...Diphthongs Diphthongs are types of vowels where two vowel sounds are connected in a continuous, gliding motion. They are often referred to as gliding vowels. Most languages have a number of diphthongs, although that number varies widely, from only one or two to fifteen or more. Long Vowel Sounds a | /eɪ/ | rain | e | /i/ | meet | i | /ɑɪ/ | bike | o | /oʊ/ | home | u | /ju/ | cute | Sentences: /eɪ/ - rain Rain is one of Gods blessing to human being. /i/ - meet The business man meet his investor in one of the famous resturant in town. /ɑɪ/ - bike It started as a geezer bike for retirees in Florida and Arizona. /oʊ/ - home I'm going home for lunch early, Saundra. /ju/ - cute She looked so cute that Carmen took a few pictures of her. Exercises for long vowels sound A Read the poem using the long /a/ sound Daisy is a brainy snail, She drives a train and brings the mail, She can sail a ship and follow a trait, Yes, Daisy is a brainy snail. I Feel the heat, breathe, reach your peak, win the meet. Please take heed. Being weak at the knees near a ravine is serious. Don't be a geek. Pieces of meat get stuck in his teeth when he eats veal steamed with sesame seeds. [o:] as in MORE core – more – bore – before – shore – sore – store – tore – explore – ignore; cord – lord – order – form – normal – fork – pork – port – sport – short – horn – torn – born – corn – corner; U A Tudor who tooted a flute Tried to tutor two tooters to toot...
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...| | CCRS | CONTENT STANDARDS | EVIDENCE OF STUDENT ATTAINMENT | RESOURCES | 91929384130 | EIGHTH GRADE: TO BE COMPLETED THROUGHOUT THE COURSEREADING LITERATURE: RANGE OF READING AND LEVEL OF TEXT COMPLEXITY By the end of the year, read and comprehend literature, including stories, dramas, and poems, at the high end of Grades 6-8 text complexity band independently and proficiently. [RL.8.10]READING STANDARDS FOR INFORMATIONAL TEXT: RANGE OF READING AND LEVEL OF TEXT COMPLEXITY By the end of the year, read and comprehend literary nonfiction at the high end of the Grades 6-8 text complexity band independently and proficiently. [RI.8.10]WRITING STANDARDS: RANGE OF WRITING Write routinely over extended time frames, including time for research, reflection, and revision, and shorter time frames such as a single sitting or a day or two for a range of discipline-specific tasks, purposes, and audiences. [W.8.10]KNOWLEDGE OF LANGUAGE Use knowledge of language and its conventions when writing, speaking, reading, or listening. [L.8.3]VOCABULARY ACQUISTION AND USE Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary knowledge when considering a word or phrase important to comprehension or expression. [L.8.6]SPEAKING AND LISTENING STANDARDS Engage effectively in a range of...
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...Supernatural: The Life of William Branham Book 6: The Prophet and His Revelation 1960 – 1965 by Owen Jorgensen 1 Acknowledgments: In a project of this magnitude, it is understandable that I should owe many people a debt of gratitude for their help. First of all I want to thank Pearry Green for his vision, his encouragement and his efforts in publishing and distributing these books. I also want to thank Saundra Miles, David Buckley, Jay Weber, and the other people who spent many hours editing and proof reading the six manuscripts in this series. Their suggestions helped to make this a better book and a more accurate account of William Branham‘s life. Also, I want to thank Steven and Kathy Strooh, who put these books into audio format for all those people who would rather listen than read. I must certainly thank those people who have translated these books into their native languages: Spanish, Portuguese, French, German, Russian, Norwegian, Hindi, and many other languages. Supernatural: the Life of William Branham took me 17 years to complete. I was 34 when I started and 51 when I finished. To put that into perspective, my four children were in grade school when I began writing this biography. By the time I finished, three of my children were married and I had nine grandchildren. During the 17 years I worked on this project, my life had its ups and downs. I want to thank everyone who prayed for me during those 17 years. Finally I want to thank my four children—Benaiah...
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...THE HERO WITH A THOUSAND FACES JOSEPH CAMPBELL BO I. L I N G EN SERIES XVII PRINCETON UNIVERSITY AND PRESS P R I N C E T O N OXFORD Copyright © 2004 by Princeton University Press Published by Princeton Unhxmt^Pms, U WiffiaM SUrtt, Pnnceton, New Jersey 08540; im^inii!-. •:-..• punght i 1-49 by Botiingen e d i t i o n l n ' i l h Foundation, rc't.'itii.yi •: • andpttt t*j''!' !_•"' . !.,.: b% :''ohi: •• Bough, one-volume edition, p. 386. Copyright, 1922 by The MacmiUan Company and used with their permission). Compare Sigmund Freud: "I recognized the presence of symbolism in dreams from the very beginning. But it was only by degTees and as my experience increased that I arrived at a full appreciation of its extent and significance, and I did so under the influence of . . . Wilhelm Stekel. . . . Stekel arrived at his interpretations of symbols by way of intuition, thanks to a peculiar gift for the direct understanding of them. . . . Advances in psycho-analytic experience have brought to our notice patients who have shown a direct understanding of dream-symbolism of this kind to a surprising extent. . . . This symbolism is not peculiar to dreams, hut is characteristic of unconscious ideation, in particular among the people, and it is to be found in folklore, and in popular myths, legends, linguistic idioms,, proverbial wisdom and current jokes, to a more complete extent than in dreams." {The Interpretation of Dreams, translated by...
