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Post Colonialism

In: English and Literature

Submitted By ajin
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IRWLE VOL. 7 No. 2 July 2011
Arundati Rai’s The God of Small Things – A Post-
Colonial Reading
Rajeev. G
The adjective “post colonial” signifies the notion that the novel or be it any piece of writing for that matter, goes beyond every possible parameters of the locality, region and nation to participate in the global scenario today which is an aftermath of European colonization. The God of Small Things written in the post colonial Anglophone by Arundhati Roy does reveal a decisive post colonial condition; through its dialogues, characters and various events and instances it encompass. Ms Roy refers to the metaphor “the heart of darkness” in the novel which is a sort of ridiculous reference to Conrad’s novel the heart of darkness. She says that, “in Ayemenem, in the heart of darkness, I talk not about the White man, but about the Darkness, about what the Darkness is about.”
(Frontline, August 8, 1997).
The God of Small Things tells the story of one family in the town of
Ayemenem in Kerala, India. The temporal setting shifts back and forth from 1969, when Rahel and Estha, a set of fraternal twins are 7 years old, to 1993, when the twins are reunited at age 31. The novel begins with Rahel returning to her childhood home in Ayemenem, India, to see her twin brother Estha, who has been sent to Ayemenem by their father.
Events flash back to Rahel and Estha’s birth and the period before their mother Ammu divorced their father. Then the narrator describes the funeral of Sophie Mol, Rahel and Estha’s cousin, and the point after the funeral when Ammu went to the police station to say that a terrible mistake had been made. Two weeks after this point, Estha was returned to his father.
The narrator briefly describes the twins’ adult lives before they return to Ayemenem. In the present, Baby Kochamma gloats that Estha does not speak to Rahel just...

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