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Philadelphia Museum Observation

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On November 19th, 2017, I visited the Philadelphia Museum of Art with only one purpose in mind. Since I was unable to make it over to the Pennsylvania Museum of Anthropology and Archanthroplogy I made a plan and I knew here at the Philadelphia Museum of Art I would find the one piece I didn’t know I was looking for until I stumbled upon it in person. Walking into gallery 233, Asian Art on the second floor I was drawn to all of the many bodhisattvas scattered throughout the room. One in particular caught my eye and because of this I knew that I was inquired to write about this one. The Seated Bodhisattva was approximately 9 inches in size including the base of the lotus flower that the Bodhisattva sitting on. The artist of the piece was unknown, however, the Bodhisattva was made during the 8th century during the Tang Dynasty. The piece was made of gilded bronze with traces of painted decoration from previous use. All though the piece is old with left behind paint remnants, you can still clearly see the luster of the sculptor, giving you the feeling that the piece was newly made. Besides being gilded with a bronze overlay I believe that the piece under was molded out of clay or some sort of stone. The smooth texture of the Bodhisattva and the intricate details used …show more content…
I believe that once this Bodhisattva was a wonderfully painted piece with bright colors showing a display of fun and happy times. Beneath the Bodhisattva is a draped lotus flower of such which gives off a royal feeling. The Bodhisattva is seated in the traditional position with one hand up and the leg propped against the right knee. While the left leg is down the eyes closed, keeping the facial expression neutral. The noticeable signs, however, appear to be the elongated earlobes and top knot bun showing signs of

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