...ITALIAN RENAISSANCE ARTISTS: • Nicola Pisano (also called Niccolò Pisano, Nicola de Apulia or Nicola Pisanus; c. 1220/1225 – c. 1284) was an Italian sculptor whose work is noted for its classical Roman sculptural style. Pisano is sometimes considered to be the founder of modern sculpture. • Coppo di Marcovaldo (c. 1225 – c. 1276) was an Italian painter active in Tuscany. • Vitale da Bologna (fl 1330, d 1361), also known as Vitale di Almo de' Cavalli or Vitale degli Equi, was an Italian painter, of the Early Renaissance. He is a representant of the 14th century school of painting in Bologna, where he was most active and painted the polyptych in the church of San Salvatore and frescoes in Santa Maria dei Servi. He was also active in Pomposa and Udine. • Giovanni di Agostino (c. 1310 – c. 1370) was an Italian sculptor in Siena in a gothic art style. Most of his work was sculptural commissions of the newly built Gothic Siena Cathedral. He sculpted a monument to Bishop Guido Tarlati in 1330. He also rendered a relief entitledMadonna and Child with Saints Catherine and John the Baptist between 1340 and 1348. • Guariento (fl. 1355), sometimes incorrectly named Guerriero, was the first Paduan painter of distinction. The only date distinctly known in his career is 1355, when, having already acquired high renown in his native city, he was invited by the Venetian authorities to paint a Paradise, and some incidents of the war of Spoleto, in the great council-hall...
Words: 1915 - Pages: 8
...Two Great Renaissance Artists The Renaissance period is known as a period of the rebirth of Greek ideas. The works of this time were more individualized and the artists had more artistic freedom then were allowed in the Medieval or middle Ages. Two of the greatest individuals of the Renaissance time period were Leonardo Da Vinci and Michelangelo. Not only was Da Vinci a great artist, he was also the best in many fields other than art. “Leonardo is often viewed as the archetype of the "Renaissance Man" because of his expertise and interest in many different areas, including art, science, music, mechanics, the arts of war, politics, philosophy, and nearly every other subject that mattered” (Wikibooks, 2010). Michelangelo Buonarroti is arguably one of the most inspired creators in the history of art and the most potent force in the Italian High Renaissance. As a sculptor, architect, painter, and poet, he exerted a tremendous influence on his contemporaries and on subsequent Western art in general. Both artists had multiple pieces of great art in this time period. Michelangelo had plenty of influences. When he was young he would sketch things on his way to art class. He soon had lessons from a local artist who was also his art teacher named Francesco Granacci. Granacci worked with him for the next couple of years (Harris). He was amazed at how fast Michelangelo learned and how much he excelled compared to Granacci's other students (Ryan). Around age thirteen Michelangelo...
Words: 2598 - Pages: 11
...Sandro Botticelli full name Alessandro di Mariano di Vanni Filipepi was one of the greatest, most influential and respected Italian painter of the Early Renaissance art. He was born in 1445 and died on 17th of May 1510. His reputation suffered for a brief moment until the late 19th century. Now his work it represents the linear grace of the Early Renaissance. Botticelli was trained first by Maso Finguerra (goldsmith) and then by artist Fra Filippo Lippi. Lippi’s painting style influenced Botticelli’s artistic style. He was also influenced by Pollaiolo. Botticelli mostly liked to paint in fresco or distemper and tempera. His career first began by painting frescoes for Florentine churches and cathedrals and ended up spending his almost entire...
Words: 903 - Pages: 4
...Introduction The Renaissance period covers the 200 years between 1400 and 1600; although exact dates are still argued by many specialists. The word “renaissance” literally means “rebirth” and is the French translation of the Italian “rinascita”. The Renaissance style is primarily composed of a revival of the classical forms developed originally by the ancient Greeks and Romans and of the deepened concern for secular life – interest in humanism and assertion of the importance of the individual. In art history, the Renaissance period corresponds to the start of the great Western age of discovery and exploration. At the time, there was great desire to study all aspects of nature and the world. During the Renaissance, artists became independent personalities. They were no longer considered as mere artisans as they have been in the medieval times. Artists tried to find new solutions to formal and visual problems. Many of them devoted to scientific experimentations. During this time, a lot of mathematical and linear outlooks were developed. This resulted to proportionality and rationality in every aspect of painting and sculpture. Paintings became a window to the natural world and it was the painters’ job to depict this world in their art. Artists at the time dedicated themselves to the rendition of landscape. In addition, artists also developed aerial perspective --- an angle where wherein objects become less distinctive and less sharply colored as the eye moves away. Painters...
