...The Truth Behind Arnold Friend In Joyce Carol Oates short story, “Where Are You Going? Where Have You Been?”, it is argued that the antagonist in the story is the incarnation of evil; Arnold Friend. Connie, the protagonist in the story, was a naïve fifteen year old who was fascinated by boys and was constantly out of the house with her friends. She always talked about the positive effects of her looks, but never realized the negative attention that could draw from how she dressed and acted outside of her house. Arnold Friend was drawn to Connie from the first time he saw her. One day Arnold visited Connie's house harassing her to come take a ride with him and he would not take no for an answer. That was the negative attention that Connie did not want. It is concluded at the end of the story that Connie gave in and went with Arnold knowing her fate would probably be death. Joyce Carol Oates never actually let her audience know who or what Arnold Friend represented, but it is argued that he may or may not be the devil. Throughout the story, Oates used many different ways to show that Arnold could be the incarnation of evil including lust, symbolism, and various religious references. At 15, most young girls in the 1960s were not as adventurous with boys as Connie. It was looked down upon by just about any adult for girls to be alone with any boy at her age. Connie was never really interested in the individual boys she had met, but more of the feeling she got from being in that...
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...realism” (Wegs 66). Before turning to her reasoning of Arnold Friend’s true identity as the Devil, Wegs suggests that Connie’s tragic fate is a result of her “excessive devotion to …popular culture” (Wegs 66), and her lack of parental guidance. However, questions remain in Wegs’...
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...networking is basically an online service, platform, or site that focuses on building and reflecting of social networks or social relations among people, e.g. who share interests and/or activities. It essentially consists of a representation of each user (often a profile), his/her social links, and a variety of additional services. Most social network services are web based and provide means for users to interact over the internet, such as e-mail and instant messaging. These types of sites allow participants to share ideas, activities, events, and interests within their individual networks. The main types of social networking services are those which contain category places (such as former school year or classmates), means to connect with friends (usually with self-description pages) and a recommendation system linked to trust. Popular methods now combine many of these, with Facebook and Twitter widely used worldwide. [Wikipedia] While other forms of social media—such as blogs, content communities and podcasts—bring together Internet users online, only social networking websites facilitate this interaction primarily for social interaction. One of the essential characteristics of social networking websites is participation—outside of the basic support infrastructure of such sites, the...
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...world to help her cope with life. One day while out with her friends, she ends up luring a man named Arnold Friend back to her house. Arnold proves himself to be extremely dangerous when he shows all the information he knows about Connie and her life. He threatens her to come with him and she attempts to get him to leave her alone. In the end he convinces her to go to him and she is sure she will never see her family again. While Connie’s fate is unknown due to where the story ended, it is strongly implied she was raped, then murdered by Arnold. Connie in this story is a confused, misled teenage girl who deeply craved and searched for love. Due to this strong desire of hers, she ended up looking in all the wrong places which eventually led to her demise. Connie has a complex, multifaceted personality that was not...
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...Com 1020 Assignment 2 Introduction Mass communication is the variety of all the media mediums together, and is aimed at a large audience. A ritual view is directed not towards the addition of messages in space but the maintenance of society in time, not the act of imparting information or influence but the creation, representation, and celebration of shared even if illusory beliefs, James,(1988: 43). This essay will discuss how mass communications has transformed the temporal and spatial foundations of the social-sphere. This essay will start by defining the key terms which are communication, mass communication, and the para-social. The separation of social space from the physical place by mass communications, time and space and mass communications will also be discussed in the essay. The para-social interactions, how mass communications transformed the temporal and spatial foundations of the social sphere will then follow. The ritual dimensions of communication will also be discussed, the essay will then sum up the essay and give the researcher’s opinion. Definition of key terms Communication refers to the transmission of meaningful messages; these messages are conveyed in images, language, gestures, or other symbols. Thompson. (1997:30) Anthony R, (2004), defines mass communication as the process in which professional communicators design and use media to disseminate messages widely, rapidly, and continuously in order to arouse intended meanings in large...
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...para 10). Yet, as this deferral might seem slight, in actuality it changes the whole tone of the story, as critic John Simon put it, “[this] disgraceful ending… turns allegory, Gothic horror, and tragedy into soap opera” (Simon, “Lowering” para 1). Yet, besides the ending Joyce Carol Oates did approve of the film, in the same article she also stated, that “Laura Dern is so dazzlingly right as "my" Connie that I may come to think I modeled the fictitious girl on her” (Oates, “Where” para 9). Before I go on I would briefly like to discuss a bit about the historical background of the story, one other thing this article discusses, 2 as well as a few of the other articles I researched discussed was how the character of Arnold Friend is actually based on a real life killer, “The Pied Piper of Tucson” Charles Schmid. He was a man in...
