...Screams and gasps are heard throughout a mysterious Friday night. Rushing in to view late-night movies, crowds witness as a horror movie constructs its debut during its opening weekend. As an aspect of pop culture that is always popping up, especially as the nights begin to chill and the leaves fade away, the horror genre is scary. With aspects that are so apparent in the media, with trailers for the upcoming scary movie always appearing on our televisions and anybody around the block adding a little bit of spooky to their décor, spine-chillingarticles surround us, but are they actually okay for younger children to be watching? No. But what about the ever-changing group of teenagers? Correspondingly, more mature than their youthful counterparts, but unable to handle as much as an adult, the adolescent rang can be quite confusing. However, it appears quite...
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...Screams and gasps are heard throughout a mysterious Friday night. Crowds rush in to view late-night movies as a horror movie constructs its debut during its opening weekend. The horror genre is an aspect of pop culture that is always popping up, especially as the nights begin to chill and the leaves fade away. Moreover, these aspects are so apparent in the media, with trailers for the upcoming scary movie always appearing on our televisions and anybody around the block adding a little bit of spooky to their décor, but are they actually okay for younger children to be watching? No. But what about the ever-changing group of teenagers? Correspondingly, more mature then their youthful counterparts, but unable to handle as much as an adult, the...
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...Do you believe that you should read the book “The Tell-Tale Heart”by Edgar Allen Poe? Well if you feel like you should not then that is why I am here.I believe that you should read it and here is why.It is a very good book,it will make you want to read more,and it is not a scary book.The reason I said it is not a scary book is because it is a story of Gothic Horror. So back to my first reason,it is a very good book to read.This is a good book to read on your spare time.While some people believe that reading is a waste of time.At the beginning of the book--I didn’t get what the servant was talking about.So I read on my spare time to get a greater understanding. If you took my advice on reading it on your spare time it begins to get interesting.It has very intense scenes like when the servant suffocates the man with the bed and when he cuts the arms and legs off of the man and hid his body under the floor board.The novel is kind of sad but not scary.Especially when the servant killed the old man because of his pale blueish eye.Some people might say that the story is not a little sad and that it is boring but I personally believe it is sad(Tip:Dont be discouraged of reading it because I said that)....
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...Horror BOO! Did that scare you? I wouldn’t think so, but I do think that you have been scared by some horror movies before. Horror movies have used a wide range of techniques to stand out amongst all of the other types of movies. There are quite a few horror movies and their style has changed throughout the years. Many things have changed except for the techniques used within them, and trust me there are quite a few, and all of these techniques can show why horror is so much more different than other genres. Each era of horror has had a different way of expressing itself. There were many subgenres. Horror had started off as any normal movie genre should, literature. Things like Frankenstein and Dr. Jekyll and Mr. Hyde. By this time, the genre...
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...What Aspects Of Your Chosen Horror Film Make It Horrific? In the following essay I will focus on the horror genre as well as horror aspects from the film, "An American Werewolf In London," (D. John Landis 1981). Whilst "An American Werewolf..." isn't one of the most horrific films made, and is at heart a black comedy, it still includes a lot of codes and conventions of the horror genre which makes it not only a horrific film, but one of the most memorable werewolf films in movie history. Using special effects and filled with bloody gore, "An American Werewolf" still looks as horrifyingly real as it did 27 years ago. Opening on the eerie Yorkshire moors, "An American Werewolf" centers around two American backpackers who are attacked by a werewolf after leaving a small village in the middle of nowhere. Having been warned by mysterious locals not to leave the road or go onto the moors, the two ignore the warnings and pay for it when one of them is killed and the other bitten by the wolf. In these opening fifteen minutes, the follows many codes and conventions used throughout the horror/monster genre. The first convention is the gothic setting of the opening that is the yorkshire moors. Typically of the horror genre, the setting is shown to be damp, cold, dark and full of mist. Preying on the audience's fears of being alone in the middle of the wilderness the film displays the truly horrific nature of isolation. Like any typical horror film, the setting for the...
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...The trailer for the Silence of the Lambs sets the genre of the film as a thriller using various codes and conventions throughout the trailer and the quick establishment of the main character Starling who is a police officer. The use of a voice over allows the audience to know what is occurring and what the protagonist will have to face. The voice over explains severely murder have been occurring, the introduction of Starling allows he audience to have hope that she will be able to solve the murders. Starling is presented as being brave, telling the audience she “does not scare easily”. “At first the trailer begins with a non diegetic sound of a low tone soundtrack that eventually turns into a metal music with screams, this indicates to the audience that the rest of the trailer will be a dark heavy tale. The...
