...family being the seventh child of George and Cassandra Austen. To some, the way Austen does not seem so bad as she had a family who liked each other and a Father who worked as an Oxford-trained rector in Steventon, Hampshire, England. Austen's was a household where learning and imagination were encouraged. In Austen's lifetime she completed six novels. However, her two novels considered literary classics were Pride and Prejudice and Sense and Sensibility. Austin went by the pen name: “The Lady”. Also, Austen had a special relationship with her only sister Casandra and her father. It should...
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...Daimyo… Bushido The Closing of Japan Nobunaga vs. Hideyoshi Matthew Perry Chapter 11: London on September 2, 1666-the great fire destroyed it. Francis Bacon-leading advocate of the empirical method Inductive reasoning Empirical method Rene Descartes Deductive reasoning Deism Johannes Kepler-had made detailed records of the movements of the planets, substantiating Copernicus’s theory that the cosmos was heliocentric (sun-centered), not geocentric (earth-centered) Galileo Galilei-improved the design and magnification of the telescope Geocentric Heliocentric The law of falling bodies (gravity) Pope Urban VIII Giordano Bruno Isaac Newton-computed the law of universal gravitation in a precise mathematical equation, demonstrating that each and every object exerts an attraction to a greater or lesser degree on all other objects The Industrial Revolution Lunar Society-a group of prominent manufactures,inventors,and naturalists met in and around Birmingham each month on the night of the full moon to discuss,chemistry,,medicine,gases,electricity,and every subject that may contribute to the fruitful society. Thomas Hobbes-argued in Leviathan that the people needed to submit to the authority of a ruler to prevent anarchy. The social contract gives up individual sovereignty in exchange for protection from depravity. Absolutism Social contract John Locke-argued that a ruler has limited authority; if the ruler fails to protect the people’s rights, then the people...
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...The land of the free is a nationalist country. While our culture may parody this idea often by spreading fun phrases like “‘murica” and “thanks Obama”, this nationalistic sense is a de facto aspect ingrained within Americans, particularly in people who hold powerful positions in the nation. Within seconds of feeling any facet of our nation threatened, we become defensive as our nationalistic senses rise. Although Americans may think of defending ourselves from terrorist attacks or other poignant incidents etched into our history, we rarely think of the instances where we have sacrificed the well-being of our own people in order to maintain the prevailing culture of the United States. As demonstrated both by the observations of Michelle Alexander in The New Jim Crow and the firsthand experiences of James Baldwin in A Talk to Teachers, the marginalization of people of color has occurred for years in order to impede the nearing changes that would shift our society and culture. Upon reading both Alexander and Baldwin’s works, it becomes clear that people...
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...vigorously for equality. The classic instance is the Black Liberation movement, which demands an end to the prejudice and discrimination that has made blacks second-class citizens. The immediate appeal of the black liberation movement and its initial, if limited, success made it a model for other oppressed groups to follow. We became familiar with liberation movements for Spanish-Americans, gay people, and a variety of other minorities. When a majority group— women—began their campaign, some thought we had come to the end of the road. Discrimination on the basis of sex, it has been said, is the last universally accepted form of discrimination, practiced without secrecy or pretense even in those liberal circles that have long prided themselves on their freedom from prejudice against racial minorities. One should always be wary of talking of "the last remaining form of discrimination." If we have learnt anything from the liberation movements, we should have learnt how difficult it is to be aware of latent prejudice in our attitudes to particular groups until this prejudice is forcefully pointed out. A liberation movement demands an expansion of our moral horizons and an extension or reinterpretation of the basic moral principle of equality. Practices that were previously regarded as natural and inevitable come to be seen as the result of an unjustifiable prejudice. Who can say with confidence that all his or her attitudes and practices are beyond criticism? If we wish...
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...Screwtape compares the human soul to a brim-full living chalice of despair and horror and astonishment which can be raised to your lips as often as you please. Next, he compares immediate fear and suffering of humans as legitimate and pleasing refreshments for myriads of toiling workers. Finally, he compares the human soul to temporal suffering in which Screwtape feels as if he has been allowed to taste the first course of a rich banquet and denied the rest. 6. Screwtape’s words in Letter 5 parody Christ’s words in Matthew 26:26-29 and John 6:27-58 by how he calmly states what he is saying as if it is truth. In reality, what Jesus was saying is helpful and the way to everlasting life while what Screwtape was saying is not helpful and is the way to hell. The intent of Screwtape’s statements differs greatly from the intent of Jesus’ statements. Screwtape is trying to lead people to hell while Jesus is trying to lead people to heaven. Screwtape’s intent was to hurt and Jesus’ intent was to...