Words: 1851 - Pages: 8
...application of the word. Self –taken pictures were specifically common on MySpace before Facebook became popular online social network in the beginning of the year 2000. Nevertheless, writer Kate Losse depicts that between 2006 and 2009 (when Facebook became well-known than MySpace) the “MySpace pic” (mainly “an incompetent, flash-blinded self-portrait, regularly taken in front of a bathroom mirror”) became a hint of a bad taste for users of the newer Instagram and Facebook social network. A “self-portrait” is a description of an artist, drawn, painted, photographed, or sculpted by the artist. Even though self-portraits have been built by artists since the earliest times, it is not before the Early Renaissance in the mid-15th century that artists can be commonly recognized representing themselves as either the primary subject or as important characters in their work with greater and cheaper mirrors and the approach of panel portrait, many painters, sculptors, and printmakers attempt some form of self-portraiture. The earliest known panel self-portrait was the “Portrait of a Man in a Turban” by Jan Van Eych of 1433. He painted a separate portrait of his wife,...
Words: 366 - Pages: 2
...enough to enjoy and experience. Whether it was during the Renaissance or civil rights campaign, many people were not able to attend the latest art shows or musical offerings because they had no place in such a revered luxurious setting with people of far higher social status (Dearborn Academy). Despite this roadblock to experiencing the big names in art and music of their time, people still had a passion for the arts and had opportunities to experience them at smaller, less known, places. As society has progressed over the years, art slowly has become more and more accessible to the people- as it should be. In fact, I believe that without an audience, art cannot be truly considered art. “Art is a social label, a negotiation between the artist, object (or performance), and the viewer” (Best). Art should be made for the people and not be limited to certain audiences. An artist should create with the goal of connecting to as many people as possible through their work. As stated earlier, historically, art has been seen as something only the privileged could truly appreciate. This could not be farther from the truth! Art is something that everyone can enjoy, experience, and strive to understand. Art should not discriminate or exclude a certain audience, it should bring together all people to evoke a response, send a message, or to maybe just enjoy looking at. During class, we were given a presentation that featured an artist name Cindy Sherman. Sherman had a quote that exemplifies...
Words: 1310 - Pages: 6
...The Renaissance Artists: Self-Portraits Alvis Williams Professor Michael Briere HUM 111 12/02/12 Within the report of The Renaissance Artist I will explore the life of many artists who doing that period was known very well. I will attempt to convey the style of each artist as if I was the artist themselves by giving a first person view by depicting a self-portrait that will inform the readers of the composition that consist of color scheme, space , shapes and dimension of the piece. I will define in essence the self-portraits and what it means to me as an individual. So therefore from this point I am Don Julio and my style of painting is very similar to that of the renaissance era. Born in 1494 a young German artist living in Germany, I was trained originally by my father I was a natural born goldsmith after some years I migrated to Venice Where I improve my skills as a painter. My father while in Venice stayed eighteen months to enjoy the artistic delights of the city. He was impressed above all by the aged Bellini. A young man by the name of Albrecht Dürer, who later on became one of the most outstanding figures in Renaissance Germany during my time. However my achievements enhanced among the city and its originality in many differing fields of art. I very early in my artistic career was introduced to his extraordinary self-portrait at the age of twenty-two, in Louvre. So I begin to work on one of myself, as young man with dishevel blond hair...