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...Hollywood has historically been reflecting many issues of the real world, including but not limited to: social, economical, political, and cultural, in their films. When issues in the real world change, the film industry does the same by changing the content in their movies to match the current trends. This essay is going to look at a more specific issue and relating it to certain movies to show that the above statement is correct. Over the past few decades, the value and meaning of family have changed drastically. The family structure, marriage rate, divorce rate, birth rate, how families live, what activities families engage in, and what possessions families own are some of the many factors that have changed with the family value. Revolutions in economies, technologies, politics, rights and the rise of activists played a role in this extreme shift in the family value norm. WWII was a major event that changed the dynamics of family life. During the war, because all the men were going overseas to fight in the war, the women at home were required to work in factories to supply the war effort. This was the first time in history were over half the women in the U.S. had a job outside of their homes. However, it created a problem when the war was over with many unemployed men trying to find jobs. Some women wanted to stay with their jobs but because of the ongoing discrimination against married women with full-time jobs outside of their home, they were socially pressured into letting...
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...LITR221 January 26, 2014 All Good Things Must Come to an End A Course Review of 2013-2014 Winter Semester of LITR 221 The amazing thing about literature is that it can be interrupted differently by each person who reads it. Which means that while one piece of writing is amazing, creative, and witty to one person to another person it could be the most boring, uninteresting, and redundant piece of literature they have ever read. In this semester of Literature 221, I was given the opportunity to read works from many different genres, time periods, and styles of writing. Some of which, like Emily Dickinson’s Life I and Life XLIII, Joyce Carol Oates’ Where Are You Going, Where Have You Been?, and Sherman Alexie’s What You Pawn I Will Redeem I thoroughly enjoyed and learned from. While others such as Ernest Hemingway’s Big Two-Hearted River, Mark Twain’s excerpt When The Buffalo Climbed a Tree from Roughing It, and the excerpt from Sula by Toni Morrison weren’t exactly my cup of tea. Emily Dickinson is a remarkable poet who often writes from a very emotional and self-examining perspective. This is why I really enjoyed the two selections of her work we had to read this semester. In her first poem Life I, the very first two lines make you stop and think, “I’M nobody! Who are you? Are you nobody, too?” (Dickinson 2) Bam! I was hit in the face with self-reflection. Am I somebody? Or am I a nobody? Emily Dickinson continues by saying “how dreary to be somebody!” (Dickinson2...
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...whether the subject of marriage is of “business” or “pleasure” which eventually leads to Algernon confronting Jack about the “cigarette case Mr. Worthing left.” 3. Algernon forces Jack to explain the inscription on the inside of the case: from “little Cecily” to “her dear Uncle Jack”. Jack admits that his name is not Earnest but rather Jack, claiming that he is “Earnest in town and Jack in the country.” 4. Jack tells Algernon about the false brother he created as an excuse to get out of the country. Algernon tells Jack that he has invented a friend call Bunbury whose sudden illnesses give him Algernon a chance to get away to the country. 5. Jack tells Algernon that if Gwendolen consents to marry him then he will “kill off” his imaginary brother Earnest, as “little Cecily” is getting too interested in Earnest. Lady Bracknell and Gwendolen arrive. 6. Algernon tells Lady Bracknell that due to the illness of his friend Bunbury he will be able to keep their dinner appointment. Lady Bracknell replies by voicing her irritation about Bunbury’s indecisiveness about whether to “live or die.” 7. Jack proposes to Gwendolen but becomes somewhat dismayed when she admits that her affection for him is based upon her belief that the name Earnest “inspires absolute confidence.” 8. Lady Bracknell interviews Jack to determine his eligibility and is immediately turned off by Jack’s explanation of his family background, as Jack admits that...
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...name of castism in India and racism in America. Writers from these marginalized groups express their revolt against slavery through words. This presentation focuses on one black and one Dalit novel as a manifestation of the quest for self and space. Joseph Macwan comes forward as a prophet of Dalits’ welfare in Gujarat with his Angaliyat (1987) which is a representation of the emerging genre of the Dalit novel. It criticizes systems of internal colonization that exist within the Hindu caste system. Today, Dalits are both asserting their identity and challenging a society that had earlier excluded them, by writing about their lives themselves. Through the protagonist Teeha, the novel succeeds in demystifying ‘dalitness’ and redefining the real freedom of his fellow people. Richard Wright is one of the most acclaimed African American authors of the twentieth century. His Outsider (1953) depicts racial discrimination and the quest for identity. He creates a compelling story with his protagonist Cross Damon, a man of superior intellect who craves for peace and searches for his identity. In this quest, Cross Damon attempts to escape his past and start anew in a new set-up. But he brings terror and destruction wherever he goes. His existential crisis is mainly the result of the marginality propounded by Whites in general and the Communist Party in particular. Both authors have depicted the disease of racism, castism and marginalization and then suggested a cure: to move on to the...