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...He advanced into cinematography in 1914 and soon after made memorable films such as The Three Musketeers (1921), Robin Hood (1922), The Thief of Bagdad (1924), and the much-admired The Lost World (1925). By the 1930s, he combined his creative talents “with director James Whale, for whom he photographed the first three of Whale's quartet of horror films: Frankenstein (1931), The Old Dark House (1932), and The Invisible Man (1933)” (Wikipedia). Edeson’s cinematic technique can be seen elsewhere in film like The Maltese Falcon (1941), Sergeant York (1941), Casablanca (1942), The Mask of Dimitrios (1944), and Three Strangers (1946). The excellent cinematography in Frankenstein evokes a surreal and mysterious quality, perfectly matching the thunder and lightening storm above the gloomy castle in classic black and white imagery, and capturing that German Expressionism completely, from acting to set design, everything is wonderfully filmed, but as film critic Leonard Matlin mentions in his book Leonard Maltin's Movie and Video Guide 1994, “It’s creaky at times, and cries for music score, but it’s still impressive” (Maltins 441). Historians will point out,...
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...populated by demons and darkness, early Egyptian mythology resounds with tales of a world beyond the physical, a realm of the spirits, to be revered and feared. Classical mythology is filled with monsters such as the Cerberus, the Minotaur, Medusa, the Hydra, the Sirens, Cyclops, Scylla and Charybdis, to name just a few. Every culture has a set of stories dealing with the unknown and unexplained, tales that chill, provoke and keep the listener wondering "what if..?" Horror films are the present-day version of the epic poems and ballads told round the fires of our ancestors. Horror movies of the 1970s reflect the grim mood of the decade. After the optimism of the 1960s, with its sexual and cultural revolutions, and the moon landings, the seventies was something of a disappointment. By 1970, the party was over; the Beatles split, Janis Joplin, and Jimi Hendrix died, while John Kennedy, his brother Robert, and Martin Luther King were all felled by an assassin’s bullet. These tragedies seemed to be just the first domino to fall, for then came Nixon, Nam, oil strikes, Watergate, and when society goes bad, horror films tend to get a resurgence, as a result of this turmoil, the 1970s marked a return to the big budget, respectable horror film, dealing with contemporary societal issues, addressing genuine psychological fears. It was within these times that horror was once again considered a dead genre. Much like the Western movies were...
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...A funny new twist on a classic love story, WARM BODIES is a poignant tale about the power of human connection. After a zombie epidemic, R (a highly unusual zombie) encounters Julie (a human survivor), and rescues her from a zombie attack. Julie sees that R is different from the other zombies, and as the two form a special relationship in their struggle for survival, R becomes increasingly more human - setting off an exciting, romantic, and often comical chain of events that begins to transform the other zombies and maybe even the whole lifeless world As much as I enjoy "The Walking Dead" on AMC and movies such as "28 Days Later," one of my ongoing complaints about the explosion of the zombie genre is the general mopery and overall predictability of those ever-staggering creatures. They lurch. They snarl. They sniff the air for the scent of human flesh. They pounce and gnaw. They pound windows and doors, and express frustration when confronted with 10-foot-high cyclone fences. And then they get shot in the head and die. That's pretty much it. We almost never get inside the rotted mind of the zombie or see things from the zombie point of view. They're forever penned in as the Big Metaphor. One of the many exhilarating pleasures of "Warm Bodies" is the flipping of that script. This is a bloody fresh twist on the most popular horror genre of this century, with none-too-subtle echoes of a certain star-crossed romance that harks back to a certain bard who placed a certain...
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...tsunami wave that not only became highest grossing horror film in the country, but also shuddered Taiwanese, Korean, Hong Kong film markets. Following years many publications included it to the numerous symbolic "top 10 most scary films" lists. And when Steven Spielberg bought the rights to make the Hollywood remake it was seen as official evidence that Japanese horror cinema became new trendsetter in this genre and gained cult status in the West. Nowadays with numerous follow-ups within the Ring franchise and triggered a trend of Western remakes "Ring" is viewed as exemplary illustrative Asian horror movie. I will argue that the wide success of the movie is caused not by its deep cultural ties with Japanese cinema and Japanese horror movies in particular, but because on the contrary "Ring" has little to do with its traditional background. Hideo Nakata deliberately cut off all the cultural traces in order to make cinematic language of the movie universal and cosmopolitan thus giving a way for its intercultural translation and to be easily replicated. In order to do it first I will analyze different Japanese merchandizing strategies and study the film as a media product. Second, I will briefly overlook history and main stylistic traits of Japanese horror movie genre. In my general overlook on Japanese horror cinema, I will focus on two main horror film sub-genres kaidan and ero guro and will give few examples of classical horror films. Then, I will analyze plot and themes of the...
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...Chapter 1 Introduction Background of the Study In the world of reading, our interest is one of the most salient factor that needs to be consider. It depends on the reasons why we read a certain material. We read because we are force to do so, for school requirements or we read we like it. If we like to read, reading materials matters most. Among the four macro skills in learning, Reading is the most important that a person needs to acquire because it is a vehicle that can be used to know and discover the world of learning and experiences. Reading defined as the process of decoding the printed materials. It is the very important aspect in education. It is basic tool of all subject areas. As stated by Santiago (2003) of Department of Education, National Capital Region. Reading is the mother of all skills. Reading is one of the myriad vehicles that provide readers with opportunities to anchor their spaceship of eagerness and interests – to know and discover the secrets behind the wonderful planet of vision and ideas. (Violesa S. Adrian) However, students nowadays, reading is taken for granted. They access to almost anything electronic such that old habits like playing street games or even reading have almost gone extinct. And one important educational issue is to increase the amount of interesting reading that students engage in. The bulk of the research in this area examined text characteristics that contribute to making reading materials more interesting. Gregg Schraw...
