...the 1960s through 1980s. The Chicano Civil Rights Movement was a movement of Mexican-Americans that wanted to uphold their bi-cultural identity as both Mexican and American, and increase their rights. In addition, it upheld the existence of indigenous Mexican traditions, and challenged Anglo-assimilation. Chicanos worked to create their own nationalist schemes as a group, and define their own histories and origins. Nonetheless, the movement covered everything from labor conditions to political representation to immigration rights. Thus, Mesa-Bains described her own childhood as one full...
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...This art piece is and was an important part in history. It is a pictured of the Boston Massacre, this was a huge part in history. The piece of art was engraved and printed by Paul Revere. It is very important to this time frame because some people say that it is the start of the American Revolutionary War. This is not something that was taken lightly in history it is a major event that shaped America how it is today. In summary, the Boston Massacre was an American protesters Vs British soldiers in Boston. The American protestors were taunting the British soldiers and did not want them there because, according to the American’s they were there for a bad reason. British soldiers were in America to enforce a taxation law that was passed by British...
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...Do you agree that Pop art is a critique of the values of post-War urban culture in the United States or is there some validity in the arguments that suggest that Pop art is another representation of profit-based propaganda? Select works from two or three artists to examine this question. Pop art was born out of the needs of Post-war America and its capitalist driven economy, where consumption was key and everything was a commodity that had to be readily available. The diversity within the movement arose from how the Pop artists approached this culture of post-war America, whether it was through parody, fetishization, or just pure replication; as well as what aspects of the culture they chose to reflect on. The sheer diversity of themes and styles covered by the various pop artists means that one cannot be too reductive when analysing this art movement. It is therefore with this in mind that this essay will examine just two Pop artists, Andy Warhol and Tom Wesselmann, to examine both artists’ use of commercial methods teamed with images borrowed from popular culture and how they established their own unique technique and style to reflect on the capitalist culture rising in America. Post-war America was a time of great growth and development, as America moved into a position of political and economic leadership, newfound pride in the American way of life and American culture flourished. The economic boom meant newfound freedom for Americans, as having money and freely spending...
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...Art Criticism Art criticism involves art description, formal analysis, interpretation and value judgment (Elkins, & Engelke, 2003). The paper gives an art criticism of a piece of art I saw at Lyman Allyn Art Museum by L.F Baeles titled On the Lake. [pic] Identification Title: On the Lake Artist: L.F Baeles Date: 1885 Medium: Oil on Canvas Size: Na Location: Lyman Allyn Art Museum Description On the Lake is a painting art done by an American artist L.F Beales in 1885. The painting was exhibited at Lyman Allyn Art Museum during 2015 august exhibition at the museum. The art is done on canvas using oil paint. In the painting, one can see a boat on the lake with two sailors. One sailor is a man, and the other is a woman. The woman in the boat is decently dressed, and she is peddling the boat. The man is gazing at the large landscape at the end of the lake. At both edges of the lake, there is a landscape covered with big bush. At a distance, there is another boat occupied by two sailors. The two sailors at the distant boat can be seen conversing with each other. The sky is very brighter with scattered brown clouds indicating that it was on a summer evening (Leiber, Alden, Mœglin-Delcroix, & Purves, T. 2001). From the look, the painting represents a couple enjoying a date at the lakeside on a summer evening. However, the man is depicted as naïve looking on how he is dressed and is being distracted by the large landscape covered with bushes. The woman is...
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...Invention of Photography Adam M. Bolenbaugh DeVry University Invention of Photography Photography, a nineteenth century scientific invention, has like many other technical innovations of the era “dramatically altered mankind’s perception and experience of the world, “an effect that continues to this day.” The invention of photographs defines the beginning of the modern era due to the effects it had on new systems of representation including graphic design and advertising. The photograph evolved and “it was this fertile and receptive soil” of the nineteenth century which saw its serious development. From the birth of lithography to the development of chromolithography, and the new systems of representation in graphic design and advertising on billboards, posters, and in magazines, its invention next to the printed word, is still the “widest form of communication” since the beginnings of the modern era. The ability and need to create and reproduce photographs ourselves has created a virtual reality that has Become an inescapable part of our modern era. The invention of photography as we know it in the modern world today is one which not one person can solely be praised for as many generations have been involved in its perfection. The concept behind photography is the “camera obscure” Latin for “dark chamber”, and was a room or box with a small opening or lens in one side which was known to the ancient world as early as Aristotle and Leonardo da Vinci...
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...Beginning in the mid-twentieth century, Native American artists exercised the ability to enter the contemporary art world as masters of their mediums and carriers of their dual Native and American heritage. Fritz Scholder carved his place in the art world, and the museum, achieving a balance between the desire to enter the mainstream art world and maintain traditional practices. Scholder’s role in the context of an art institution, which has driven the dissemination and selection of Native Art, entailed challenging the fields of art history, anthropology, ethnology, the museum, and history. The construction and narrative that is instilled in Native American objects involves acknowledging a past, present and future. Fallacies in interpretation were results of collecting with little regard for context that...