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...Eleven Minutes, by Paulo Coelho Also by Paulo Coelho The Alchemist The Pilgrimage The Valkyries By the River Piedra I Sat Down and Wept The Fifth Mountain Veronika Decides to Die The Devil and Miss Prym Manual of the Warrior of Light ELEVEN MINUTES TRANSLATED FROM THE PORTUGUESE BY MARGARET JULL COSTA 4u HarperCollins Publishers HarperCollinsPublishers 77-85 Fulham Palace Road, Hammersmith, London w6 8jb The HarperCollins website address is: www.harpercollins.co.uk Paulo Coelho's website address is: www.paulocoelho.com First published in English by HarperCollinsPublishers 2003 13579 10 8642 © Paulo Coelho 2003 Paulo Coelho asserts the moral right to be identified as the author of this work A catalogue record of this book is available from the British Library ISBN o 00 716604 4 Printed and bound in Great Britain by Clays Ltd, St Ives pic All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. O, Mary, conceived without sin, pray for us who turn to you. Amen. Dedication On 29th May 2002, just hours before I put the finishing touches to this book, I visited the Grotto in Lourdes, in France, to fill a few bottles with miraculous water from the spring. Inside the Basilica, a gentleman in his seventies said to me: 'You know, you look just like Paulo Coelho.' I said...
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...Eleven Minutes, by Paulo Coelho Also by Paulo Coelho The Alchemist The Pilgrimage The Valkyries By the River Piedra I Sat Down and Wept The Fifth Mountain Veronika Decides to Die The Devil and Miss Prym Manual of the Warrior of Light ELEVEN MINUTES TRANSLATED FROM THE PORTUGUESE BY MARGARET JULL COSTA 4u HarperCollins Publishers HarperCollinsPublishers 77-85 Fulham Palace Road, Hammersmith, London w6 8jb The HarperCollins website address is: www.harpercollins.co.uk Paulo Coelho's website address is: www.paulocoelho.com First published in English by HarperCollinsPublishers 2003 13579 10 8642 © Paulo Coelho 2003 Paulo Coelho asserts the moral right to be identified as the author of this work A catalogue record of this book is available from the British Library ISBN o 00 716604 4 Printed and bound in Great Britain by Clays Ltd, St Ives pic All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted,in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. O, Mary, conceived without sin, pray for us who turn to you. Amen. Dedication On 29th May 2002, just hours before I put the finishing touches to this book, I visited the Grotto in Lourdes, in France, to fill a few bottles with miraculous water from the spring. Inside the Basilica, a gentleman in his seventies said to me: 'You know, you look just like Paulo...
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..."SAVING PRIVATE RYAN" By : Robert Roday (Early Draft) Typed for the Internet By: DAVID PRITCHETT SCREENWRYTER@HOTMAIL.COM FADE IN: CREDITS: White lettering over a back background. The THUNDEROUS SOUNDS OF A MASSIVE NAVAL BARRAGE are heard. The power is astonishing. It roars through the body, blows back the hair and rattles the ears. FADE IN: EXT. OMAHA BEACH - NORMANDY - DAWN The ROAR OF NAVAL GUNS continues but now WE SEE THEM FIRING. Huge fifteen inch guns. SWARM OF LANDING CRAFT Heads directly into a nightmare. MASSIVE EXPLOSIONS from German artillery shells and mined obstacles tear apart the beach. Hundreds of German machine guns, loaded with tracers, pour out a red snowstorm of bullets. OFFSHORE SUPERIMPOSITION: OMAHA BEACH, NORMANDY June 6, 1944 0600 HOURS HUNDREDS OF LANDING CRAFT Each holding thirty men, near the beaches. THE CLIFFS At the far end of the beach, a ninety- foot cliff. Topped by bunkers. Ringed by fortified machine gun nests. A clear line-of-fire down the entire beach. TEN LANDING CRAFT Make their way toward the base of the cliffs. Running a gauntlet of explosions. SUPERIMPOSITION: THE FOLLOWING IS BASED ON A TRUE STORY THE LEAD LANDING CRAFT Plows through the waves. THE CAMERA MOVES PAST THE FACES OF THE MEN Boys. Most are eighteen or nineteen years old. Tough. ...