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...Citizen Kane Citizen Kane, a movie that was nominated for nine academy awards and won the Academy award for best writing is considered to be one of the greatest movies ever made. In order to understand why Citizen Kane has been so beloved in the world of film because of how realistic it felt although being a work of fiction or as the French call it a film à clef (French for Film with a Key) one must pick apart the all the parts that make a movie successful from its actors, lighting, plot, etc. The movie Citizen Kane brings in the audience into the life of Charles Foster Kane who is the main focus of the story and gives information on his life via a parody of the old “March of the Times” newsreels that were commonly used in the 1930’s along with “public” version of Mr. Kane’s very complex private life such as his rise to power, politics and social life which focuses itself on being a exposition as it introduces the audience to Mr. Kane and the important events in his life although using a hint of “Pro Kane” editorials with a very pompous and upbeat narrator with the finishing touch being Thatcher’s testimony before the US Senate that has Thatcher denouncing Kane. At the end of this newsreel the audience is handed a mystery that is on the forefront of their minds which was Charles Kane’s last word before his death “Rosebud” which piques the interest of the audience and makes them curious as to what happens with the absence of a giant such as Mr. Kane and what was the one...
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...both he and Sonny served in the military. It is important to notice and understand these references to the military service of the brothers. The characters in "Sonny's Blues" reflect this tendency: As a teenager, Sonny yearns to enlist in the army or navy because it would take him away from the "killing streets" of Harlem and give him the opportunity to get a college education on the GI Bill. The narrator, too, has struggled in spite of his military service to his country to attain success and safety at home. He fought the war, returned home to become an algebra teacher, and a productive member of the middle class, and yet because of segregation and discrimination, his family must live in a new but already rundown housing project, "a parody of a good, clean, faceless life" “Sonny’s Blues” places importance of growing up in Harlem during this time. Both brothers deal with the price it paid, by growing up in Harlem during this time period. Harlem also known as the “Projects” is one of the first signs of darkness in Baldwin’s short...
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...Splenetic Ogres and Heroic Cannibals in Jonathan Swift’s A Modest Proposal (1729) Ahsan Chowdhury University of Alberta I. Cannibalism: Ethnic Defamation or a Trope of Liberation? In A Modest Proposal for Preventing the Children of Poor People from Being a Burthen to eir Parents and Country, and for Making em Beneficial to the Public () Swift exploits the age-old discourse of ethnic defamation against the Irish that had legitimated the English colonization of Ireland for centuries. One of the most damning elements in Swift’s use of this discourse is that of cannibalism. e discourse of ethnic defamation arose out of the Norman conquest of Ireland in the twelfth century. Clare Carroll points out that “the colonization of the Americas and the reformation as events … generated new discourses inflecting the inherited discourse of barbarism” in early-modern English writing about Ireland (). Narratives of native cannibalism were an indispensable part of these new discourses and practices. For the English authors as well as their continental counterparts, the cannibalistic other of the New World became a yardstick by which to measure the threat posed by internal enemies, be it the indigenous Irish, the French Catholics, or the Moorish inhabitants of Spain.¹ us, it was against the backdrop of the reforma Carroll demonstrates that while continental authors like Bartolomé de Las Casas and Jean de Léry could treat the Amerindians and their cannibalistic practices ...
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...Shocking the art world with her black silhouette depictions of blacks and whites engaged in situations ranging from lynchings to rape and even bestiality during the pre-Civil War South, Kara Walker has achieved both notoriety and acclaim in the art world while still in her twenties. “It is hard to think of another artist in the last three or four years who has emerged as rapidly,” commented Alexis Worth on Walker in a 1996 issue of Art in New England. In a way, Walker’s goal with her art is to make the viewer gasp and laugh at the same time. “I want to provoke the audience in the most enjoyable way possible,” Walker told Artnews “I think of my art as a kind of melodrama, producing a certain giddiness that entertains but also empowers.” A blend of social commentary and humor is clearly in evidence in works such as Before the Battle: Chickin’ Dumplin’, which shows a Confederate solider kneeling to kiss a topless black woman on the breast as she drops a chicken leg in surprise. Walker employs a nineteenth-century style of art combined with an uncensored modern perspective to highlight the full range of physical and sexual exploitation during the ante-bellum era. Her art installations evolve from drawings or smaller watercolor sketches she renders that help her determine her themes, and some of her shows have included these preliminary studies in juxtaposition with the final artworks. Sometimes she cuts her images right into the wall of the gallery. Many of them life-size in scale...
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..... .. | | . |A Modest Proposal | |By Jonathan Swift (1667-1745) | |A Study Guide | |Cummings Guides Home..|..Contact This Site | |.. | |Type of Work | |Purpose | |Historical Background | |Summary | | ...