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...The museum offers a space to the public for education, meditation, reflection of the self and others. The issue of gender challenges, if not simply questions, an institution with a profound sense of power in deciding what makes history, what is representative of culture, and how individuals can be identified among a greater scheme of social construction. Feminist critique reveals museums to be generally colonising spaces of the female body. In a profession now largely occupied by women, there appears to still be a gender disproportion in directorial and curatorial positions. ‘The women’s movement has largely bypassed museums’ (Glaser & Zeneton 1994). Even with noticeable changes to gender perspectives in Western society, women have much to remodel in a museological world that is still dipped in a long-established and well-governed androcentrism. Museums are extraordinarily powerful institutions across the globe today. They present the past and present in ways that rule entire schools of thought, dictate truth and notions of common sense, and shape the ways in which people perceive and interpret meaning through culture and history. In assessing the status of modern museum culture, it is important to understand the politics by which an institution runs and governs itself. This issue is often overlooked in museum studies; historically museums have acted at their own discretion without much, if any, cultural, political, or social supervision; thus, despite a reputation for being...
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...Paper A Short Paper Presented to Professor Spencer For: Art 315-01 By Brandi Robinson October 17, 2014 Hampton University Hampton, Virginia [pic][pic] Born in Oakland, CA, Humphrey received a BFA in printmaking and painting from the California College of Arts and Crafts, Oakland, and an MFA in printmaking from Stanford University, Palo Alto, CA. Humphrey is highly regarded as an artist and master printmaker. She created The Last Bar-B-Que after three years of studying many other famous renditions of The Last Supper, by artists ranging from Leonardo da Vinci to Emil Nolde. By adding chicken, bananas, papayas, watermelons, and mangoes to the menu of bread and wine, Humphrey shifts a traditional Christian theme to one that is contemporary and humorous, with an African American perspective. The vivid yellow, sienna, and blue allude to celebration and African influences. The blue color tone also represents divinity. Romare Howard Bearden was born on September 2, 1911, to (Richard) Howard and Bessye Bearden in Charlotte, North Carolina, and died in New York City on March 12, 1988, at the age of 76. His life and art are marked by exceptional talent, encompassing a broad range of intellectual and scholarly interests, including music, performing arts, history, literature and world art. [pic] The Last Bar-B-Que -the ultimate satire. Portraying eleven African American figures dining at an elongated table alike the last supper. I felt...
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...Cultural Moves AMERICAN CROSSROADS Edited by Earl Lewis, George Lipsitz, Peggy Pascoe, George Sánchez, and Dana Takagi 1. Border Matters: Remapping American Cultural Studies, by José David Saldívar 2. The White Scourge: Mexicans, Blacks, and Poor Whites in Texas Cotton Culture, by Neil Foley 3. Indians in the Making: Ethnic Relations and Indian Identities around Puget Sound, by Alexandra Harmon 4. Aztlán and Viet Nam: Chicano and Chicana Experiences of the War, edited by George Mariscal 5. Immigration and the Political Economy of Home: West Indian Brooklyn and American Indian Minneapolis, by Rachel Buff 6. Epic Encounters: Culture, Media, and U.S. Interests in the Middle East,1945–2000, by Melani McAlister 7. Contagious Divides: Epidemics and Race in San Francisco’s Chinatown, by Nayan Shah 8. Japanese American Celebration and Conflict: A History of Ethnic Identity and Festival, 1934–1990, by Lon Kurashige 9. American Sensations: Class, Empire, and the Production of Popular Culture, by Shelley Streeby 10. Colored White: Transcending the Racial Past, by David R. Roediger 11. Reproducing Empire: Race, Sex, Science, and U.S. Imperialism in Puerto Rico, by Laura Briggs 12. meXicana Encounters: The Making of Social Identities on the Borderlands, by Rosa Linda Fregoso 13. Popular Culture in the Age of White Flight, by Eric Avila 14. Ties That Bind: The Story of an Afro-Cherokee Family in Slavery and Freedom, by Tiya Miles 15. Cultural Moves: African Americans and the Politics of...
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...Hispanic Community. Art is not just a picture on a wall or in a museum, art comes in many forms. Throughout history, it has always been the case that art has the power to change society, especially when new media are used to express an idea. You can perceive the art in many ways. However, in many other ways, the creator's expression of ideas and feeling may influence the spectator. Frequently, art in the Hispanic community is highly influenced by the artists’ feelings towards the socio-political concerns and aspirations. Consequently, artist of Hispanic Heritage all over the world using art as an expression of their thoughts and feelings towards their surroundings. Therefore, artistic expression is considered...
