...Elise Rivas The Importance of Being Earnest Timed Write Mrs. O’Connell Prompt: Write a well-crafted essay that agrees with, disagrees with, or qualifies the following statement: Wilde’s play, The Importance of Being Earnest is a satirical look at a variety of social ills that Wilde would like to see changed. Saturday Night Live, a show on NBC dedicated entirely to skits mocking pop-culture, never shies away from provoking an audience. Nor does the show hide behind fears of flaunting an opinion. During the 2008 Presidential Election, one would have to be quite oblivious to not see the show’s blatant endorsement for Barack Obama. Each show begins with a political skit. But beyond SNL’s opinionated nature lies a desire to poke fun at the meaningless, trivial features of society. Most of the skits have no depth, like “Debbie Downer” and “Opera Man.” Oscar Wilde, particularly in his play The Importance of Being Earnest, like SNL, is funny for the sake of being funny. There is no implicit message. Wilde merely desires to provoke the audience by broaching laughable features of society. One would be thinking too intensely if one believes Wilde was proposing a societal change. A main focal point of satire in Wilde’s The Importance of Being Earnest is towards the overbearing romanticism of relationships and in life. For example, Cecily, a young, googly-eyed girl, writes letters to herself from her imaginary suitor, Ernest. While explaining to her fiancée, Algernon, she...
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...“Wilde empowers his female characters but also undermines them”. To what extent do you agree with this view? Wilde’s comedy of manners play, The Importance of Being Earnest, holds a satirical outlook on Victorian life. Wilde uses both satire and farce in his play written and set in 1895 to depict a slightly exaggerated version of society as it was, with all its forms of hypocrisy, double standards and repression of women. Wilde chose to invert the usual gender roles in Victorian literature by portraying the women with a position of power and influence in their relationships and the men as fairly passive. However, as Jack Worthing and Algernon Moncrieff “Bunbury” about the women they love, they appear to dominate not only their facades but the women’s own lives and relationships. In addition, Wilde uses comedic effects throughout the play when presenting Lady Bracknell, Gwendolen Fairfax and Cecily Cardew, allowing them to be seen collectively as foolish and incredibly naïve. Lady Bracknell is first and foremost a symbol of Victorian earnestness. Initially, we see that she is powerful, arrogant, conservative, and proper. In many ways, she represents Wilde's negative opinion of the Victorian upper-class, their power and conservative and repressive values. Lady Bracknell's authority and power are extended over each and every character in the play. Her decision about the suitability of both marriages in the play provides the conflict of the story. She tells her daughter quite...
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...People tell white lies so they don’t hurt other people. Oscar Wilde uses satire in many different forms in the play called The Importance of Being Earnest. The one that is going to be explained in this essay is lies. Lying can become a second nature for some people. Oscar wilde makes fun of people for telling the truth and saying that they should lie. Lying is being untruthful to make yourself to look better. The two main people that lie in this play are Jack and Algernon and they lie over little things. They both lie to the girls they like and say that their names were Ernest “I have always pretended to have a younger brother of the name Ernest , who lives in Albany and gets into the most dreadful scrapes” (Jack Act 1). This...
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...Satire Within The Importance of Being Earnest Comedy is normally intentioned to be engaged in theatrical plays to develop a significant message. In witty, comical plays like “The Importance of Being Earnest”, the author, Oscar Wilde’s key objective is to create comedy in a number of situations creating ridiculous occurrences and absurd characters. Wilde presents the character(s) in the comedy play to obtain weaknesses, conceits, and lack of insight so that their acts can be easily compared between real life and form a sense of humor within the audience. Comedy of matters is a category of play suitable to uncover the superficial values of the dominant class in society written in a satirical but natural way. Wilde satirizes the values of the Victorian higher class using the characters Jack, Gwendolen, Algernon, Cecily, and Lady Bracknell. There are many examples from “The Importance of Being Earnest” that depict comedic and satire elements through themes like marriage and triviality. The nature of marriage, critique of marriage as a social tool, is a theme that is portrayed throughout Wilde’s play. It is also the most valuable during the Victorian era and to most of the characters especially to Lady Bracknell. She represents the predictable fascinations of the Victorian name such as social class, income, and an acceptable character. She views marriage as a financial business and does not approve of Jack to marry her daughter, Gwendolen, and simply because he is an orphan....
