...What is your favorite game. My favorite game is Ark survival evolved.In that game there are rocks on the beach.Also you die alot.You start on a island on a beach you can pick up rocks and pick berries. First you have to punch trees and get wood and thatch to make a pick axe. Then you use the pick to hit rocks to get flint then you make a axe with the flint. Then hit rocks with the axe to get a lot of stone. When you first start you can hear pelicans and the water rushing in on the beach. It looks like a beach there is driftwood on the ground and palm trees and mountains around you. You get levels and the first thing to up is weight. The weight usually goes up by 10 you don't get levels quickly though.You can up the gather rate and xp...
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...This document is for reference & educational purposes only. Reproduction or/and copying are not authorized. Any anti-plagiarism software will flag this document or its sections as unoriginal. Coping and Resiliency Skills in African American Urban Youths Introduction Growing up with a limited understanding of how to regulate emotions and cope in the face of ubiquitous urban blight, severe socio-economic hardship, and systemic racism is difficult for many urban youths. Resiliency is a term that is frequently associated with urban youths, especially if we consider the fact that according to the U.S. Census data in today’s America approximately one third of this population group lives in urban areas (Census, 2000). Given a steady increase in the numbers of low-income children living in urban areas, efforts to understand this particular phenomenon are critical. In this context, it is important not only to examine the negative (e.g.: drug abuse, violence, etc.) but also the positive self-regulatory skills (e.g.: athletics, education, creativity, dance, poetry, etc.), which urban youths employ as coping mechanisms. Another concomitant question that needs to be explored is how urban youth exercise positive self-regulatory skills under different circumstances and in specific contexts. This study specifically examined the phenomenon of coping and resiliency skills in African American urban youths growing up in the developmental contexts of various environmental stressors...
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...In the first class lecture we focused on theories of attachment. We discussed two prominent researchers of developmental attachment: John Bowlby and Mary Ainsworth. From Bowlby’s monkey experiment we understand the main keys of attachment: warmth and responsiveness. From their research we can begin to understand the importance of a secure base for development. Infants are motivated to seek proximity to caregivers as a survival tool. Closeness to parents improves infant survival, emotional health and organization of mental processes. There are four distinct labels in which attachment styles are categorized: secure, insecure avoidant, insecure ambivalent, and insecure disorganized. The attachment style adopted by the child is surprisingly not...
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...The primary purpose of historical narratives is to report as accurately as possible what happened at each particular place and time in history. But each of the writers in this unit (De Vaca, Bradford, and Equiano) went beyond merely reporting the facts; they had other, more personal reasons for writing what they did. Each of them had a personal agenda. Equiano’s personal agenda in The Interesting Narrative of the Life of Olaudah Equiano was to shame his white audience into abolishing the slave trade by describing the horrible events that took place on the ship. While he did state facts about the ship, Equiano described personal experiences to persuade the audience more. For example, Equiano describes the smell of the hold as being “…so intolerably loathsome, that it was dangerous to...
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...The extent of political ideology as a motivational factor for soldiers in the American Civil War was so great that it changed the historical narrative of the war for veterans and future southerners. In his semi-biographical book, The Making of a Confederate, Williams L. Barney uses the life of an elite Western North Carolina planter named Walter Lenoir, and his descent into the Lost Cause ideology. Barney presents Lenoir as a comparatively liberal man of the time. Educated at his home states university, prior to the attack on Fort Sumner he planned to move to Minnesota, a fairly young state that was actively recruiting Americans from other states and Europeans to solidify population dominance over the inhabitant native tribes. Barney characterizes the Lost Cause phenomenon as an attachment to the faded glory of a romanticized Confederate past. Using Williams L. Barney as a model of the Confederate soldier, his choice of subject varies from the popular trend of studying the poor southern confederate soldiers and his motivations. Lenoir, an elite southern planter was the quintessential model of who would most benefit from a victorious south. Though southern identity contains it fare share of myriad ambiguities, Barney presents a semi-biographical analysis that precisely dissects the often-proclaimed complexity of the Lost Cause narrative. With intention, Barney shows that the preservation of slavery was indeed the reason the south fought and that for men like Lenoir, despite his...
