...Summary of “Escaping the Jaundiced Eye: Foucauldian Panopticism in Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’” Courtney Katich Baker College Bak beautifully discusses how isolation (aka “rest”) was used as treatment in the nineteenth-century for depression in women. Doctors used rest or isolation as treatment for “nervous prostration”(Bak, 1994). The narrator in “The Yellow Wallpaper” (1892) is put on a treatment plan by her husband/doctor that is of isolation. Bak asks a question about the narrator’s sanity; was she already mad in the start of “The Yellow Wallpaper” and just reliving the decline that has already taken place (Bak, 1994) or was the story about the narrator’s slow journey into madness? I believe that both questions are the answer to Bak’s question. Bak goes on to explain just this. Bak depicts Gilman’s description of the narrators isolated living conditions. Gilman’s description of the room leaves Bak to believe that the room would drive anyone into insanity. I know that I would surly go mad in such a place. Bak cites the feminist critic Elanie Hedges who says that the “paper symbolizes her situation as seen by the men who control her and hence her situation as seen by herself” (Bak, 1994). Bak explains how “The Yellow Wallpaper” became a feminist writing explaining that men were guilty of the storyteller's psychical imprisonment and thus the mental failure. Bak (1994) compares the room and house the narrator lives in during her depression...
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...Gilman’s “The Yellow Wallpaper” and its contemporary criticism Charlotte Perkins Gilman wrote “The Yellow Wallpaper” in a time when it was customary to consider women as the weaker sex, and in need of constant care and protection. There has been an overwhelming amount of literary criticism throughout the following century, with the purpose of establishing Gilman’s message. Most critics seem to agree that it is a strongly feminist text, targeting the patriarchal society of the late 19th century. Elaine Hedges sums up the most common readings of “The Yellow Wallpaper” in her essay. She herself then argues that the text’s essentially feminist point is emphasized by the fact that the narrator is destroyed by society, where she can never get free. Initially, she debates between two possibilities of what happens to the narrator in the end: she is either liberated in her madness or is defeated by it. Then she proceeds to consider the implications of the wallpaper itself. According to critics referred to by Hedges, the entangled pattern of the wallpaper itself represents a crucial text and it has been argued that this text is not written by the narrator. Instead, it is the text of social conventions and rules presented to her by her husband, and through him by the male-dominated society, where she is not allowed to write her own story. This is one of the reasons why her text then becomes “hopelessly encrypted in fantasy” (Hedges 225). Other interpretations connect the...
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