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...Sun Ra, a beloved jazz musician by many for his genre-bending style and creativity, is left out of a lot of histories of jazz e.g., every book and film I absorbed this semester leaves him out of the jazz narrative, why? Sun Ra is both praised and criticized for his creatively avant-garde representation of jazz. A brief background of the musician shows that he started playing piano at around the age of 11. In 1936, at age 22, he decided to drop out of college to pursue a musical vocation. Additionally, he claimed he was transported to the planet Saturn and told to drop out to teach through music. Nonetheless, ten years later he began playing for such acts as Wynonie Harris, Billie Holiday, Lil Green, Fletcher Henderson and formed a trio with...
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...Photographer: Colleen Plumb Born: 1970 Chicago Illinois Galleries: Museum of Contemporary Photography in Chicago, Milwaukee Art Museum, the Southeast Museum of Photography in Daytona Beach, Florida, and Fidelity Investments in Boston. Artists Representation: Animals Are Outside Today is a journey examining underneath this net, offering us the chance to contemplate our intersections with animals and consider the multi-layered impact humans have on other living beings. Contradictions define our relationships with animals. We love and admire them; we are entertained and fascinated by them; we take our children to watch and learn about them. Animals are embedded within core human history—evident in our stories, rituals and symbols. At the same time, we eat, wear and cage them with seeming indifference, consuming them, and their images, in countless ways. Our connection to animals today is often developed through assimilation and appropriation; we absorb them into our lives, yet we no longer know of their origin. Most people are cut off from the steps involved in their processing or acquisition, shielded from witnessing their death or decay. This series moves within these contradictions, always questioning if the notion of the sacred, and the primal connection to Nature that animals convey and inspire, will survive alongside our evolution. Solo Exhibitions: Dina Mitrani Gallery, Miami, Animals Are Outside Today, 2011 Women in Photography, wipnyc.org, April, 2011 Jen Bekman...
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...defined as the complex or carefully designed structure of an object. In this case architecture can apply to a variety of different examples that are not just buildings, or objects, but as a reflection upon the thoughts and ideas of the time period in history. In this essay I will be discussing the dramatic impact that architecture has had on the major civilizations throughout time by being able to display them in their works, which not only was a clear representation of the time but as well helped mold and solidify the society’s thoughts through expression. By taking examples from ancient to modern times I will examine how the architecture of these eras clearly displays the thoughts and ideas of the culture in which it was built upon and as well the society in which it is placed. As well I will be examining how several major key architects played a dynamic role in these critical showcases that represented their time. I will be taking architectural examples from; the ancient Egyptian time period, the gothic and medieval time period, the renaissance & pre-modern period and the now contemporary period. Each one of these unique periods of time in architectural design were clear representation of the dynamic time period in our history. Here, looking back at these time periods we can see the most incredible works in architectural design that still to this day help us understand the culture at the time. As well I will be using several renowned architects throughout these time periods...
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...Historical Body of Art "Tattooing" James M. McDermott COM/150 March 21, 2010 Comfort Ugwuh Historical Body of Art "Tattooing" In 1936, Life Magazine provided information from an independent study showing approximately 6% of the nation's population had a tattoo; the Harris Poll conducted in 2003 showed that approximately 15% of the population had acquired tattoos (Swan, 2006). A similar study in 2005 revealed approximately 24% of the population then had at least one tattoo (Ford, 2010). Those two studies revealed statistics that illustrate the number of people in the United States with tattoos increasing astronomically. In 67 years the number of people with tattoos increased 9%, in just two years between 2003 and 2005 the United Stated witnessed the number of individuals with tattoos increase another 9%. Tattoos are still gaining acknowledgment in society today; the number of people with tattoos is increasing exponentially with athletes, musicians, and actors ushering a wave of acceptance. Figure 1 Tattoos have been evident in societies and the human race for thousands of years. Scientists have uncovered Egyptian mummies evidently preserved in the period as early as 2000 BC, analysis revealed evidence of tattooing and other forms of body art on their mummified bodies. The Egyptian tattooing thought to be one of the earliest appearances of tattoos came into question in 1991 with the discovery of Iceman (Lineberry, 2007). A pair of hikers in the Austrian Otztal Alps stumbled...
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... The American and French Revolutions: Compared and Contrasted The history of the human race always has been, and most likely will always be, that of evolution and revolution. – Lewis F. Korns, Thoughts A revolution occurs when one government is overthrown and replaced with another (Yahoo). The American and French revolutions can be both compared and contrasted in their origins and outcomes. Both revolutions began due to the common peoples’ need to obtain independence and liberty from an oppressive government (2). The American Revolution was triggered by the American colonists’ need for financial independence from the overpowering nation of Great Britain, while the French revolution was a struggle to gain social equality among the masses. Although the American and French Revolutions were fought over some of the same ideas, the American Revolution is considered more "conservative" than the French is (2). The intent of the American revolutionaries was not to initiate a revolution, but rather to gain their freedom from a "long train of abuses" (Jensen). In contrast, the French were trying to cause a true revolution because they were not just fighting for freedom but rather to over throw and remove the monarchy (3). The American revolutionaries had no choice but to defend their liberties and the tactics used by the Americans were not as directly aggressive as those used by the French. The American and French Revolution...
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