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...After reading the fictional narrative about Glen I notice three concepts about psychology and they are adrenaline, anal stage and evolutionary psychology. The adrenaline closely connected to important regions of the brain that pay a role in emotion with Glen’s personal life having difficulty forming lasting intimate relationships. Anal stage is response to efforts by parents to toilet train their children. Evolutionary psychology is one major reason for this shift in opinion is the development and rapid growth of the new field that Glen took on during his adult life. The first concept is adrenaline. Hormones that help the body handle emergencies by increasing heart rate, blood pressure, and sugar in the blood. Its part of the endocrine system and associated with humanistic theories. Humanistic theories are theories of personality emphasizing personality responsibility and innate tendencies toward personal growth. When it was time for Glen to speak at regional meetings of his company he can feel his adrenaline rush going through his body that cause un excessive sweating and his heart would be pounding. After he finally notice this happening he than turn to medication that would put the stop on his sympathetic nervous system. Which means this system prepares the body for using energy, as in vigorous physical actions that Glen was feeling. These concepts are related to each other by the removal of Glen’s obstacles that prevent natural growth processed from proceeding to becoming...
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...Survival in Auschwitz In the book Survival in Auschwitz, the author Primo Levi illustrates the hardships himself and others endured during the capture of Jews in 1943. Originally titled If This Is a Man, Levi expresses captivating images and vivid emotions of his experience of inhumane treatment. The memories indicate the intense and extreme situations all Jews suffered in the totalitarian state of Nazi control. Levi learns an immense amount of survival tactics in order to breathe every waking day of his new life. The weak were tested physically and emotionally as the path of death was effortless, while the road to survival seemed impossible and unachievable. Throughout the narrative, Primo transforms from an apathetic victim to a progressive survivor in the German concentration camp at Auschwitz. The concept of black marketing, knowledge in chemistry and his spirituality all contributed toward the survival of Primo Levi and others in Auschwitz. According to Primo Levi, illegality, deceit, infidelity and sin were all relevant in the concentration camp. These characteristics made up Auschwitz and were used as necessities in order to survive such horrid conditions. Those who were captured and sent to German camps quickly noticed that this was a place where happiness was extinct. Little pieces of bread, shoes or soup bowls were perceived as rather large when consumed and used by other prisoners. The smallest amount of food attracted any inmates, creating trust issues...
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...space you inhabit not just with your body but with your head. It’s that kind of space in which we find ourselves lost. What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mid. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately; we need to know about here, because here is where we live. For the members of a country or culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.” Margaret Atwood, Survival As Atwood’s statement demonstrates, Canadian literature is concerned with place and displacement, and with the development of an effective identifying relationship between self and environs. Canada’s literature whether written in English or French reflects three main parts of Canadian experience. First, Canadian writers often emphasize the effects of climate and geography on the life and work of their people. Second, frontier’s life is part of Canada’s experience that appears frequently in its literature; Third, Canada’s position in the world profoundly affects many Canadian writers. French Canadians often feel surrounded by their English speaking neighbors. They have made a determined effort to preserve their own institutions...
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...Otherness: Essays and Studies 1.1 October 2010 Haunting Poetry: Trauma, Otherness and Textuality in Michael Cunningham’s Specimen Days Olu Jenzen Early conceptions of trauma are intimately linked not only with modernity but specifically with the height of industrialisation (Micale and Lerner 2001). This is converged in the opening of Specimen Days particularly in the image of an industrial accident at the ironworks where a young man is killed by the stamping machine. His young brother, replacing him at the machine after the funeral, then experiences an apparition of the dead brother still trapped inside the machine, which leads him to believe that all machines house entrapped ghosts of the dead. Writing on the Victorians’ anxieties about internal disruption caused by the advent of the railway, Jill Matus (2001, 415) has pointed out that, Freud himself remarked in Beyond the Pleasure Principle (1920), [that] there is ‘a condition [which] has long been known and described [and] which occurs after severe mechanical concussions, railway disasters and other accidents involving a risk to life; it has been given the name of traumatic neurosis’ (12). Freud’s remark brings to the fore the traumas of the industrial age as both individually and publicly experienced and negotiated. This condition of trauma as private and public, individual yet also societal is held in tension throughout Cunningham’s novel. Reflecting on the otherness of trauma and its vexed relationship to representation...
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...heard, in the hopes that it would inspire action amongst abolitionists. In doing this, he fulfills his second objective, which was to create an account of his life that focuses on his survival through slavery, and not on the suffering stemming from it. While Douglass doesn’t explicitly acknowledge the fact that there are those who doubt his life story and heritage, the organization of the Narrative anticipates readers with that mindset. This is clear because of the introduction and structure of the first four chapters or so. Not only does Douglass have two white men introduce him, but each introduction seems as if their authors knew most of its audience would be skeptical. In their own ways, the two introductions treat the concept of a slave becoming as fluently literate as Douglass as nearly impossible. It’s...