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...The Vimanika Shastra English translation by G.R. Josyer [1973] This is the English translation of the Vimanika Shastra, which purports to be an ancient Hindu manuscript on the construction and use of flying machines. Title Page Preface Plates First Ten Pages of Sanskrit Foreword Title Page (English Translation) Contents First Chapter Second Chapter Third Chapter Fourth Chapter Fifth Chapter Sixth Chapter VYMAANIKA-SHAASTRA AERONAUTICS by Maharshi Bharadwaaja Propounded by Venerable SUBBARAYA SHASTRY Translated into English and Edited, Printed and Published by G.R. JOSYER SCHOLAR, HISTORIAN, ESSAYIST, SANSKRITIST Printed at CORONATION PRESS, MYSORE-4, INDIA [1973] NOTICE OF ATTRIBUTION This text is NOT in the public domain in any country. This e-text has been posted for archival and research purposes only and must not be exploited commercially. Any other uses may be subject to International Copyright law. PREFACE by John Bruno Hare Have I lost my mind? This was the first reaction when I saw this listed for sale at the used book site, ABEBooks. I had heard rumors of this book for years, but for a long time I thought it was like the Necronomicon, a book which doesn't exist except as an urban myth. Yes, you can buy a Necronomicon at amazon.com, but let's get real. You will not be shredded by shambling extra-dimensional entities if you do . . . The Vymanika Shastra, however, is not a myth. In recent years, I had seen the English text...
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...THE Theory of Music. AS APPLIED OF TO VOICE THE TEACHIN" AND INSTRUMENTS. AND PJtAOTICE LOUIS Author of " C. Cuwositibs German oi' ELSON. Mtjsic," Etc. " History of Song," This Course is adopted and used in Music. the New England Conservatory of BOSTON : New England Consekvatory of Music. EIGHTH MDITION. 1900. Copyright, 1890, by Lotjis C. Elsom. F. H. GILSON, MUSIC PRINTER AND BOOKBINDER, BOSTON. PREFACE. This work is not so much a intended for self-instruction,as course to provide may systematized their is by the which teachers assist which keen at pupils sary neces- toward to that general knowledge true musician. branches the to The tion competipresent, to in the musical is gradually merely of such those as a leading specialist j principles musician counteract become this, a study all which underlie music, the most laws of Acoustics, and a musical form, etc., is are necessary, to this little volume of such the intended It become text-book but an studies. details In the naturally gives are outline, the of which matter are to be filled in by teacher. facts to of of the Acoustics, utmost only those ...
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...THE POWER OF SIX BOOK TWO OF THE LORIEN LEGACIES PITTACUS LORE Contents Cover Title Page Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty-One Chapter Twenty-Two Chapter Twenty-Three Chapter Twenty-Four Chapter Twenty-Five Chapter Twenty-Six Chapter Twenty-Seven Chapter Twenty-Eight Chapter Twenty-Nine Chapter Thirty Chapter Thirty-One Chapter Thirty-Two Chapter Thirty-Three About the Author Also by Pittacus Lore Credits Copyright About the Publisher THE EVENTS IN THIS BOOK ARE REAL. NAMES AND PLACES HAVE BEEN CHANGED TO PROTECT THE LORIEN SIX, WHO REMAIN IN HIDING. OTHER CIVILIZATIONS DO EXIST. SOME OF THEM SEEK TO DESTROY YOU. Chapter One MY NAME IS MARINA, AS OF THE SEA, BUT I WASN’T called that until much later. In the beginning I was known merely as Seven, one of the nine surviving Garde from the planet Lorien, the fate of which was, and still is, left in our hands. Those of us who aren’t lost. Those of us still alive. I was six when we landed. When the ship jolted to a halt on Earth, even at my young age I sensed how much was at stake for us—nine Cêpan, nine Garde— and that our only chance waited for us here. We had entered the planet’s atmosphere in the midst of a storm of our own creation, and as our feet...
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...the polished tubes like butter, streak after luscious streak in long recession down the work tables. "And this," said the Director opening the door, "is the Fertilizing Room." Bent over their instruments, three hundred Fertilizers were plunged, as the Director of Hatcheries and Conditioning entered the room, in the scarcely breathing silence, the absent-minded, soliloquizing hum or whistle, of absorbed concentration. A troop of newly arrived students, very young, pink and callow, followed nervously, rather abjectly, at the Director's heels. Each of them carried a notebook, in which, whenever the great man spoke, he desperately scribbled. Straight from the horse's mouth. It was a rare privilege. The D. H. C. for Central London always made a point of personally conducting his departments. new students round the various "Just to give you a general idea," he would explain to them. For of course some sort of general idea they must have, if they were to do their work intelligently–though as...
