...and differences in using the 1st person narrative approach in ‘The Lammas Hireling’ and ‘The Deliverer’. In your answer you should consider the following: • The poets’ development of themes • The poets’ use of language and imagery • The use of other poetic techniques. Both Duhig and Doshi explore the use of a first person narrative in ‘The Lammas Hireling’, and ‘The Deliverer’. This exploration of the narrative technique has allowed both poets to develop ongoing personal themes, each accompanying a sense of sadness and moral injustice. In ‘The Deliverer’, the poet takes advantage of the first person point of view, as it serves to develop ongoing themes of infanticide in Indian Society. This technique of first person is ultimately very largely effective, as its direct approach generally heightens the emotion the reader experiences for the sensitive topic, as there is in fact no hiding or concealing the bitter truth, especially when it is written out in the direct form of a narrative passage. However, the way in which Doshi presents these views through the first person Narrative, is quite unconventional. Through the use of making the ‘Deliverer’s’ daughter the voice, the audience is able to view the tragic events from the eyes of someone who has personally been a witness. This in itself draws similarities with the way in which Duhig presents his narrator’s own personal story of life on a rural farm. He uses the first person narrative to tell the ambiguous story of how as a...
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...The narrative voice often means everything for a story. Some stories want to be very personal, while others want you to see a much broader picture than just one character's feelings. Many authors use different narrative voices to take advantage of their effects. There is not an exception in Ambrose Bierce’s story, “An Occurrence at Owl Creek Bridge”, where the author varies the point of view multiple times. Bierce is consistent in the way that he uses third-person, yet it’s form switches throughout the story. The effects of Ambrose Bierce’s variety of narrative voice in “An Occurrence at Owl Creek Bridge” are many diverse thoughts, sometimes causing very little feeling toward the main character, Farquhar, while other times the voice causes...
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...hear about a nineteen year old girl called Ellie, who is afraid of not living up to her teachers’ and parents’ expectations and this is what has driven her into a drug abuse. The short story gives us a portrait of a young girl, who is caught in between her desires and what is being expected of her. She is struggling with her inner demons and she is having an inner fight with herself about which decisions are ethically right or wrong. The short story is written as a 3rd person narrative. The point of view is limited to the main character Ellie and the text only describes Ellie’s thoughts e.g: “She remembers going out for booze. Did she get booze?” . The narrative technique that’s being used makes the reader come very close to Ellie’s personality and her feelings. This is also one of the reasons why there’s mainly one character throughout the story - we don’t need any other characters to get to know Ellie and what she’s going through, because we already know every thought that she has. When she feels unhappy or stressed, the reader can “feel” it by reading the story, e.g we have a situation where the reader can feel that Ellie is...
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...distinct, clustered and transferable. A genre is when the films that are a part of it have these sortable qualities. When films have similar recognizable qualities it means that they have identifiably parallel traits with other films of the same genre. If a film has distinct qualities it means that it cannot include definable traits from other genres. A film with clustered traits has a bunch of associated things that would go on in the same genre. Transferable traits in a film mean that the traits can interchange between film varieties and styles. Neo-noir is a type of movie in which critics often argue whether it is more of a style than a genre because as Paul Schrader says it is, “not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood” (Schrader). Neo-noir movies are known for their dream/nightmare like worlds in which authority is chasing crime. In these dark, unknowing worlds the complex characters endure violence and eroticism in life or death situation (Silver). In Ridley Scott’s Blade Runner (1982) he has shown that neo-noir can be translated through any genre. He did this by proving it is more of a style because it is limited to technical elements. The aesthetic, economic and cultural elements of Blade Runner all express to the viewer that it not only has a Neo-noir style but it also falls in the genre of Sci-Fi. A film style is when a cluster of films have the same recognizable...
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...Corregidor as Dark Tourism: Basis for Designing Marketing Plan A Thesis Presented to the Faculty of the School of Hospitality & Tourism Management of St. Dominic College of Asia A Partial Fulfillment of the Requirements Towards the Degree Bachelor of Science in Tourism Management Gocotano, Mary Abigail C. Sarte, Kimberly Anne A. APPROVAL SHEET In partial fulfillment of the requirements for the degree of Bachelor of Science in Tourism Management, this thesis entitled “Corregidor As Dark Tourism: Basis for Designing Marketing Plan” was prepared and submitted to the School of International Hospitality and Tourism Management by: GOCOTANO, MARY ABIGAIL C. SARTE, KIMBERLY ANNE A. Approved by the committee on oral examination on April 16, 2015 with the grade of ________. DR. JONATHAN R. ADANZA Adviser ELEONOR D. AGUILANDO, MBA Panel Member Accepted in partial fulfillment of the requirements for the degree of Bachelor of Science in Tourism Management DR. ALEJANDRO D. MAGNAYE Dean ACKNOWLEDGEMENT This study would not have been possible without the guidance and the help of several individuals who in one way or another contributed and extended their valuable assistance in the preparation and completion of this study. First, to the creator above, for all the guidance and strength that He has given to us to finish this study and power to...
