... Literary Features and Techniques This literary analysis is of 2 Samuel 24:1-25[1], which depicts a literary plot. The main characters in the narrative are the Lord, David, Gad, Joab, and Araunah. The characters in this chapter of the Bible come from categories ranging from a mixture of round, fully developed, characters, such as David, and the Lord Himself, to flat characters with a basic quality or specific function such as Gad, Joab and Araunah. The Lord's sovereignty is highlighted in the story wherein He is depicted inciting David and judging David for the sin he committed. He gave David a choice in the type of punishment to be imposed, and imposed said punishment. He stayed the Angel's hand before the destruction of Jerusalem, and instructed David, by way of Gad, to build an altar and atone for his sins. David was Israel's king; he was incited by the Lord and he sinned by directing Joab to conduct a census. When given a choice by the Lord, he chose the punishment and went on to repent by building an altar and making sacrifices to the Lord. It is this fullness of character and the storyline dedicated to the Lord, as well as King David, which inevitably renders them as round characters in the narrative. Gad was a prophet who was appointed within David's court to act as his seer. Gad’s role in this narrative was to be the messenger between the Lord and King David. Joab, who was the Commander of King David’s Army was tasked with, and carried out, the census...
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...books of the Old Testament Books Exodus The genre of the book of Exodus is both historically narrative and Of The Law. Themes of this book include God’s people being delivered from bondage, the demonstration of God’s presence, and the establishment of the nation of Israel through God’s intervention throuhout the book’s historical records. Some of the events that unfolded in this work are: Moses’ revelation and witness of the living God (burning bush), God’s hand in the plagues wrought over Egypt, Passover, the massive people movement out of Egypt (from Pharaoh’s clutches), the long desert journey, and God’s thunderous voice at Sinai delivering the Commandments. The book shows God’s commitment to his covenant (His promise to Abraham) even though there were many instances, when the people of Israel lost their faith, and resorted to idol worship, turning away from God (and this was after witness of the parting of the Red Sea, and God’s presence against the Egyptian army in the desert). Even when Moses first visited the burning bush, he was reluctant to believe the he could be the messenger of God, however God met his needs throuhout every ordeal. Leviticus The basic genre of this book is Of The Law. Key themes of Leviticus include God’s Covenant with Israel, the offering of sacrifices, atonement, and mainly holiness. There is a major emphasis in Leviticus on the need of personal holiness in response to a Holy God. Major events include God speaking to Moses in the wilderness...
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...Maninder Singh Prof. Cushner AMS-1A S21 02/05/2015 Journey of Mrs. Rowlandson in captivity by Indians (1675) In the narrative “A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson,” Mary Rowlandson discusses how her personal life was like in captivity in 1682. Rowlandson wrote this after the attack in Lancaster, Massachusetts when she was held prisoner by Native Americans during King Philip War for 11 weeks in early 1675. Her narrative consists of repeating words such as “food” and “remove” to indicate how it all lead to Rowlandson’s depression and anger. Throughout Rowlandson’s journey with Native Americans, she observes her understanding regarding God and the bible. She also connects her capture to religious purposes that...
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...upheaval, and is best known for his epic poem Paradise Lost (1667), written in blank verse. Milton's poetry and prose reflect deep personal convictions, a passion for freedom and self-determination, and the urgent issues and political turbulence of his day. Writing in English, Latin, Greek, and Italian, he achieved international renown within his lifetime, and his celebrated Areopagitica (1644)—written in condemnation of pre-publication censorship—is among history's most influential and impassioned defenses of free speech and freedom of the press. William Hayley's 1796 biography called him the "greatest English author," and he remains generally regarded "as one of the preeminent writers in the English language," though critical reception has oscillated in the centuries since his death (often on account of his republicanism). Samuel Johnson praised Paradise Lost as "a poem which...with respect to design may claim the first place, and with respect to performance, the second, among the productions of the human mind," though he described Milton's politics as those of an "acrimonious and surly republican". Because of his republicanism, Milton has been the subject of centuries of British partisanship. The phases of Milton's life parallel the major historical and political divisions in Stuart Britain. Under the increasingly personal rule of Charles I and its breakdown in constitutional confusion and war, Milton studied, travelled, wrote poetry mostly for private circulation...
