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Spanish Movie Analysis

In: Film and Music

Submitted By tstimpert15
Words 1384
Pages 6
Hispanic Women’s Film
Examen Parcial
1. a. María Novaro- Danzón Esta obra fue influenciado por las ideas feministas, por eso reacciona contra la idea tradicional de las mujeres mexicanas. Por ejemplo, ella retrata la cultura del salón de baile mexicana tradicional que tiene códigos sexuales estrictos y procedimientos y contrastes él a la ciudad del puerto de Veracruz. El mensaje de su pelicula tiene dos partes. Primero, el viaje de una mujer sola, independiente para encontrar a un hombre la lleva al descubrimiento del uno mismo. Segundo, la importancia de la solidaridad femenina y la comunidad.
b. Sabina Berman- Traspatio
Berman fue influenciada por la enorme violencia relacionada con la guerra contra las drogas y el neoliberalismo, que se encuentra en la frontera entre México y E.E.U.U. Su mensaje es educar a la gente sobre la violencia y la injusticia hacia las mujeres y sus cuerpos en esta ciudad. Berman quiere que la gente (en particular mexicanos) sepa lo que pasa en México y anímelos a no ser indiferentes o ignorantes.
c. Julie Taymor/Salma Hayek- Frida Taymor fue influenciada de la vida de la artista Frida Kahlo, su arte, su actitud feminista y su aceptación de sí misma y de su cuerpo. La película tiene muchos mensajes; el amor y sus alegrías y dificultades, la inevitabilidad de la vida y de la muerte, arte y cómo Frida utiliza su influencia en su vida, la independencia como una mujer y co-dependencia en el matrimonio, y la fidelidad y la lealtad.
d. Mariana Chenillo- Cinco días sin Nora Esta película fue influenciada por los abuelos de Mariana Chenillo, que eran muy similares a José y Nora. La película es sobre compasión, secretos, muerte y cierre (“closure”). También hay un mensaje de la religión y su influencia.
e. María Luisa Bemberg- Camila y De eso no se habla.
Bemberg decidió seguir dirigiendo porque quería cambiar lo que la imagen de la mujer estaba en América Latina. Ella es famosa por interpretar a mujeres de América del Sur y también se centró en las temas de feminism y independecia.
2. En Danzón, la protagonista es Julia, una bailarina que también es una madre soltera. Ella se caracteriza por ser una mujer de espíritu. A lo largo de la película, vemos el cambio de Julia que necesita el acompañamiento de su pareja a una mujer que es más independiente.
En El traspatio, Blanca Bravo y Juana son las protagonistas. Blanca es parte de la policía, y ella es una mujer que representa a la heroína para las mujeres en Mexico. Ella es una mujer decidida e independiente que quiere justicia para las mujeres que han sido asesinadas, y ella cambia de ser un apego emocional a cada víctima para convertirse en una mujer más fuerte. Juana es una niña que al principio es inocente, pero luego se vuelve más independiente y segura.
En Frida, Frida Kahlo es la protagonista. Ella es muy independiente durante toda la película. Conforme avanza la película, ella se convierte en una mujer más fuerte, ya que ella se ocupó con su fatal accidente y matrimonio en problemas. Muchas de las situaciones y emociones en su vida se reflejan en su arte a lo largo de la película.
En Cinco días sin Nora, José es el protagonista de la película. En la película, José se demuestra que es un hombre terco establecido en sus caminos; sin embargo, él cambia de a un comprensivo y compasivo hombre más, sobre todo con su familia.
En Camila, Camila es la protagonista. Ella se muestra como una mujer de espíritu joven que quiere más a sí misma en su vida. Desde el principio, tenemos que ella está decidida a luchar por lo que quiere, y al final, vemos que ella se había convertido en la mujer más fuerte que ella podría ser, luchar por lo que ella quería.
En No se habla de eso, Carlota es la protagonista. Ella es una niña inocente, que es mal entendido por la gente de su ciudad. Desde el principio, ella hace lo que su madre quiere que haga, pero ella se transforma en mujer que sabe lo que quiere, y va al lugar donde ella siente que pertenece.
3. Creo que Carmelo es el antagonista en Danzón porque representa la co-dependencia de las mujeres sobre los hombres.
Los hombres violentos serían los antagonistas en El traspatio, ya que son el razón de los actos violentos hacia las mujeres, y ya que no tienen respeto.
En Frida, su esposo Diego sería el antagonista, ya que él es un mujeriego y crea una gran cantidad de daño a Frida en toda la película y porque él no tiene respeto para mujeres o para matrimonio.
José sería el antagonista en Cinco días sin Nora, porque él es grosero con su familia y todos los que quieran ayudar con su entierro. Él es desagradecido en la película en su mayor parte.
En Camila, el padre es el antagonista principal, ya que él se aferra a sus creencias patriarcales, y está muy dominando con su familia.
En No se habla de eso, la antagonista sería su madre. Mientras que ella puede querer lo que es mejor para Carlota, Doña Leonor está controlando y le dice lo que debe hacer la mayor parte del tiempo.
4. En Danzón, Julia, who once danced with only one part of herself, now engages her whole self in the dance. As a woman, fully aware of her own desires and needs, she now gazes into Carmelo’s eyes with composure and confidence. En El traspatio, el final sugiere que esta brutalidad hacia las mujeres sigue ocurriendo, junto con las actitudes patriarcales. Acciones de Blanca fueron consistentes con una ley que es superior a la ley escrita.
En Frida, el final muestra dándole Diego su regalo de aniversario. esto sugiere que ella se va a morir, y aunque ella pudo haber conquistado mucho en su vida, la muerte se sigue a la espera de ella.
En Cinco días sin Nora, el final muestra a la familia de comer para la Pascua. Esto sugiere que todo era parte del plan de Nora, y que mientras ella puede haberse ido, ella fue capaz de reunir a todos para celebrar.
En Camila, ella y Ladislao son asesinados, y sus voces se escuchen hablando el uno al otro. Esto muestra el amor de los suyos en el más allá.
En No se habla de eso, Carlota encuentra los artistas de circo, y se da cuenta de que esto es donde realmente pertenece.
5. Julia de Danzón va contra el patriarcado porque ella se hace más independiente mientras viaja en Veracruz, y también asume el papel de un hombre en ciertos casos, como el tabaquismo después del sexo.
En El traspatio, Blanca no es la típica mujer. Ella es menospreciado por sus compañeros de trabajo masculinos, pero mantiene su determinación de luchar e ir en contra de lo que los hombres quieren que haga.
Frida también va contra el patriarcado, simplemente porque ella es una mujer que ha trabajado duro para llegar a donde ella estaba en su arte, y también no tener miedo de ceder a Diego cuando hizo su malestar.
Nora se consideraría el ama de casa tradicional, a pesar de que no vivía con José, en sus últimos años. Mientras que ella mantuvo su independencia, ella todavía se hizo cargo de la casa.
Camila va en contra del patriarcado, en la creencia de que hay más en la vida que la solución para cualquier hombre. Ella va en contra de su padre y lo que la sociedad quiere.
Carlota en un primer momento se entrega a lo que la gente quiere que haga; sin embargo, ella va en contra de su madre y su marido y decide ir al circo. Luego descubre que es el lugar que quiere ser.
6. Creo que, después de ver todas estas películas, la mujer ideal es aquel que es independiente y de espíritu libre. Mientras que el orden social y el patriarcado son favorables en la sociedad, la mujer ideal sería en contra de estas reglas y luchar por sus derechos si están oprimidos o tratado injustamente. Ella no tiene miedo de perseguir sus sueños o sus deseos, aunque si no son convencionales.

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