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Stereotypes In Phil Dunphy's Modern Family

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The good news is you’ve won a lifetime supply of razor blades. The bad news is you’re going to die. This is the dilemma that Phil Dunphy faces in sitcom Modern Family’s episode, ‘Lifetime Supply.’ For Those new to the series, Modern Family follows the lives of three very different families; 21 century gay couple with an adopted daughter, older man with glamorous young wife and the tradition yet dysfunctional nuclear family. The audience finds comedy in the unique stereotypes each character plays on and the relationship they share with each other, and through the episodes discover each character’s qualities, which makes them such memorable TV icons.

Phil’s end of his lifetime supply of razor blades isn’t his greatest problem though. Gloria’s dreams are plagued by black rats, and after consulting her Columbian traditions, believes that something bad is going to happen to someone close to her. What makes this scene so memorable is how absurd this belief seems to be. This is emphasised in Jay’s response, clearly not understanding Gloria’s cultural beliefs, saying, “well I dreamt of a lucky blue cow, were good to go.” This is just one example of the suburb stereotypes displayed by Gloria and Javier, focusing on spiritual and cultural stereotypes of Columbian people. …show more content…
An ever present tension exists between Javier and Jay as they compete for Manny’s affection, and unfortunately, Jay ends up on the short side of the stick. The scenes with Manny and Javier highlight a close father and son bond, and allude to Jay’s feelings of detachment from Manny, fearing that he will never be seen as a father in Manny’s eyes. This scene demonstrates stereotypes in step-father and son bonds, and adds an emotional edge that is rarely seen in Modern

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...I have chosen to evaluate a review of the new sitcom ‘Modern Family’. It is established that genres act as shortcuts and are ideological in nature. They serve to organise particular programs by providing artists with an understanding of its rules and conventions, audiences with an interpretative context, and institutions with a means to facilitate the sale of a particular media text to an audience. However, particular genres continually develop in an attempt to invent fresh concepts. Michael Idato’s review of ‘Modern Family’ highlights to a degree the traditional conventions of a sitcom, and examines how this program alters such a traditional framework in order to establish itself as unique. He also highlights the specific techniques used by the program to both capture and maintain an audience which involves a consideration of both program content and celebrity. Michael Idato highlights that ‘Modern Family’ consists of all the elements typical of a sitcom whose comic premise and structure revolves around a dysfunctional family. He recognises that its program content is derived ‘straight from the comedy playbook’ (Idato, 2010) as it explores the challenges of parenting, marriage and teenage romance which are so frequently touched upon. The diversity of the characters portrayed in ‘Modern Family’ inevitably allows for its interpretation as a traditional ‘character com’ (Aaronson, 2000, p.13). Its form therefore allows for the creation of opposing comic perspectives within particular...

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