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...attitudes to marriage and respectability satirised in ‘The Importance of Being Earnest’? Oscar Wilde uses the play ‘The Importance of Being Earnest’ to mock and ridicule the attitudes and popular conceptions towards marriage and respectability of the upper class in his own time which he believed to be purely superficial. Through the use of controversial satirical caricatures- in particular Lady Bracknell - Wilde often exaggerates behaviour and language when addressing the topic of marriage to instigate humour. The comedy which is thus generated by Wilde’s epigrams, stereotypes and heavy irony invites the audience to laugh at the ridiculousness of their own attitudes in order to teach them a moral lesson. Marriage has always been subject to the whims of fashion, but in Wilde’s era the problem as he saw it, was that marriage appeared to have lost any connection with love. The societal rules and rituals which had to be followed for the arrangement of a marriage were necessary to sustain or improve an individual’s social position; eligibility was determined by a thorough interrogation of an individual’s name, wealth, family background and rank. However it could be argued that far from pushing the boundaries in making the audience understand their shallow values in relation to marriage and respectability one of the huge structural ironies of the comedy is that all characters marry their social equals- whether this is because Wilde thinks that they deserve each other or whether his challenge...
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...English 202 8 June 2014 Final Paper In “The Importance of Being Earnest,” Oscar Wilde unmasks the societal contradictions of modern Victorian society. In a way this story is a Comedy of Manners because it makes fun of the idea of the upper class and how the people in it went about getting married. I think Wilde was trying to accomplish something when writing this story and that was to show how ridiculous the process of marriage was in the upper class in particular. His main point of this story is to show how shallow and hypocritical Victorian society is. The main two characters in the story are Jack and Algernon. They both have alter ego’s in order to escape the restraints that Victorian society impresses upon them. Jack is expected to take care of the young Cecily but he cannot resist the urge to party and have fun. As a result, he comes up with an alter ego named Ernest. He tells Cecily that Ernest is his younger brother and that he gets in trouble all the time. Being that he is the older brother he expresses that he has to get his Ernest out of trouble all the time when really he is just partying and escaping the life he really doesn’t want to live. Algernon also has an alter ego named Bunbury whose grave health conditions provide him with the excuse to escape to the country as and when he pleases. The fact that the two main characters have created alter egos to escape the life they are currently living shows that Wilde wanted to portray how people would do certain things...
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...Horatian and Juvenalian Satire Satire has many definitions, but according to Merriam Webster satire can be defined as “A literary work holding up human vices and follies to ridicule or scorn” (Webster). This definition is likely used by many authors who exercise the application of satire. Satire has been in literature since ancient times; it is derived from the Latin satura, meaning "dish of mixed fruits," (Weisgerber). Many satirists have shared a common aim: to expose foolishness in all its guises — vanity, hypocrisy, formalism, reverence, and the intolerance toward those who hold different opinions from oneself (Moyers). As previously mentioned, the term satire was originally derived from satura, defined by Quintilian, a roman rhetorician (Clarke). It was later discovered that two Roman poets, Juvenal and Horace, were responsible for further defining satirical works by their literary tone (Moyers). Thus, creating a systematic way to categorize satire into two different types, Horatian satire which approaches satirical observations, literature and performance in a humorous and lighthearted manner, and Juvenalian satire, which focuses on specific verbal or literary attacks on corrupt ideals or individuals (Weisgerber). I view Horatian satire as clever and humorous and find that it generally mocks others. Horatian is not negative; it aims to make fun of human behavior in a comic way. In a work using Horatian satire, readers often laugh at the characters in the story who are...