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...generates a sense of suspense by placing the final scene in the beginning of the movie. When translating play into film, he creatively rearranges the scenes while keeping the text intact and shoots from odd angles to produce interesting lighting and shadows. Even though some of the characters in the film do not quite live up to the viewer's ideals of the characters, Welles's Othello still achieves remarkable success. In order to accompany the powerful words of Shakespeare, Welles chooses to shoot from either slightly above the usual camera angle or below it to create a dramatic effect. As the movie begins, the cameras angled from the ground up to show off dark, sparsely clouded skies, and soldiers in dark silhouettes marching to a funeral. When Welles shoots the first scene between Othello and Desdemona, he chooses Venice, a traditionally romanticized city, to emphasize the early attraction between them. Although Welles often shoots conversations between a character and a shadow because he couldn't employ additional actors for certain characters in the play, his creativity is seen through his resourcefulness-which is crucial in the success of his Othello. Another aspect of Othello's success is the soundtrack and background music. Welles doesn't choose random notes oblivious to the action and dialog they accompany. He uses recurring chords reminding the viewers about a certain theme. When watching the film, viewers regard the soundtracks and dialogs or actions as a whole because...
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...intellectual. However, Sean is also conflicted, as he has suffered after witnessing the slow death of his wife from cancer. In there first meeting, after Will tells Sean that his painting of a boatman in a storm is a metaphor for his own tumultuous existence after the loss of his true love, Sean responds with violent consternation. Will notes that his therapist has not fully recovered from his past something that draws Will closer to him. This is the opposite feeling he has towards Professor Lambeau. His relationship with this Fields Scholar winner is tenuous at best in that Doctor Lambeau wants to be accredited with discovering the prodigy genius instead of considering what Will wants out of life. Throughout the film Dr. Lambeau represents opportunity in today’s success engaged society. It’s clear that Will...
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...International Journal of Applied Linguistics & English Literature ISSN 2200-3592 (Print), ISSN 2200-3452 (Online) Vol. 2 No. 4; July 2013 Copyright © Australian International Academic Centre, Australia A Stylistic Analysis of D.H. Lawrence’s ‘Sons and Lovers’ Nozar Niazi English Department, Lorestan University, Khorramabad-Iran E-mail: nozar_2002@yahoo.co.in Received: 04-04-2013 doi:10.7575/aiac.ijalel.v.2n.4p.118 Abstract Accepted: 14-05-2013 Published: 01-07-2013 URL: http://dx.doi.org/10.7575/aiac.ijalel.v.2n.4p.118 This paper aims at analyzing D.H. Lawrence’s ‘Sons and Lover’ using a stylistic approach. Stylistics is a study of the amalgamation of form with content. The stylistic analysis of a novel goes beyond the traditional, intuitive interpretation, because it combines intuition and detailed linguistic analysis of the text. The defining elements of modern language are within the text itself, not prescribed from outside. With modernist texts, usually understanding comes from close study of the language system defined within the text itself. Form, technique and style are considered not as a mere vehicle of the content of the story, but an integral part of the work’s meaning and value. In our analysis of ‘Sons and Lovers’ the resources of language: lexis, syntax, phonology, figurative language, cohesion and coherence, are discussed in relation to the style of discourse in order to explore hidden meanings in the text. The resources of language are shown...
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...Nov.11 2014 The Reluctant Fundamentalist is a novel written by Mohsin Hamid, set in the year following 9/11, constructed through a conversation between a Pakistani named Changez and an unnamed American in a café in Lahore.. The Reluctant Fundamentalist uses a variety of narrative strategies that contribute to the novel’s atmospheric world. This essay is going to focus on the metaphorical and symbolic techniques used in the novel and analyze the connection between them. It will also elaborate how does the metaphor relate to the first-person narrative in the novel and how do these two methodologies work together to derive the deeper meaning of the author’s intension. After analyzing the use of metaphor in the book, we could see better the real meaning and power of metaphor used in literature. The book is riddled with allegory and metaphor. Take names as the most significant example in the novel. First of all, let’s talk about the name “Changez”. While several reviewers have assumed that “Changez” is too obvious a name for a character in this situation, Hamid has pointed out that it doesn’t signify “change” but is instead “the Urdu name for Genghis, as in Genghis Khan.” He elaborates: It’s the name of a warrior, and the novel plays with the notion of a parallel between war and international finance, which is Changez’ occupation. But at the same time, the name cautions against a particular reading of the novel...