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...is the longest and the most influential of all the apostles’ writings. This book is based on Paul’s faith, Paul professes this to the people of Roman, and he tells them that righteousness comes by faith not by works (9:1) He is not ashamed of the gospel and tells the people of this, informs them of the wrath of God and of his judgment. He explains to the people that god is good and righteous and if they will have faith in Jesus Christ they will be blessed as Abraham was. Paul explains how death is because of Adam and how they can obtain eternal life through Jesus Christ. Paul also explains to the Romans, that through Jesus Christ, we can gain acceptance and encouragement. To finish his letter Paul offers some personal and...
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...the Books of the New Testament Books The Gospel of Mark The Gospel of Mark is the second book in the Gospels and is easily considered a Gospel. It was written by Mark, cousin of Barnabas and companion of Peter the apostle. This Gospel covers the events that took place and the run-ins that people had with the resurrected Jesus. Mark deals more with the miracles Christ performed than the other gospels. It starts with John the Baptist and Jesus’ baptism then goes on speaking of the moment when Satan had to test Jesus and he sent him away into the wilderness for forty days then comes out triumphant. The final section of the book completes with the empty tomb. It focuses a lot on the last week of Christ’s life in Jerusalem. The recipients of this Gospel that Mark aimed for was the suffering church and it was written around 60 or 70 ad and is the earliest of the canonical gospels. Acts The next book in the New Testament is Acts and it has a narrative history to it and includes several sermons. There are many key characters in the book of Acts such as Peter, Paul, John, James, Stephan, Barnabus, Timothy, Lidia, Silas, and Apollos. This is the conclusion to the Gospel of Luke and was also written by Luke because he wanted to tell the story of how the believers were empowered by the Holy Spirit and worked to spread the Gospel of Christ. It tells of how the Holy Spirit empowered the apostles to take Christ’s message forward to the ends of the earth. It also...
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...There was/is/will be. When you describe a place, person or situation to someone, when you tell a story you are creating a picture in another person’s mind, and you literally cannot do it without the verb “to be.” So if the verb “to be” is the verb of creation consider this: The reason we are called human beings is not to describe our existence as human, but to declare ourselves as Creators. The guys at South Park agree if the profoundly funny three-parter Imagination Land is any indication. (Very funny if you're into irreverent humour.) I think we’ve come to refer to ourselves as 'humaån beings' as an unconscious acknowledgment of ourselves as Creators. The implicit question And if you accept this interpretation the more interesting personal question for you becomes, "You are a human being … being what?" That’s the question we each get to answer. Being what? You fill in the blank. Unlike any other creature on this earth, a human being can manifest as any of infinite possibilities. TigerA tiger has no other choice but to be a tiger with all the associated behaviours of a tiger. His tigerness is innate. A tiger will not surprise us by eating grass and climbing trees, because that’s not what being a tiger means. But a human being could manifest as anything. Not physically of course, but in terms of our behaviour, moods, capacities, vocations etc., we are only possibility. That’s why we are curious to know one another. When we first meet someone they are an unknown and...
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...true prophesied Messiah for the Jewish people. Luke Luke is that of the gospel genre. Luke is known for being one of the most beautiful books of the Bible. The book of Luke compares Jesus to that of the gospels. His accounts start with a brief insight to the parents of Jesus, the birth of His cousin, and John the Baptist. Luke also records the journey of Mary and Joseph to Bethlehem, where the birth of Jesus took place, and a genealogical record of Jesus through His mother, Mary. Luke also records some of the more narrative stories of Jesus, displaying His love and compassion for forgiveness, such as The Prodigal Son, The Rich Man and Lazarus, and The Good Samaritan. When Jesus was thirty he was baptized by John. During the last supper Jesus tells peter he will deny knowing him three times. Jesus prays at the Mount of Olives and then is arrested. Peter did deny Jesus three times, and Jesus is taken before Pilate and Herod. Acts The Book of Acts is of narrative and gospel genre. The book begins with a recount of Jesus’ life right...