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...(Brown 1993). The consumer of the modern society is distinguished by being self-reflexive and rational while the characteristics of the irrational postmodern consumer are hyperreality, fragmentation, reversals of production and consumption, decentring of the subject, paradoxical juxtapositions, and loss of commitment (Firat et al, 1995). The ability and willingness to represent different self-images in fragmented moments liberates the consumer from conformity to a single image, to seeking continuity and consistency among roles played throughout life. This self-referential identity of the postmodern consumer, and the general hostility towards generalization together with the rejection of the idea that human social experience has fundamental “real” bases are possibly the main defining differences between modernism and postmodernism (Firat et al, 1995). Despite the seemingly transformation in consumer behaviour modern marketing theory (e.g. Kotler, Porter, Ansoff etc.) of costumer segmentation and categorizing customers is still widely accepted and used by companies in the western society. In the following I will through an analysis of the phenomena, tattoos, try to identify some of the characteristics of the postmodern consumer in order to establish an underlying basis of whether the change in consumer behaviour should be considered important to a change or re-writing of modern marketing theory. Tattoos in contemporary society One of the most drastic and highly debated types...
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...THE RULES OF THE GAME: NOUVELLE EDITION FRANCAISE/THE KOBAL COLLECTION DEEP FOCUS CANON FODDER As the sun finally sets on the century of cinema, by what criteria do we determine its masterworks? BY PAU L SC H RA D E R Top guns (and dogs): the #1 The Rules of the Game September-October 2006 FILM COMMENT 33 Sunrise PREFACE THE BOOK I DIDN’T WRITE I n march 2003 i was having dinner in london with Faber and Faber’s editor of film books, Walter Donohue, and several others when the conversation turned to the current state of film criticism and lack of knowledge of film history in general. I remarked on a former assistant who, when told to look up Montgomery Clift, returned some minutes later asking, “Where is that?” I replied that I thought it was in the Hollywood Hills, and he returned to his search engine. Yes, we agreed, there are too many films, too much history, for today’s student to master. “Someone should write a film version of Harold Bloom’s The Western Canon,” a writer from The Independent suggested, and “the person who should write it,” he said, looking at me, “is you.” I looked to Walter, who replied, “If you write it, I’ll publish it.” And the die was cast. Faber offered a contract, and I set to work. Following the Bloom model I decided it should be an elitist canon, not populist, raising the bar so high that only a handful of films would pass over. I proceeded to compile a list of essential films, attempting, as best I could, to...
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...University of Hertfordshire Internal Report 2010 Gift giving is a social, cultural and economic experience; a material and social communication exchange that is inherent across human societies and instrumental in maintaining social relationships and expressing feelings (Camerer, 1988, Joy 2001). Research within different disciplines to gain insight of gift giving behaviour has continued for over forty years. Gifts are bestowed in celebration of key life events, a medium for nurturing personal relationships, to encourage economic exchange and to socialise children into appropriate behaviour patterns (Belk, 1979). Obligations within a community require that individuals are required to give, receive and to reciprocate (Mauss, 1954). In his essay the French anthropologist-sociologist Marcel Mauss (1954), presented a theoretical analysis of the gift-giving process, that was based on his examination of giftgiving amongst various primitive, secluded, or ancient societies. He concluded that giftgiving is a self-perpetuating system of reciprocity and summarised three types of obligations which preserve gift-giving: 1. The obligation to give. 2. The obligation to receive. 3. The obligation to repay. The requirement to give may be ingrained in religious or moral necessities, with a strong need to recognise and maintain a status hierarchy and to establish or maintain peaceful relations, or merely the expectation of reciprocal giving. These motives, which do not acknowledge purely selfless...
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...6/9/13 10 - A History of English Literature Classic Literature Read about A History of English Literature. More E-texts A History of English Literature 1918 by Robert Huntington Fletcher Education Share Preface | How to Study | Tabular View | Chapters: 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | Assignments Chapter X. Period VIII. The Romantic Triumph, 1798 To About 1830 The Great Writers of 1798-1830 | Samuel Taylor Coleridge | William Wordsworth | Robert Southey | Walter Scott | Last Group of Romantic Poets | Percy Bysshe Shelley | John Keats | Summary | Lesser Writers | THE GREAT WRITERS OF 1798-1830. THE CRITICAL REVIEWS. As we look back to-day over the literature of the last three quarters of the eighteenth century, here just surveyed, the progress of the Romantic Movement seems the most conspicuous general fact which it presents. But at the, death of Cowper in 1800 the movement still remained tentative and incomplete, and it was to arrive at full maturity only in the work of the great writers of the following quarter century, who were to create the finest body of literature which England had produced since the Elizabethan period. All the greatest of these writers were poets, wholly or in part, and they fall roughly into two groups: first, William Wordsworth, Samuel Taylor Coleridge, Robert Southey, and Walter Scott; and second, about twenty years younger, Lord Byron, Percy Bysshe Shelley, and John Keats. This period of Romantic Triumph, or of the...
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