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...dramatic genre of comedy is relevant to Oscar Wilde’s The Importance of Being Earnest? The philosopher and literary critic Sigmund Freud agreed with Bentley’s statement on the dramatic genre of comedy, agreeing that ‘every joke contains an element of seriousness; a joke is never just a joke’. Wilde uses many aspects of comedy to back this opinion. The character of Lady Bracknell was created as a comic tool by Wilde to generate fun for the audience; her dialogue is essentially a way of creating humour, despite her domineering nature which is made absurd and ridiculous to mock the upper classes. This creates a light hearted tone. However, Wilde also uses the character of Lady Bracknell to express the undertone of catastrophe through her unwittingly funny comments on serious subjects. As soon as Lady Bracknell enters in Act one Wilde uses her as a tool to mock marriage. She talks about Lady Harbury who has recently lost her husband and, Lady Bracknell comments, ‘she looks quite twenty years younger’. Lady Harbury looking well is certainly due to the restraints of her strict Victorian marriage being broken, so she can now live ‘for pleasure’. In the 21st century if your husband died you would mourn his death, because modern marriages are mainly for love, not to gain status and money. This is part of the tone which Wilde has set of frivolity over sincerity. During Bracknell’s interrogation of Jack after his proposal to Gwendolyn, Wilde fills the dialogue with quips at the aristocracy...
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...The Importance of Being Earnest Draft The opening scene of ‘The Importance of Being Earnest’ establishes the play as a Comedy of Manners as Wilde as immediately introduces some of the key ideas behind his satire of the middle classes, for example triviality and a lack of moral values. The setting of a flat on Half Moon Street immediately gives a sense of affluence. The description of the furniture with the adverbs ‘luxuriously and artistically’ deliberately focuses on aesthetic and makes no reference to substance or function, which reflects the superficiality of the upper classes whom Wilde will be satirising throughout the play. This introduces a sense of decorous pretence, which creates the perfect mood for Wilde’s comedy of manners. Algernon’s initial dialogue is a conglomerate of puns which immediately establishes him as a comical character and the archetype of the upper class bachelor. This is essential as Algernon is central to Wilde’s comedy of manners as he exemplifies the frivolity and hypocrisy of the upper classes, which Wilde will be satirising throughout the play. ‘…I play with wonderful expression. As far as the piano is concerned, sentiment is my forte.’ The use of the word ‘forte’ here is punning and ironical, as it can mean both a speciality, and a technique used by musicians in which the volume is increased to emphasise emotion. While Algernon did indeed play loudly, he claims ‘sentiment is my forte’, which is a reversal of the purpose of the musical...
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...Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Lenka Drbalová Comedy of Manners: William Congreve and Oscar Wilde Bachelor’s Diploma Thesis Supervisor: prof. Mgr. Milada Franková, CSc., M.A. 2014 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank prof. Mgr Franková , CSc., M.A. and PhDr. Věra Pálenská, CSc. for their guidance, advice and kind encouragement. Table of Contents Preface ...............................................................................................2 Introduction ......................................................................................3 Chapter I – The Way of the World 1.1 In General ..................................................................................8 1.2 True Wit and False Wit ............................................................9 1.3 Courtship and Love .................................................................14 1.4 Invention vs. Reality ................................................................18 Chapter II – The Importance of Being Earnest 2.1 In General ................................................................................22 2.2 True Wit and False Wit ..........................................................23 2.3 Courtship...
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...Comparison Essay The literary works Pride and Prejudice and The Importance of Being Earnest are interpreted as “comedies of manners.” Jane Austen and Oscar Wilde use satire to criticize their own respective societies in their work. Both works were written around the same time period, leading to correlations between the novel and play. However, both works are distinctly different from each other. The commonalities and differences between them consists of: the author’s perspective of their respective society, themes, and relevance to the society of today. The perspective of society plays a significant role when evaluating how Austen and Wilde viewed their respective societies. In each evaluation, both authors share a fair bit of commonalities...
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...The importance of being Earnest Values and attitudes of 1895 – The aristocratic Victorians valued duty and respectability above all else • Earnestness — a determined and serious desire to do the correct thing — was at the top of the code of conduct. Appearance was everything, and style was much more important than substance. So, while a person could lead a secret life, carry on affairs within marriage or have children outside of wedlock, society would look the other way as long as the appearance of propriety was maintained. For this reason, Wilde questions whether the more important or serious issues of the day are overlooked in favor of trivial concerns about appearance. Gwendolen is the paragon of this value. Her marriage proposal must be performed correctly, and her brother even practices correct proposals. Gwendolen's aristocratic attitude is "In matters of grave importance, style, not sincerity is the vital thing." The trivial is important; the serious is overlooked. • The tea ceremony in Act II is a hilarious example of Wilde's contention that manners and appearance are everything. The guise of correctness is the framework for war. Both women, thinking they are engaged to the same person, wage a civilized "war" over the tea service while the servants silently watch. When Gwendolen requests no sugar, Cecily adds four lumps to her cup. Although she asks for bread and butter, Gwendolen is given a large slice of cake. Her true feelings come out only in an aside that Cecily...
