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Review Literary Works

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Submitted By tishle3
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Review of Literary Works
South University
September 24, 2011

Introduction

In canto 9, we see a deeper meaning. In this canto, willand intellect are two components of the human soul that are buried in the imagery of the text. Both Dante and Virgil have in common that like the heretics, they have tried to fathom the world via the intellect. This is an imperfect approach. Life can not be understood this way and this approach needs to be cleansed from Dante's soul. He must realize that mere human wisdom can not fathom the totality of God and life.

Summary

We see Dante growing pale with fear at his realization of Virgil’s failure to extricate them. In vain, Virgil tries to reassure Dante. Virgil appears to be waiting for someone impatiently. Then, Dante notices three Furies (animals that are half woman, half serpent) coming toward them. They laugh and scream once they see Dante. In addition, they call out for Medusa to come and turn Dante into stone. Virgil swiftly then covers Dante’s eyes so that he will not be able to see Medusa’s head. In this section we see, furies, that is Queen Medusa’s handmaids, including Alecto, Magaera and Tisiphone. In this canto, The Heavenly Messenger: serves as the elper to Virgil and Dante. He may possibly be St. Paul. In this section, the heretics are buried in open graves because they had trusted reason rather than faith and the church. Medusa here is an evil, serpent-haired goddess who can turn people to stone (Dante, and Musa, 1996, 122).

Then, a huge noise comes from behind Dante and Virgil that scatters the Furies. Then, Virgil and Dante turn around to see a messenger from Heaven coming across the river Styx. The messenger is coming with souls and demons that fleeing before him like flies or other insects. He then arrives at the gate and demands that it be opened immediately for the travelers, The order is promptly obeyed. At that point, Dante and Virgil both pass through the gate of Dis into the Sixth Circle of Hell with no further problems. In the sixth circle, tombs surround them, glowing among fiercely hot flames; here lie the Heretics (ibid).

Strengths and Weaknesses

In terms of strengths, the work indicates that Dante is using humor to express his humility. As a matter of fact, it is a trial and prosecution of many aspects of the Renaissance the arrogantly claim that they can solve man's problems. Instead, God lets the protagonists at first think that they can sort out their problems. Rather, they find that though not perfect, it is the mother church that appears the most able to provide the answers that their souls hunger for. It is not until the Reformation and Martin Luther that the people will be able to read the Bible for themselves in the vernacular tongues.

In terms of weaknesses, while secular knowledge can not answer all of humanity's questions, it is the stuff of the reality and the world we live in. It is disturbing to the modern mind to think that the world even during the time of the Renaissance would have looked so suspiciously at knowledge even when in the New Testament in John 8:32 it says “And ye shall know the truth, and the truth shall make you free ("John 8:32 (king," 2011).”

While Dante seeks out knowledge, he is troubled by the implications that ti has for the status of his immortal soul. The ultimate weakness of this type of approach is that it leaves a lot of untied loose ends in terms of reconciling secular and religious knowledge. Circles 6 through 9 of the underworld are where the worst sinners are consigned and it is sad to see a Renaissance thinker have this view of knowledge even during a time where ancient knowledge is being rediscovered ("Circle 5, cantos 7-9 ," 2011) . Is it possible that even during a time of liberalization, we are afraid of new knowledge so much that we would attach the worst of all taboos to it and classify it as amongst the worst evils? Apparently, this could be the case even during the Renaissance.

Conclusion

In conclusion, this author has a much greater appreciation of the impact of the Inferno upon the mind of the public of the late Middle Ages and the early Renaissance. The ability to reconcile Church dogmas with secular knowledge is explored, not totally satisfactorily. In the sixth circle, which Dante and Virgil need heavenly help to access, they still find themselves amongst the heretics who dig their own pursuit of secular knowledge. It is ironic that this dispute between religion and secular knowledge continues even to this day as being unresolved.

Resources

Circle 5, cantos 7-9. (2011). Retrieved from http://danteworlds.laits.utexas.edu/circle5.html.

Dante, A., & Musa, M. (1996). Dante alighieri's divine comedy, vol. 1: inferno . Bloomington, IN: Indiana Univ Press.

John 8:32 (king james version). (2011). Retrieved from http://www.biblegateway.com/passage/search=

John+8%3A32&version=KJV

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