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...alternative filmsMainstream films can best be defined as commercial films that are made by major entertainment studios or companies that are owned by international media conglomerates. Because of better financing, these films can afford more expensive actors, wide releases, and are sold at popular retail stores. This has become known as the studio system. Films made by major studios or companies that are not owned by a media conglomerate but are distributed by a company owned by a media conglomerate (see Lucasfilm) are also considered to be mainstream and are often referred to as mainstream independent films. Companies that are completely independent, such as Lionsgate, also produce mainstream films, from a cultural standpoint, but independent of the studio system. The alternative to mainstream films are sub genre films that appeal to a certain audience, such as African American films. Low budget films, art films, and experimental films are often the starting point for entertainers who wish to enter into the mainstream circuit or a sub genre circuit. Mainstream films are targeted for all cultures and audiences, with the dominating culture and audience being the primary marketing focus, while sub genre films are marketed towards only one specific culture and audience. Mainstream films often recruit talent from all film genres and backgrounds. Alternative media are media (newspapers, radio, television, magazines, movies, Internet, etc.) which provide alternative information to the...
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...George after the procedure, “Doing a Caesarian with a jack-knife and sewing it up with nine-foot, tapered gut leaders” (18). The description of Ernest Hemingway INDIAN CAMP I guess the beginning of the story is quite usual and perhaps even banal. The son wants to watch his father brings new life into the world. He is a young boy who helps his father. But on the other hand, despite the fact that there is only pain and violence in life, from the author point of view, I guess we are clearly shown, that the father takes care of his son and that he wants to preserve him from death. We see that the husband of the woman, who gave birth to the child couldn’t stand the pain and screams of the woman. And I guess the most important scene of the play is when the son asks whether everybody kills himself or...
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...Bruce Baldwin (Ralph Bellamy). Therefore, persuading him to embark on several schemes to lure Hildy from leaving behind her career, and stop her from marrying the man. Meanwhile, the central female character shifts her focus onto her last case as she covers the execution of a convicted murderer Earl Williams (John Qualen) while struggling with her own personal conflicts. Although Casablanca and His Girl Friday are dramatic romance films, this essay seeks to draw out the differences in their portrayal of the central female character. The films use various visual styles to further push their individual depictions of women, but as a result brings to question the societal roles in which women occupy. The classic Hollywood films primarily revolve around a narrative of romance, and creating scenarios that enforce a heterosexual way of life; which include marriage, kids, and domestic living. This idolized concept suffers a compromise with the induction of war, as it removes men from the story’s eternal love and renders it unstable. Thus, making the domestic women go seek out new roles such as joining the workforce, but face removal when the men return; molding a fragile gender ideology. These historical contexts play a huge part in wartime films like Casablanca, as it center around the romance of Ilsa Lund and Rick Blaine during the time of the second World War. Although Hollywood has always created roles for women in films, they seem to have a difficult time depicting them in the right...
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...one of the sixty-nine photographs making up the Untitled Film Stills series created between the years 1977 and 1980 when Sherman first moved to New York. Although the artist is in her photographs, they are not self-portraits. As the creator and model to fictional b-list celebrities reminiscent of Alfred Hitchcock films, and “the look of European opposed to Hollywood types, Sherman is reacting...
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...show. When I found out about the TV series, Criminal Minds - an American crime drama created by Jeff Davis, my affection had been captured by it. The first episode aired Wednesday, September 22th, 2005 through the CBS network. Each episode is a crime story of its own, but connects with the personal narratives of the main characters – BAU, the Behavior Analysis Unit. Because most the...
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...Compare and Contrast The theme I chose to centralize my paper on is race and/or ethnicity. I will compare and contrast two poems: “Child of The Americas” by Aurora Levins Morales and “What It’s Like to Be a Black Girl (For Those of You Who Aren’t) by Patricia Smith. Morales is a woman if mixed race; Puerto Rican and Jewish, while Smith is African-American. We all want to think that someone’s race or color of their skin wouldn’t determine how they are treated or how they are perceived, but this is not the case. When talking amongst friends about someone they do not know we often describe them by using their skin color. And when meeting someone new one of the first questions we ask is “what race are you?” or the harsher “what are you?” Both of these poems give the reader a look into the mind of two young women of different races, one being mixed and the other being an African American, and how each girl views herself. The poem, “Child of The Americas” by Aurora Levins Morales, the reader looks into the consciousness of a young multi-racial woman. Morales herself is a multiracial woman “Puerto Rican-born and Jewish American Aurora Levins Morales is a poet, essayist, historian, and activist” (Fiandt, 2006). Morales’ poem talks about finding ones identity. Morales starts her poem off by stating that she is an American “she does not claim any single identity beyond “American” and this “American” includes the multiple races and nationalities that have entered the Western hemisphere”...
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