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...Narrative A narrative is a sequence of events that a narrator tells in story form. A narrator is a storyteller of any kind, whether the authorial voice in a novel or a friend telling you about last night’s party. Point of View The point of view is the perspective that a narrative takes toward the events it describes. First-person narration: A narrative in which the narrator tells the story from his/her own point of view and refers to him/herself as “I.” The narrator may be an active participant in the story or just an observer. When the point of view represented is specifically the author’s, and not a fictional narrator’s, the story is autobiographical and may be nonfictional (see Common Literary Forms and Genres below). Third-person narration: The narrator remains outside the story and describes the characters in the story using proper names and the third-person pronouns “he,” “she,” “it,” and “they.” • Omniscient narration: The narrator knows all of the actions, feelings, and motivations of all of the characters. For example, the narrator of Leo Tolstoy’s Anna Karenina seems to know everything about all the characters and events in the story. • Limited omniscient narration: The narrator knows the actions, feelings, and motivations of only one or a handful of characters. For example, the narrator of Lewis Carroll’s Alice’s Adventures in Wonderland has full knowledge of only Alice. • Free indirect discourse: The narrator conveys a character’s inner thoughts...
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...http://www.historytoday.com/jerome-de-groot/signposts-historical-fiction These were some of the questions raised at a recent conference at the Institute of Historical Research at which History Today Editor, Paul Lay, hosted a discussion between Hilary Mantel, author of Wolf Hall, and the Tudor historian David Loades. Historians often describe themselves as detectives, seeking out a kind of truth among the conflicting evidence of the past. There is, furthermore, a large and growing subgenre of historical crime fiction. From C.J. Sansom to Philip Pullman, from Orhan Pamuk to Walter Mosley, from Ellis Peters to Boris Akunin, novelists have been keen to use the past as a backdrop for their stories of detection and mystery. The most famous historical detective might be Brother William of Baskerville in Umberto Eco’s peerless The Name of the Rose (Il nome della rosa, 1980). Recently we have seen a flowering of historical crime fiction as the subgenre attains maturity and becomes increasingly popular and innovative. Jason Goodwin, Philip Kerr and Susan Hill were all shortlisted for the prestigious Crime Writers Association Dagger this year (recent historical winners include Arianna Franklin, Jake Arnott and Craig Russell). Clearly the combination of thriller, crime and historical detail is compelling. Anne Perry’s new Inspector Pitt novel, Betrayal at Lisson Grove (out in paperback from Headline this year) is a pacy, twisting thriller. It is 1895 and Pitt is up against a conspiracy...
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...Министерство образования и науки Республики Казахстан Кокшетауский государственный университет им. Ш. Уалиханова An Outline of British Literature (from tradition to post modernism) Кокшетау 2011 УДК 802.0 – 5:20 ББК 81:432.1-923 № 39 Рекомендовано к печати кафедрой английского языка и МП КГУ им. Ш. Уалиханова, Ученым Советом филологического факультета КГУ им. Ш. Уалиханова, УМС КГУ им. Ш. Уалиханова. Рецензенты: Баяндина С.Ж. доктор филологических наук, профессор, декан филологического факультета КГУ им. Ш. Уалиханова Батаева Ф.А. кандидат филологических наук, доцент кафедры «Переводческое дело» Кокшетауского университета им. А. Мырзахметова Кожанова К.Т. преподаватель английского языка кафедры гуманитарного цикла ИПК и ПРО Акмолинской области An Outline of British Literature from tradition to post modernism (on specialties 050119 – “Foreign Language: Two Foreign Languages”, 050205 – “Foreign Philology” and 050207 – “Translation”): Учебное пособие / Сост. Немченко Н.Ф. – Кокшетау: Типография КГУ им. Ш. Уалиханова, 2010 – 170 с. ISBN 9965-19-350-9 Пособие представляет собой краткие очерки, характеризующие английскую литературу Великобритании, ее основные направления и тенденции. Все известные направления в литературе иллюстрированы примерами жизни и творчества авторов, вошедших в мировую литературу благодаря...
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