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Something Borrowed Malcolm Gladwell Analysis

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Malcolm Gladwell writes about plagiarism, and the difficulties with it, in his short article “Something Borrowed”. He addresses three key issues with plagiarism. First, when it comes to literature copying is never acceptable. Second, what will or will not inhibit creativity. Lastly, to what degree does the author’s words have eternal life. Gladwell takes a stance on “plagiarism fundamentalists” needing to change their standards on borrowing that could be transformative versus borrowing that is derivative. Plagiarism is disapproved of in literature but is outlined and acceptable in music, media and pharmaceuticals, therefore demanding a change be made to plagiarism fundamentalist.
Plagiarism, depending on the medium, has different meanings. In order to avoid plagiarism credit needs to be given or permission needs to be granted. Gladwell writes about Lavery
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Those notes can only be sequenced so many times before they are repeated by a new musician and called “original”. Intellectual property has been protected in the courts systems, but has favored personal interest over creativity and borrowing. In the case of Weber vs. Repp for example, Repp was claiming to be the owner of the copied Catholic folk music stolen to create music by Weber. With help from a lawyer, it is proven that Weber wrote a song previous to the music and songs by Repp. It was demonstrated that Weber wrote a song, Repp wrote another song sounding similar, and then Weber wrote the song in question. This showing that Weber borrowed from himself and Repp borrowed from him. The musical notes played in the same sequence were copied by both composers and therefore the courts dismissed the case, musical notes are not owned by any one composer. It does not matter what you copy but how much you choose to take. The idea behind Gladwell’s argument is that borrowing some to be creative is and needs to be acceptable in the eyes of “plagiarism

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