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...Chapter 1 Summary The narrator speaks of his grandparents, freed slaves who, after the Civil War, believed that they were separate but equal—that they had achieved equality with whites despite segregation. The narrator’s grandfather lived a meek and quiet life after being freed. On his deathbed, however, he spoke bitterly to the narrator’s father, comparing the lives of black Americans to warfare and noting that he himself felt like a traitor. He counseled the narrator’s father to undermine the whites with “yeses” and “grins” and advised his family to “agree ’em to death and destruction.” Now the narrator too lives meekly; he too receives praise from the white members of his town. His grandfather’s words haunt him, for the old man deemed such meekness to be treachery. The narrator recalls delivering the class speech at his high school graduation. The speech urges humility and submission as key to the advancement of black Americans. It proves such a success that the town arranges to have him deliver it at a gathering of the community’s leading white citizens. The narrator arrives and receives instructions to take part in the “battle royal” that figures as part of the evening’s entertainment. The narrator and some of his classmates (who are black) don boxing gloves and enter the ring. A naked, blonde, white woman with an American flag painted on her stomach parades about; some of the white men demand that the black boys look at her and others threaten them if they don’t...
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...has gained her historical importance among scholars and critics.[1] Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry.[2] She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer.[3] Her artistic apprenticeship lasted from her teenage years into her thirties. During this period, she experimented with various literary forms, including the epistolary novel which she tried then abandoned, and wrote and extensively revised three major novels and began a fourth.[B] From 1811 until 1816, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it. Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism.[4][C] Her plots, though fundamentally comic,[5] highlight the dependence of women on marriage to secure social standing and economic security.[6] Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced...
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...‘The Gothic elements of Wuthering Heights are made credible by the novel’s setting and narrators.’ How far would you agree with this view? Wuthering Heights is Emily Bronte’s only novel and was published in December 1847 under the androgynous pseudonym Ellis Bell, due to having a, “vague impression that authoresses are liable to be looked on with prejudice”. This initial perception demonstrates the lack of gender equality within the Victorian era, with autocratic male dominance being commonly viewed as an ideal within the restrictive patriarchal society; such varying social conventions resonate throughout the novel, perhaps providing a sense of stability, reality and authenticity among the primal passions, savage cruelty, and supernatural entities present within the boundaries of Wuthering Heights and the Yorkshire Moors. The juxtaposition provided by the arguably civilised, ornate Thrushcross Grange provides a rational foundation where societal norms are upheld, with the domestic, cultural setting providing a balance to the unruly natural passions; it is suggested further that cogency is gained not only through the historical and geographic settings, but also through the dual narration of Nelly Dean and Lockwood. Contrastingly, a deeper reading suggests that the societal beliefs and conservative, obstinate nature of the narrators would cause them to condemn individuals and demonise events that threatened the social balance, meaning the creditability can certainly be disputed...
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...Projective processes: gangs, bullying, and racism Groups and gangs When does a group become a gang? Hamish Canham (2002) defines a gang mentality as one in which de- structive forces have taken over. It is paranoid-schizoid functioning where there is no thinking, only a need to rid oneself of parts of the personality that might expose the individual (or group) to feelings of neediness, ignorance, or weakness. Within the personality, this is achieved by imposing a reign of terror on the vulnerable parts. In gang behaviour, the reign of terror is directed towards other groups. A gang is anti-thought, anti-parents, and anti-life. Hamish offers a commentary on William Golding’s The Lord of the Flies and tracks the way in which the boys lose touch with an idea of parental function and give way to the lure of the gang. He draws attention to the way in which Ralph and Piggy manage to impose some structure by making the rule about the conch: in community meetings, boys cannot speak unless they are holding the conch. At the beginning of their time on the island, the older boys are in touch with the idea of rules (which Hamish suggests are a representation of parental function), and they agree to this arrangement. Later, the rule is cast aside, the conch smashed, and order is overthrown in an outpouring of paranoid-schizoid behaviour. Jack, the leader of the choir, represents the pull in the group away from feeling lonely, afraid and dependent on each other ...
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...5. To what extent and in what ways does Romantic writing engage with gender politics? The study of Literature is inherently involved with a deconstruction of the complex and textured manner in which author’s attempt to express what it is to be human. To be human is a diverging experience between the sexes, both biological and socially, and consequently the extent of gender equitability within society has always been a prevalent and contended concern. An engagement with this contention will define gender politics for this essay. Jane Austen and Mary Shelley, writing at the beginning of the nineteenth-century, joined their female contemporaries in a growing generation of authoresses who forged careers in discipline of male authority. In this respect, they are inescapably engaging with gender politics. Margaret Kirkham comments that ‘this burgeoning of the female talent...was bound to have a profound effect upon any young woman beginning to write once it had occurred’, suggesting that, regardless of whether the female intended to represent female concerns within their work; a female, in becoming ‘an author, was, in itself, a feminist act’ (Kirkham 33). With the status of the authoress in mind whilst analysing Northanger Abbey and Frankenstein, this essay will focus how Austen and Shelley engage with gender politics through characterization and narrative form, and the female concerns they address, both implicitly and explicitly, throughout their texts. Austen predominately engages...
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