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Pop Art

In: Film and Music

Submitted By byjy
Words 281
Pages 2
05/03/16
POP ART

-realism had been gone for a long time but pop art brought it up
-comprehensible, straight forward
-Roy Lichtenstein
- Robert Rauschenberg, canyon – abstract, consumer culture and materials of everyday mixed
-tom wesselmann, landscape no. 4 – reproduces Mt. Hood (albert berstadt), typical landscape of foreground/middle/background, faces in car not carrying about the scenery of nature, car represents machine
-mark Rothko
-warhol’s 50’s work – contrast, rigorous serial composition, confident line work

-andy warhol’s brillo box vs. duchamp’s fountain:
-> brillo box just fake found object, no mediation, just the damn box but Duchamp turned urinal upside down to create interest
->brillobox stacked in gallery ->warehouse?

-warhol starts to hand paint in 60’s -> later his style gets more edgy, sharp (tomato soup, etc)
-everything you eat and wear, mass produced
-pop art seem ambivalent, recognizable but hard to read the meaning
-jan davidsz, sumptuous Still Life with parrorot vs. tom wesselmann, still life
->parrot still life is very realistic vs. flatness of t.w’s still life
-> wildlife fruits vs. daily life packaged factory products

-warhol’s Marilyn Monroe series: gold halo (her hair) represents the religious/celebrity, repetition represents exposure
-warhol’s red race riot: mistitled this work, piece is about technology of production, we were made not to feel outraged of man’s inhumanity because the imagery makes viewers’ eyes move around and read it as a whole
->some say it’s hard to read but some critics say it’s very political, ethical

-james rosenquist, F-11:
->bomb at Vietnam war - newest tech weapon at the time
->a baby with lipstick on – our obsession of consumer culture makes us shallow, horrible, turning little children to consumeristic
->supersonic jet supporting consumer

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