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...and developed in directions set largely in France. Epic and Elegy gave way to romance and Lyric. English writing revived fully in English after 1360 and flowered in the reign of Richard II (1372-99). It gained a literary standard in London English after 1425 and developed modern forms of verse, prose and of Drama. The conquest of England in 1066 by William of Normandy displaced English as medium of literature. The language of new rulers was French. Saxons dealing with the King had to learn French and French was the language of court and the law for three centuries. Four genres of Middle English are: i. 1. Fabliau 2. Lyric 3. Dream Allegory 4. Ballad Geoffrey Chaucer Chaucer is the best story teller and the narrative poet. Chaucer tells his stories in a most effective way. He has the knack of transforming an old tale into a new one in such a manner that its appeal increases manifold and its human interest becomes perennial (lasting/permanent). An important feature of Chaucer's descriptive power is that his individual portrait also represents the type. Initially perhaps the sketches were devised to provide representatives of the chief classes of English society under the higher nobility. The portraits of the pilgrims are not all drawn in the same way. It is true that Chaucer...
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...Lacey Coronado L24607849 BIBL 104-D30 April 20, 2012 Summary of the books of the Old Testament Books) Joshua The genre of Joshua is narrative. The two major themes in Joshua are the possession of the land and the covenant. Key Events: The major events of the book of Joshua are essentially separated into three different parts, including: the conquest of the land, the division of the land, and the farewells. During the “conquest of the land,” God orders Joshua to take possession of the land and warns him to keep faith with the Covenant. After crossing the Jordan by God’s divine intervention, the Israelites begin conquering the land by first taking Jericho, and then Ai. After some mishap with the Gibeonites in the south, the Israelites overtake Hazor in the north with “Yahweh’s” help. The second division of the book of Joshua was “the division of the land.” The division of the land essentially put people in literal possession of the land. The land divisions consisted of land east and west of the Jordan River, and also cities of refuge and the cities of the Levites. Lastly, in Joshua’s “farewells,” Joshua tells the Israelite leaders that they need to remain faithful to the covenant and to Yahweh. He also tells reminds the whole land of Israel of God’s great works. Joshua then performs the last covenant ceremony and sends the people to their land. The book of Joshua emphasized how important it is to be faithful to the covenant. Key characters: God, Joshua,...
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...collection of feminist critiques of Wollstonecraft’s work; Griffin asserts that Wollstonecraft is the first author to write about an alienation from the perspective of women’s issues and rights; and Jones’s essay comments on the sexualizing of the historical narrative by Helen Maria Williams and Mary Wollstonecraft. Blakemore provides a different approach, examining Miltonic references in Vindications of the rights of woman. References (Blakemore S 1992 Rebellious reading: the doubleness of Wollstonecraft's subversion of Paradise Lost)Blakemore, S. (1992). Rebellious reading: the doubleness of Wollstonecraft's subversion of Paradise lost. Texas Studies in Literature and Language, 34, 451-80. Blakemore’s article is a close reading of the Miltonic references in Wollstonecraft’s Vindication of the rights of woman. His argument centers on the proposition that during the revolutionary period writers attempted to subvert texts which “stressed the satanic dangers of epistemological curiosity” (p. 451). However, he feels that Wollstonecraft’s use of Milton rebounds on her in such a way as to render the technique virtually useless. The focus of this argument is Wollstonecraft’s refiguring of Eve as a feminist rebel and of Satan as a revolutionary liberator (p. 452). Blakemore believes that Wollstonecraft sees herself occupying the Satanic role in her construction of the fall myth. He also feels that her occupying of this role ultimately deconstructs her...
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...Emily Brontë’s novel of passion and cruelty, published in 1847, was the only novel she ever wrote and one of which many, including her sister Charlotte, disapproved, regarding it as fundamentally immoral, especially in the creation of the central character, the brutal Heathcliff. However, viewed at a distance of some 150 years, the novel can be seen for what it truly is, a work of flawed genius which continues to attract strongly despite its age. Emily set what was to be her sole novel in and around her beloved moors creating, in Cathy, a character as wilful as herself. However the reader acquainted but not familiar with the narrative, is often surprised by how little actual description of the natural environment is extant within its pages though ‘metaphors drawn from nature provide much of the book's descriptive language’. Simply expressed, it is the author’s own vicarious resonance with the land, expressed via her frequent use of what Ruskin termed ‘pathetic fallacy’ that gives the intensity of the connective between the central protagonists and the land in which they are imbedded, even beyond life itself. The plot concerns the family of the Earnshaws, owners of the eponymous ‘Wuthering Heights’, where the surly urchin, Heathcliff, is brought by the father of the household who has found him abandoned in Liverpool, and who describes him ‘as dark almost as if it came from the devil’ for ‘when Mr. Earnshaw first brings the child home, the child is an “it” not a “he”’. From the...
