and ben­ efiting from them. Elegant, startling, and universal in its applica­ tions, The Black Swan will change the way you look at the world. Taleb is a vastly entertaining writer, with wit, irreverence, and unusual stories to tell. He has a polymathic command of subjects ranging from cognitive science to business to...

Words: 158140 - Pages: 633

Free Essay

Eqweqeqqe

...interest that sees and embraces both sides of each issue…Superb, informal cultural anthropology—eye-opening, readable, utterly engaging.” —Carole Horn, The Washington Post Book World “This is a book that should be deeply disturbing to anyone who has given so much as a moment’s thought to the state of American medicine. But it is much more…People are presented as [Fadiman] saw them, in their humility and their frailty—and their nobility.” —Sherwin B. Nuland, The New Republic 3/462 “Anne Fadiman’s phenomenal first book, The Spirit Catches You and You Fall Down, brings to life the enduring power of parental love in an impoverished refugee family struggling to protect their seriously ill infant daughter and ancient spiritual traditions from the tyranny of welfare bureaucrats and intolerant medical technocrats.” —Al Santoli, The Washington Times “A unique anthropological study of American society.” —Louise Steinman, Los Angeles Times “Some writers…have done exceedingly well at taking in one or another human scene, then conveying it to others—James Agee, for instance…and George Orwell…It is in such company that Anne Fadiman’s writing belongs.” —Robert Coles, Commonweal...

Words: 134140 - Pages: 537

Free Essay

Test2

...62118 0/nm 1/n1 2/nm 3/nm 4/nm 5/nm 6/nm 7/nm 8/nm 9/nm 1990s 0th/pt 1st/p 1th/tc 2nd/p 2th/tc 3rd/p 3th/tc 4th/pt 5th/pt 6th/pt 7th/pt 8th/pt 9th/pt 0s/pt a A AA AAA Aachen/M aardvark/SM Aaren/M Aarhus/M Aarika/M Aaron/M AB aback abacus/SM abaft Abagael/M Abagail/M abalone/SM abandoner/M abandon/LGDRS abandonment/SM abase/LGDSR abasement/S abaser/M abashed/UY abashment/MS abash/SDLG abate/DSRLG abated/U abatement/MS abater/M abattoir/SM Abba/M Abbe/M abbé/S abbess/SM Abbey/M abbey/MS Abbie/M Abbi/M Abbot/M abbot/MS Abbott/M abbr abbrev abbreviated/UA abbreviates/A abbreviate/XDSNG abbreviating/A abbreviation/M Abbye/M Abby/M ABC/M Abdel/M abdicate/NGDSX abdication/M abdomen/SM abdominal/YS abduct/DGS abduction/SM abductor/SM Abdul/M ab/DY abeam Abelard/M Abel/M Abelson/M Abe/M Aberdeen/M Abernathy/M aberrant/YS aberrational aberration/SM abet/S abetted abetting abettor/SM Abeu/M abeyance/MS abeyant Abey/M abhorred abhorrence/MS abhorrent/Y abhorrer/M abhorring abhor/S abidance/MS abide/JGSR abider/M abiding/Y Abidjan/M Abie/M Abigael/M Abigail/M Abigale/M Abilene/M ability/IMES abjection/MS abjectness/SM abject/SGPDY abjuration/SM abjuratory abjurer/M abjure/ZGSRD ablate/VGNSDX ablation/M ablative/SY ablaze abler/E ables/E ablest able/U abloom ablution/MS Ab/M ABM/S abnegate/NGSDX abnegation/M Abner/M abnormality/SM abnormal/SY aboard ...

Words: 113589 - Pages: 455