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...To Annalena Part One "The Tributes" When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the reaping. I prop myself up on one elbow. There’s enough light in the bedroom to see them. My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me. Sitting at Prim’s knees, guarding her, is the world’s ugliest cat. Mashed-in nose, half of one ear missing, eyes the color of rotting squash. Prim named him Buttercup, insisting that his muddy yellow coat matched the bright flower. I le hates me. Or at least distrusts me. Even though it was years ago, I think he still remembers how I tried to drown him in a bucket when Prim brought him home. Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails. He has stopped hissing at me. Entrails...
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...Holiday Celebrations Around the World/Family Traditions By Cathy Abraham/2003 HOLIDAYS CELEBRATIONS AROUND THE WORLD Curriculum Goal – Children will explore different ways in which people celebrate holidays, and foster respect for other cultures and traditions. Vocabulary: - Chanukah - Kwanzaa - Dreidel - Christmas - Ramadan Letter of the Week: C Colors of the Week: Red and Green Concepts: - Families celebrate holidays in different ways – and that’s okay - People celebrate holidays based on what they believe and where they are from - Customs and traditions are things that families do every year - People eat different kinds of food when they celebrate - A family tradition is a way of celebrating Sensory Table Ideas: Curling ribbon and blunt, round-end scissors. Teach children how to curl ribbon. Art Activities: - Children cut out a pine tree (Christmas Tree) pattern. Decorate. - Make a collage from old Christmas cards, wrapping paper scraps, etc - Christmas/holiday cookie cutter prints - Make Holiday gift wrapping paper (sponge painting, etc.) - Passover candle menorah (made out of handprint) - Kwanzaa placemat (weave even-sized red and green strips of paper) - Snoglobe (babyfood jar, silver glitter, small winter or holiday theme décor minature figure glued to the bottom. Add water. Glue babyfood jar shut) - Star of David Ornament (Children make 2 triangles out of 6 craft sticks. Glue. Place one triangle over the other at an angle, going the other way) - Pipecleaner candycanes...
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...For James Proimos 2 PART I "THE TRIBUTES" 3 When I wake up, the other side of the bed is cold. My fingers stretch out, seeking Prim’s warmth but finding only the rough canvas cover of the mattress. She must have had bad dreams and climbed in with our mother. Of course, she did. This is the day of the reaping. I prop myself up on one elbow. There’s enough light in the bedroom to see them. My little sister, Prim, curled up on her side, cocooned in my mother’s body, their cheeks pressed together. In sleep, my mother looks younger, still worn but not so beaten-down. Prim’s face is as fresh as a raindrop, as lovely as the primrose for which she was named. My mother was very beautiful once, too. Or so they tell me. Sitting at Prim’s knees, guarding her, is the world’s ugliest cat. Mashed-in nose, half of one ear missing, eyes the color of rotting squash. Prim named him Buttercup, insisting that his muddy yellow coat matched the bright flower. I le hates me. Or at least distrusts me. Even though it was years ago, I think he still remembers how I tried to drown him in a bucket when Prim brought him home. Scrawny kitten, belly swollen with worms, crawling with fleas. The last thing I needed was another mouth to feed. But Prim begged so hard, cried even, I had to let him stay. It turned out okay. My mother got rid of 4 the vermin and he’s a born mouser. Even catches the occasional rat. Sometimes, when I clean a kill, I feed Buttercup the entrails...
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...An Introduction to Sociolinguistics AITA01 1 5/9/05, 4:36 PM Blackwell Textbooks in Linguistics The books included in this series provide comprehensive accounts of some of the most central and most rapidly developing areas of research in linguistics. Intended primarily for introductory and post-introductory students, they include exercises, discussion points, and suggestions for further reading. 1. Liliane Haegeman 2. 3. 4. 5. 6. 7. 8. 9. Andrew Spencer Helen Goodluck Ronald Wardhaugh Martin Atkinson Diane Blakemore Michael Kenstowicz Deborah Schiffrin John Clark and Colin Yallop 10. 11. 12. 13. Natsuko Tsujimura Robert D. Borsley Nigel Fabb Irene Heim and Angelika Kratzer 14. Liliane Haegeman and Jacqueline Guéron 15. Stephen Crain and Diane Lillo-Martin 16. Joan Bresnan 17. Barbara A. Fennell 18. Henry Rogers 19. Benjamin W. Fortson IV 20. AITA01 Liliane Haegeman 2 Introduction to Government and Binding Theory (Second Edition) Morphological Theory Language Acquisition Introduction to Sociolinguistics (Fifth Edition) Children’s Syntax Understanding Utterances Phonology in Generative Grammar Approaches to Discourse An Introduction to Phonetics and Phonology (Second Edition) An Introduction to Japanese Linguistics Modern Phrase Structure Grammar Linguistics and Literature Semantics in Generative Grammar English Grammar: A Generative Perspective An Introduction to Linguistic Theory and Language...
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