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...August 20, 2015 3.2.13 Practice: Revision Strategies The tempest one of the most difficult Shakespearean works in my opion to stage, from its stormy, chaotic first scene to its sureality to its ambiguous resolution, with Prospero facing his silent, treacherous brother and renouncing the power that has made every action in the story possible. Potent language remains the central force and mystery of this fathomless play. Prospero speaks almost a third of the lines in The Tempest, and controls the amount of speech every other character on the island has through manipulation and magic. Prospero’s narrative of how he came to the island, what he did once there, and what he is owed for this history, goes largely unchallenged in the text. Yet the play offers innumerable readings and opportunities for alternate staging, particularly in light of postcolonial discourse about Prospero’s relationship with Ariel and Caliban, the legitimacy of his authority, and the nature of his magic and command over language. Though Prospero can be played many ways, there is no doubt he is The Tempest’s show runner. The metatheatrical nature of the play sometimes detracts from its action on the page, but it also offers the chance to explore exactly why Prospero needs an audience for his revenge, and whether or not it satisfies him, onstage. Prospero restricts the sight and knowledge of the other characters, putting them to sleep or manipulating them with invisible forces, but he often lets us, the audience...
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...London, 1816–1817 date of first publication · January 1, 1818 publisher · Lackington, Hughes, Harding, Mavor, & Jones narrator · The primary narrator is Robert Walton, who, in his letters, quotes Victor Frankenstein’s first-person narrative at length; Victor, in turn, quotes the monster’s first-person narrative; in addition, the lesser characters Elizabeth Lavenza and Alphonse Frankenstein narrate parts of the story through their letters to Victor. climax · The murder of Elizabeth Lavenza on the night of her wedding to Victor Frankenstein in Chapter 23 protagonist · Victor Frankenstein antagonist · Frankenstein’s monster setting (time) · Eighteenth century setting (place) · Geneva; the Swiss Alps; Ingolstadt; England and Scotland; the northern ice point of view · The point of view shifts with the narration, from Robert Walton to Victor Frankenstein to Frankenstein’s monster, then back to Walton, with a few digressions in the form of letters from Elizabeth Lavenza and Alphonse Frankenstein. falling action · After the murder of Elizabeth Lavenza, when Victor Frankenstein chases the monster to the northern ice, is rescued by Robert Walton, narrates his story, and dies tense · Past foreshadowing · Ubiquitous—throughout his narrative, Victor uses words such as “fate” and “omen” to hint at the tragedy that has befallen him; additionally, he occasionally pauses in his recounting to collect himself in the face of frightening memories. tone · Gothic, Romantic, emotional...
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...Name Ronald Kent Robey Course BIBL 104 Date September 21, 2011 (Summary of the books of the Old Testament Books) Exodus The Book of Exodus Exodus is a history book in the Bible's Old Testament. And Exodus is also a law book. The people called Hebrews were slaves in Egypt. God sent Moses to free them (Exodus 3). The people in Egypt did not want to free these slaves. But God caused many terrible troubles in Egypt. These troubles forced the people in Egypt to free their Hebrew slaves. So, the Hebrew people left Egypt. God promised the land called Israel to the Hebrew people. But the journey to Israel was through a desert. God did many wonderful things to help the people through the desert. God provided water (Exodus 17) and food (Exodus 16). Moses met God at a mountain called Sinai (Exodus 19). There, God gave the law to Moses (Exodus chapters 20-30). Moses made a special tent where the priests would serve God (Exodus chapters 35-40). We are writing books and articles to help you to study this Bible book. You can download these books and articles free. Please click on the links below to select our other books and articles. (space) The Book of Exodus begins more than four hundred years after Joseph, his brothers, and the Pharaoh he once served have all died. The new leadership in Egypt—feeling threatened by Jacob’s descendants, who have increased greatly in size—embarks on a campaign to subdue the Israelites, forcing them into slavery and eventually...
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