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...picture of the epic journey that the main character in the story, Valentino faces from the time that he flees the country to the time that he finally reaches what he thought would be the “Promised Land” in Atlanta, United States of America. He was soon to realize that even in America, life would not be a bed of roses but it would be marred by unexpected acts of violence and racial discrimination (Dave 28). One striking thing in the narrative is that the author brings out the culture of the Dinka people. For instance, polygamous nature of the Dinka people is clearly illustrated. The myth regarding the origin of the Dinka people is as well demonstrated (Bess). In regards to this origin, the Dinka people are given a choice by God to choose between the cattle and the “What is the What”. They choose the cattle which they understood better rather than “What is the What” which they did not as demonstrated in the line, "—you didn't tell us the answer: What is the What? My father shrugged. —We don't know. No one knows” (Dave 64). Through the narrative, a reader is informed on the historical background of the south Sudanese people. The relative geographical locations of the three African countries of Sudan, Ethiopia and Kenya are well described, painting an unforgettable picture in the mind of the reader. The diversity in different cultures comes out clearly in the book as the main character traverses boundaries. Valentino’s story illuminates the story of thousands of Sudanese boys and...
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...One of the main arguments Carolyn Nordstrom makes in her book A Different Kind of War Story is that “The encounter with violence is a profoundly personal event” (4). Secondly, Nordstrom argues that people have a “remarkable creativity that they bring to the fore in surviving violence and rebuilding humane worlds” (Nordstrom 4). She talks about the creativity of those individuals undergoing violence and their ability to build a new world for themselves after everything has been taken from them or destroyed. She makes the argument that creativity is a core survival strategy and a profound form of resistance to political violence and oppression. Nordstrom is careful to point out the relationship between violence and creativity in that violence does not need to be present for creativity to flourish....
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...Rainy Mountain Name Institution Project Write Up On Play of the Way to Rainy Mountain The Way to Rainy Mountain follows a short story that describes the loss of Momaday’s grandmother. Momaday is the author of the book and it takes one on his journey to his ancestral lands. It is the death of his grandmother that brings about a deeper and a personal need for the exploration of his family background. In an attempt to get close to his heritage, he decides to return to the land of his people to experience his roots first hand as he aims at mourning the loss of a loved one. It offers a thrilling account of the Kiowa people spirit core that is told through the author. Summary of the literary style The way to Rainy Mountain is the journey that is told in three voices. The first voice is told through the ancestral voice. The second voice involves a historical commentary that helps in guiding one on the historical background of the Kiowa people. The third voice as depicted in the Way to Rainy Mountain, involves the use of Momaday’s poetic memoir found from his experiences. It forms the personal reminiscence as told by Momaday’s own voice. However, the most important aspect is that all the three voices together help to teach on the Kiowa’s traditions, morals, beliefs and their origin (Momaday, 1991). Characterization The book presents a hint of non-fiction that allows one to surmise that Momaday is the author and also the narrator. For this reason...
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...The Indifferent Stars Above is not merely a nonfiction historical account of the Donner Party migration as the U.S. moved to expand it's frontiers, but it is a deeply enriching story of survival. Daniel Brown strips the mythologized category of the emigrants and the Donner party from the American embellished view of American Pioneers and instead paints the real atrocities that were faced on a daily basis by the unit of emigrants as they moved their way through Utah, Oregon, and California. Brown dedicates his anthropological foundation to the story of Sarah Graves and begins his historical account with the initial source; bones. Brown interestingly finds a link between his father's uncle George W. Tucker and Sarah Graves, the Donner Party Bride. He notes that is unlikely that they knew each other...
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...turn. This is symbolic of the story of the film in that his life can take one of either direction. The narrative is then broken down into a series of vignettes which tell the story of the favela and the central characters, and ultimately which path Rocket decides to take. I argue that this film was imperative in raising awareness of both the existence of as well as the issues within the favelas in Rio de Janeiro, and was one of the first cultural representations to emerge from Brazil to show the darker side of the city and an alternate reality to what is commonly perceived about Rio, that is postcard images of beaches, sunsets and samba. Via this cultural vehicle I argue that it was possible to begin to conduct businesses in the city such as 'favela tour' and 'favela party' due to interest from foreigners in seeing and experiencing a slice of life in the favelas. Which raises the question: Did this film glorify life in the favelas, or did it depict a realistic perspective of reality? How has consciousness raising of the foreign public since affected the inhabitants of these urban spaces and has this effect been positive or negative? I argue that one of the key strengths of the film is realism. The actors are amateurs recruited from the favelas, and the central character Rocket (Alexandre Rodrigues) is from the Cidade de Deus favela itself, which lends authenticity and personal perspective to the characters. The film was shot inside a real favela rather than a film set, taking...
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