Words: 981 - Pages: 4
...Art and Culture The relationship between the artist and the audience is a crucial element to the success of the artwork in its historical era. Titian’s traditional Renaissance symbolism and style of painting made his work a masterpiece of his time. According to art critic Brand Hamlee Titian’s work met the “demands of an admiring public. As he was particularly famous for his portraits and mythological works” this created a positive relationship between “Venus of Urbino” and the intended Renaissance audience. The relationship between the artwork and the audience is also evident through the Renaissance symbolism throughout his artwork, Venus seductive glaze captured Renaissance viewers and the high quality of Venetian light and tone to perfection was a vital characteristic to the success of the artwork to its intended audience. In addition, using symbolism, which had significance to the Renaissance mythological style also strengthened the relationship between the artist and the artwork. The Spaniel represents a symbol of fidelity a strong theme in Renaissance art as well as the use of roses, myrtle tree and the Spaniel were traditionally associated with the goddess Venus. The Brush strokes and pale rosy and ochre colours luxuriously applied created the central tones of the Venus body is an essential symbol of Renaissance sensuality, beauty and desire that was praised by all audiences. Although the intended Renaissance audience understood the key symbolism, the relationship...
Words: 313 - Pages: 2
...This landmark exhibition has exhibited some of the most compelling works by many a local artist. An important milestone was created when this very same event was replicated beyond the shores of the country, bringing Malaysian Art to Karachi, Pakistan. A show that demarcates the objectives of Wei-Ling Gallery to promote contemporary Malaysian Art, previous instalments provided a platform to two dimensional art works that vetted specific matters. The artists strived to create dialectic works with characteristic impulses. In concurrence with the 5th instalment of the 18@8 exhibition, the gallery posed a new challenge to the participating artists and itself. A turning point for Wei-Ling Gallery is its initiative to orchestrate and curate shows based on its own direction, heartening the artists to widen their tangential perspectives with conceptualized shows. As the gallery is taking the road less travelled in more experimental and cutting edge shows, so do the artists. This vehicle (18@8) presents the artists with an avenue to work beyond the boundaries of individualistic concerns, transgressing beyond the norm of what we expect. With an exploratory ardour, Wei-Ling Gallery conceptualized and challenged the artists to partake in thematic investigations that result in art works that move beyond the constraints of the canvas. The encouragement to deviate from the propensity of the artists in conventional formats ostensibly creates invigorating impulses to re-think and re-shape...
Words: 1728 - Pages: 7
...already become an integrated component of modern society.Appreciating musics,paintings and other forms of art could relax mind and body, bring joy and peace,provide energy and courage to carry on the battle of daily life. Moreover, art could transcends individual difference and national boundaries, bring people with common interest and taste together, which in turn creates a peaceful and harmonious society. Furthermore, the economic value brought about by artistic works is no less significant. To begin with, they are often treated as commodities. For instance, masterpiece by talented artists could be sold at astronomical price.Some are even national intangible assets which are worshiped by millions of visitors from all over the world.Secondly,art is the soul of today's thriving creative industries,such as advertisement, entertainment, design, architecture,etc. Lack of support to talented artists and art education could...
Words: 338 - Pages: 2
...Of course, it will be nice to be like Arcade Fire or Nirvana, having a debut album that blows the market away. But despite the fact that only a few musicians have the potential and ability for such success, the prime goal of an entertainment company is to monetize art, not like the purpose of the artist, which is self satisfaction by making great art - but how could companies monetize that? It is crucial to find the tricky balance between art and commerce, and mediating the inevitable conflict between artistic passion and corporate profit artistic passion in order to let the company survive. Let's start with artists. Artists are often egocentric, sensitive, emotional creatures that are strange in different ways, but one thing they got in common is that they don't like anyone or anything to interfere with the creation process. It's understandable - every creation is like a artist's child to them, and as mothers and fathers, you would not like to be told what your child should look like. Shareholders on the other hand, do not think the same way as artists do. They became shareholders to make money, and it is, the profit margins that they care about. If the artist's creation is not well responded by the market, the shareholders will not gain profit, so they will take any action they could - sometimes interfering the company's business structure, and offending the art creation process as well. In the Sony case, George Clooney argues that people who understand that the business...