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...PHILIPPINE FOLKLORE: ENGKANTO BELIEFS HISTORICAL BACKGROUND: Philippine mythology is derived from Philippine folk literature, which is the traditional oral literature of the Filipino people. This refers to a wide range of material due to the ethnic mix of the Philippines. Each unique ethnic group has its own stories and myths to tell. While the oral and thus changeable aspect of folk literature is an important defining characteristic, much of this oral tradition had been written into a print format. University of the Philippines professor, Damiana Eugenio, classified Philippines Folk Literature into three major groups: folk narratives, folk speech, and folk songs. Folk narratives can either be in prose: the myth, the alamat (legend), and the kuwentong bayan (folktale), or in verse, as in the case of the folk epic. Folk speech includes the bugtong (riddle) and the salawikain (proverbs). Folk songs that can be sub-classified into those that tell a story (folk ballads) are a relative rarity in Philippine folk literature.[1] Before the coming of Christianity, the people of these lands had some kind of religion. For no people however primitive is ever devoid of religion. This religion might have been animism. Like any other religion, this one was a complex of religious phenomena. It consisted of myths, legends, rituals and sacrifices, beliefs in the high gods as well as low; noble concepts and practices as well as degenerate ones; worship and...
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...Chapter 1 The Christmas dinner dispute introduces the political landscape of late nineteenth-century Ireland into the novel. This is the first Christmas meal at which Stephen is allowed to sit at the grown-up table, a milestone in his path toward adulthood. The dispute that unfolds among Dante, Mr. Dedalus, and Mr. Casey makes Stephen quickly realize, however, that adulthood is fraught with conflicts, doubts, and anger. This discussion engenders no harmonious Christmas feeling of family togetherness. Rather, the growing boy learns that politics is often such a charged subject that it can cause huge rifts even within a single home. Dante's tumultuous departure from the dinner table is the first in a pattern of incidents in which characters declare independence and break away from a group for political and ideological reasons. Indeed, the political landscape of Ireland is deeply divided when the action of the novel occurs. Secularists like Mr. Dedalus and Mr. Casey feel that religion is keeping Ireland from progress and independence, while the orthodox, like Dante, feel that religion should take precedence in Irish culture. The secularists consider Parnell the savior of Ireland, but Parnell's shame at being caught in an extramarital affair tarnishes his political luster and earns him the church's condemnation. This condemnation on the part of the church mirrors Stephen's shame over expressing a desire to marry Eileen Vance, who is Protestant. On the whole, however, Stephen's reaction...
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...CHAPTER ONE INTRODUCTION 1. Background to the Study Films, generally, serve as a tool for national integration and development. Major types of film are home video, which develop, until now, from what is formerly known as cinema or stage play/drama. As part of mass media, home videos play the important roles of informing, educating, entertaining and transmitting social heritage. Through their educational role, however, home videos concern themselves with evolving a better society by exposing societal ill and wrongs. Since the emergence of home videos, at the turn of the twenty-first century the films industries, and both male and female actors in Nigeria, Nollywood, have considerably influenced the habits, belief systems, style of dressing and other behavioural idiosyncrasies on many Nigerian youths. Thus, one can say, however, that the emergence of home videos have helped to promote the Nigerian cultural heritage; aside this, it has awaken in many youths the Nigerian culture that was once lost during the colonial period. There are also negative effects of home videos on audiences. However, there have been cases where home videos are criticized to the cause for some societal ills. Social critics, who believes in this school of thought says that some antisocial behaviours like violence and extravagant life that many films portrays in their content perceptibly affect the behavior of the audience. Nonetheless, all these sum up to mean that home videos have both positive...
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...‘GUNDA’ AND ‘LOHA’ A STUDY OF CULT FILM CULTURES KSHITIJ PIPALESHWAR A dissertation submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Media and Cultural Studies School of Media and Cultural Studies Tata Institute of Social Sciences Mumbai 2013 i DECLARATION I, Kshitij Pipaleshwar, hereby declare that this dissertation entitled ‘ ‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the outcome of my own study undertaken under the guidance of Assistant Professor K.V.Nagesh Babu, Centre for Critical Media Praxis, School of Media and Cultural Studies, Tata Institute of Social Sciences, Mumbai. It has not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or of any other institute or university. I have duly acknowledged all the sources used by me in the preparation of this dissertation. 3rd March 2013 Kshitij Pipaleshwar ii CERTIFICATE This is to certify that the dissertation entitled ‘‘Gunda’ and ‘Loha’ : A Study of Cult Film Cultures’ is the record of the original work done by Kshitij Pipaleshwar under my guidance and supervision. The results of the research presented in this dissertation/thesis have not previously formed the basis for the award of any degree, diploma, or certificate of this Institute or any other institute or university. 4th March 2013 K.V.Nagesh Babu Assistant Professor Centre for Critical Media Praxis School of Media...
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