Words: 435 - Pages: 2
...The last leaf - Art for Human Life (Literary criticism essay) After reading the story, perhapsmany readers can say that American artists’ life is so poor. It seems be totally true. Nothing their property is. Their residences are bad too, “north windows and eighteenth-century gables and Dutch attics and low rents”. Sue and Johnsy are those kind of artist. However, Old Buhrman is the best exemplary one. So is it true that “The last leaf” was written in order toaccuse the misery of American artists? It must be NO. The profound meaning of the story, as the main sound of a song, is the deep-felt love between poor artists. That love wins poverty, disease. That love is more valuable than art. It makes art become alive. The time when that love is revealed is “a cold, unseen stranger” appears and touches his cold fingers on little Johnsy whose blood is going dry by wind from the west. Sue, herfriend, does everything for her with a big heart. Sue draws many more illustrated paintings to earn money to buy soup, wine. She invites doctor to come to see her friend. Shecooks, comforts Johnsy to eat and drink medicine. With Sue, the biggest hope of her is to see Johnsy become happy with her desperation, drawing the Naples guff.So noble that love is. But it is not strong enough to drown Johnsy’s desperation. Reading these pages, readers seem to be nearly strangled by her bigger and bigger desperation: “I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to...
Words: 659 - Pages: 3
...The Digital Arts movement have transformed they way we think of an art today. Computers have set a new stage for the artists, as they are able to create artwork from their laptops using digital codes. One of the controversial artists of this century is Yasumasa Morimura, who shed light on issues of sexual and gender identities, as well as ethnic background in the late twentieth century art world. Portrait (Futago) created in 1988 is a color photograph by Morimura. At first glance we see a close resemblance to a famous and traditional painting by Edouard Manet, Olympia (1863). In the original painting Manet portrayed a nude French prostitute with a black servant standing next to her. Over a century later, Morimura takes the setting of this painting and changes a few details. First, he replaces the French woman with a picture of himself. It is obvious that the nude body is of a...
Words: 533 - Pages: 3
...- On Ethics, Is Art Market Worse Than Stock Market? The debate ensues as to whether the art market is more unethical than the stock market. Those that have the opinion that the art market is indeed less ethical believe it is caused by the lack of regulation, the lack of transparency and the lack of barriers to enter. They feel that the art market is a financial market and believe this because galleries and dealers advertise it. Therefore, it is a business. Artists enter the market for different reasons than dealers do. Its uniqueness makes it difficult to regulate. They also point out that “rings” are created to promote an artist with the intent to drive up the price for a particular artists’ work. Those with the opposite opinion believe that art market is not a business; it is the making of art. The value and reward is much more than monetary. The value is emotional and intellectual as well. They believe that an artist is not in it for monetary reward. They also point out that art is not a peer commodity. Each side expressed their claim and stance on the issue. I do not feel that one side was more convincing than the other was. I am a numbers person and may have been persuaded if either side had presented more statistical evidence. Managers can use argumentation strategy on a daily basis in order to persuade a co-worker, direct report, or boss to his point of...
Words: 252 - Pages: 2
...The last leaf - Art for Human Life (Literary criticism essay) 08/06/2009 08:17 | 1,819 lượt xem After reading the story, perhapsmany readers can say that American artists’ life is so poor. It seems be totally true. Nothing their property is. Their residences are bad too, “north windows and eighteenth-century gables and Dutch attics and low rents”. Sue and Johnsy are those kind of artist. However, Old Buhrman is the best exemplary one. So is it true that “The last leaf” was written in order toaccuse the misery of American artists? It must be NO. The profound meaning of the story, as the main sound of a song, is the deep-felt love between poor artists. That love wins poverty, disease. That love is more valuable than art. It makes art become alive. The time when that love is revealed is “a cold, unseen stranger” appears and touches his cold fingers on little Johnsy whose blood is going dry by wind from the west. Sue, herfriend, does everything for her with a big heart. Sue draws many more illustrated paintings to earn money to buy soup, wine. She invites doctor to come to see her friend. Shecooks, comforts Johnsy to eat and drink medicine. With Sue, the biggest hope of her is to see Johnsy become happy with her desperation, drawing the Naples guff.So noble that love is. But it is not strong enough to drown Johnsy’s desperation. Reading these pages, readers seem to be nearly strangled by her bigger and bigger desperation: “I want to see the last one fall. I'm tired of waiting...
Words: 660 - Pages: 3
